Assassin’s Creed Odyssey Expands Even Further With The Fate Of Atlantis

The steady stream of post-launch content for Assassin’s Creed Odyssey has made the already massive open world game into one of Ubisoft’s largest titles to date. With the upcoming Fate of Atlantis expansion, you’ll now be able to take a break from the world of Ancient Greece and venture out into a new setting that goes even further with its admiration for Greek mythology. Just ahead of the first episode’s launch on April 23, we played through the 8-10 hour DLC, which focuses on the mysterious Atlantis and its larger connection to the Greek underworld.

Following The Legacy of the First Blade expansion, casting a light on one of the earliest assassins in the series, The Fate of Atlantis puts its sights on the fabled lost Isu civilization–otherwise known as the first civilization–which was referenced heavily throughout the main story. In order to access the first episode, titled Fields of Elysium, you’ll first need to finish the Lost Tales of Greece quest Heir of Memories, which acts as a prelude. In Fate of Atlantis, Alexios/Kassandra will unlock a secret portal in the Atlantean ruins on Thera island, transporting the protagonist into the realm known as Elysium–the first of three entirely new areas to explore throughout the new story.

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Odyssey’s post-launch content has built upon a continuous story, introducing new events and plot details that seem to set the stage for what’s to come in the series moving forward. The DLC’s director, Hugo Giard, reflected on how much it has grown since launch.

“I think we’re up to about eleven title updates at this point, and each of them has brought in the usual bug fixes, but a lot of quality of life improvements,” said the director. “It’s been a lot of fun. Recently we gave players five different slots for gear loadouts, and it’s great to see all that stuff go out along with the new entries in the Lost Tales of Greece series. I was involved in making some of those story packs, including [The Heir of Memories], which leads up to this DLC. This has been the most successful AC I’ve had the chance to work on, and I think it speaks directly to the support that we’ve given to the game post-launch. I think it’s a great way to move forward [for the series].”

In Elysium, your mercenary-turned assassin will rub shoulders with Greek demi-gods and humans co-existing in what appears to be an idyllic world. However, it quickly becomes clear that there’s trouble in the so-called paradise, and you’ll have to pick a side in the ensuing conflict between the humans and the gods, with both sides seeking control of the realm. Throughout the episode, you’ll engage in side-quests, take part in objectives that have that weaken the Greek god Persephone’s influence over Elysium, and witness some unexpected encounters with some familiar faces.

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The first episode scales gameplay back to fit a more confined setting. With key characters at odds with one another and several regions under occupation, the larger objective in Elysium is to pit each side against one another to suit your needs. Occasionally, the general gameplay can fall back into the tedium and trappings of a familiar open-world title, leading to periods where you have to clear out some by-the-numbers missions and wear down progress meters to see the next story beat. However, the smaller scale of the world makes for a more interesting and digestible space to dive into. In this way, the first episode of Fate of Atlantis comes across in similar vein to classic AC games, and there’s a sense of cause and effect from your choices that feels meaningful for the larger story.

The new location is made all the more interesting by Elysium’s dreamlike mystique. Set in perpetual daytime and with a lush landscape surrounded by an enclosed row of cascading waterfalls, the new area is otherworldly and mysterious when compared to the familiar Greece, which made exploring all the more enticing. It’s easily Odyssey’s most visually pleasing and exciting location to explore, which is saying a lot given how rich in detail Ancient Greece was. Though Elysium is set in a more enclosed space when compared to the expansive size of Ancient Greece, it will allow you to get more accustomed to the area as you make your moves and dismantle the power structure.

Throughout Elysium, you’ll encounter soldiers and elite guards from the first civilization, all of whom possess magical skills and buffs that make them more powerful than the average foe in Greece. One of the more challenging enemies in the realm are the imposing Collasi, statues that only attack once you’ve caused too much chaos in certain areas. Breaking from their docile position, the Collasi are aggressive and highly durable enemies, utilizing both laser attacks and heavy weapons. Though it’s often better to use stealth and finesse your way around encounters to avoid them, you’re still free to use brute force if you want–you’ll eventually gain powerful abilities and loot that can even the odds. Some of your current skills, such as Battlecry of Ares, can be upgraded with first-civ power to amplify their effectiveness, allowing you to wield powerful weapons and conjure up Isu projections to fight off the new enemies.

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The role-playing aspect of Odyssey is one of the game’s strong suits, and it still plays an important role in Fate of Atlantis. Choices made throughout the first episode will carry over into the next installments, which could potentially lead to some unexpected moments with returning characters. However, the reception Ubisoft received from the second episode of Legacy of the First Blade prompted the developers to be more mindful of the type of situations they to put players in. At the mid-point of the story in the last DLC, you were placed into an intimate relationship with another character, regardless of whatever choice they made prior, resulting in many within the AC community to speak out in protest. This is something that the developers kept in mind while forging the Atlantis DLC, which–as far the first episode goes–keeps most romance options flexible and not necessary for the larger story.

“We make no secret of the problems that arose from the second episode,” said Giard. “I think we dealt with it correctly [in the following updates], but it was disappointing that happened none the less. But at the end of the day, I thought the [story arc] was really fun to be able to see the first Assassin and the Hidden Blade. We weren’t disappointed by it in any way shape or form, but we are more mindful of that going forward.”

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The Fate of Atlantis gets off to a pleasant start with its first episode. While The First Blade story arc felt more like a side-story, The Fate of Atlantis comes across as an endgame event, offering up a solid opportunity to use some of the more high-end skills and weapons against some challenging foes. Though the first episode doesn’t introduce anything particularly new or innovative, it does set the stage for some interesting events and places to come. It’s been fascinating to see how Odyssey as a game has changed since launch, and the new expansion could prove to be an exciting turning point for the story at large.

Assassin’s Creed Odyssey: The Fate Of Atlantis DLC Extended Gameplay

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This Chilling Game of Thrones Theory Could Change Everything in Season 8

Warning: Those who want to enter the final season of Game of Thrones with no knowledge of what’s ahead should read on at their own risk. What follows is just a theory, but you never know… 

This article was originally published after HBO released the Season 8 trailer, but we’re repromoting it now that it seems like the show may pay off this theory in episode 3. Check out the promo for episode 3 above.

The eighth and final season of Game of Thrones promises to feature some of the most spectacular battles in the show’s already impressive run. And we know that at least one of those battles will occur at Winterfell, as the combined forces of Daenerys Targaryen and Jon Snow battle an army of undead White Walkers.

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GOT: Maisie Williams Was Surprised by Arya’s Big Decision

Warning: this article contains spoilers for Game of Thrones Season 8, Episode 2!

The second episode of Game of Thrones’ final season featured some big moments, but few stood out as much as that Arya and Gendry scene. You know the one. Many fans were surprised to see the tomboyish, bloodthirsty Arya let her hair down (literally) and get intimate with her old friend. And it turns out that actress Maisie Williams was as surprised by the development as anyone.

In an interview with Entertainment Weekly, Williams revealed that co-star Sophie Turner was the first to warn her about Arya and Gendry’s sex scene in Episode 2. “Sophie said, ‘Whatever you do, you have to skip to this episode, this scene first.’ So I just read that and it was practically all I knew about the entire season.”

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Top New Game Releases On Switch, PS4, Xbox One, And PC This Week — April 21-27 2019

This episode of New Releases is bringing the gore with Mortal Kombat 11 and PS4 exclusive Days Gone. Nintendo Switch has some cheerier exclusives of its own to balance those out, with BoxBoy + Box Girl and SteamWorld Quest: Hand of Gilgamech. Switch also gets its own port of Dragon’s Dogma: Dark Arisen this week.

Mortal Kombat 11 — April 23

Available on: PS4, Xbox One, PC, Switch

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Mortal Kombat needs no introduction, but the latest entry in the series does have some new tricks up its sleeve. Fatal Blows are like powerful X-ray attacks you can use once per match, Krushing Blows are flashier versions of special moves, and Flawless Blocks will leave your opponents open to attack if you time your defenses perfectly. Taking cues from Injustice 2, MK 11 also lets you customize your characters with costumes and movesets.

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Dragon’s Dogma: Dark Arisen — April 23

Available on: Switch

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Dark Arisen is the definitive version of the action-RPG Dragon’s Dogma, and it’s finding a new home on Nintendo Switch. As you complete quests and slay monsters, you can recruit new followers called Pawns. These can help you out in battle and be shared with other players online.

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SteamWorld Quest: Hand of Gilgamech — April 15

Available on: Switch

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The SteamWorld series has tried something different with each new game, and Hand of Gilgamech is delving into card-based RPGs. There are over 100 unique cards to collect and build into your custom deck, opening up tons of strategy. There are plenty of quests to complete here too.

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Days Gone — April 26

Available on: PS4

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The long-anticipated exclusive is finally launching this month. Protagonist Deacon St. John rides his motorcycle across a post-apocalyptic open world, battling zombies known as Freakers. You can approach the undead horde with stealth, by laying traps, or going in guns blazing–just don’t get caught around the zombies at night.

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BoxBoy + BoxGirl — April 26

Available on: Switch

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As the name implies, this is a cooperative take on the BoxBoy series, starring both Qbby and Qucy. You can play through the adventure with a friend by sharing a pair of Joy-Cons or swap between the duo to complete every puzzle yourself. There’s also a dedicated single-player mode focused solely on Qbby.

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New Releases is leaving April behind, and May has its own set of video games to prepare for. Next week, we’ll take a look at what the new month will bring, from Rage 2 to a handful of Resident Evil titles headed to Nintendo Switch, including Resident Evil 4.

Ghost Watch: Where Do Things Stand After Episode 2?

Update: It turns out we didn’t have to wait long for Ghost to return to the fold. Jon’s faithful direwolf can be seen sitting quietly in the background while Jon and Sam discuss battle strategy and catch up in “A Knight of the Seven Kingdoms.”

Apparently actor John Bradley was wrong when he said he didn’t have any scenes with Ghost this season, though it’s entirely possible the wolf was added in post-production and Bradley didn’t realize Ghost was supposed to be in that scene. Hopefully Ghost will have a more substantial role in the following episode as he joins in the massive Battle of Winterfell.

The original story is below:

The Game of Thrones Season 8 premiere featured many long-awaited reunions, and a few instances of major characters meeting for the first time. But one character was conspicuous by their absence – Jon Snow’s faithful direwolf Ghost – who is, thankfully, still alive despite being missing from the show since Season 6. While it seems as if Jon’s forgotten his four-legged friend, Ghost has remained safe at home in Winterfell while his master has been traveling back and forth across Westeros.

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Game Of Thrones Season 8 Episode 2: Why Pod’s Song Was Important

As the forces of the living spent one final night drinking, loving, and reminiscing at Winterfell in Game of Thrones Season 8, Episode 2, the lovable Podrick Payne sent us out with a song. Unlike “The Bear and the Maiden Fair” or “The Rains of Castamere,” it was one that we haven’t heard before in the show. And for book readers, it came as a pretty big surprise. Here’s why it mattered.

“Jenny’s Song” isn’t one of the most important songs in Westeros (to be fair, neither is “The Bear”), but it does come with a sad story attached, not to mention some interesting context from the books.

The song concerns Jenny of Oldstones, whose story isn’t so sad in and of itself. Long before the events of the series, a Targaryen prince broke off his betrothal with a daughter of House Baratheon to marry Jenny, a common girl, instead. Jenny’s Song is just one of the songs allegedly written about her, and it’s referenced several times throughout the books, particularly in book 3, A Storm of Swords.

It’s said Jenny was friends with a woods witch–like the one Cersei visited in her Season 5 flashback–who she brought to court with her. The witch allegedly prophesied that the Prince that was Promised, a hero of legend, would be born from the line of Prince Aerys Targaryen and Princess Rhaella Targaryen, who were brother and sister. After hearing the prophecy, their father, King Jaehaerys II Targaryen, had his two children (Aerys, who would become the Mad King, and Rhaella) married to one another. From that union came the characters we know: Prince Rhaegar and his siblings Viserys and Daenerys. So the prophecy may yet be fulfilled.

Book readers learned about the song in book 3 while Arya was still hanging out with the Brotherhood Without Banners. The Brotherhood occasionally visit an unnamed woods witch known as the Ghost of High Heart, and she always requests that their minstrel, Tom of Sevenstreams, sings her Jenny’s Song in exchange for information. She weeps as she hears it, leading to speculation that the Ghost is the very same woods witch Jenny brought to court with her so many years earlier.

King Robb Stark and his mother Catelyn also discuss Jenny’s Song during an emotional scene in the same book, mere chapters before the Red Wedding takes place. As both characters hurtle unknowingly toward their violent murders, they linger at the ruins of Oldstones and discuss the nature of life and death. “There’s a song,” Robb remembers. “Jenny of Oldstones, with the flowers in her hair.” Catelyn replies, “We’re all just songs in the end. If we are lucky.”

That line can easily be read as a succinct summary of the overarching theme for the entire series, especially when you consider the books’ overall title, A Song of Ice and Fire. It’s been speculated as well that after all is said and done, Samwell Tarly will go full Bilbo, retiring at the Citadel to write his own account of the series’ events, which he’ll call A Song of Ice and Fire.

As a side not, there were some lines in this episode that seem like foreshadowing in that direction, when Sam spoke during the war council where Bran explained that the Night King wants to “erase this world.” “That’s what death is, isn’t it? Forgetting–being forgotten,” Sam said. “If we forget where we’ve been and what we’ve done, we’re not men anymore–just animals.”

In the after-episode featurette this week, Game of Thrones showrunners David Benioff and Dan Weiss said they wanted to feature a new song that hadn’t been heard outside the books before. As the books have only ever revealed snatches of the lyrics, they had to make a bunch of them up. Here’s the full song, though keep in mind, these lyrics aren’t canon to the books:

High in the halls of the kings who are gone

Jenny would dance with her ghosts.

The ones she had lost and the ones she had found

And the ones who had loved her the most.

The ones who’d been gone for so very long,

She couldn’t remember their names

They spun her around on the damp cold stone

Spun away all her sorrow and pain

And she never wanted to leave

They danced through the day and into the night

Through the snow that swept through the halls

From winter to summer then winter again

‘Til the walls did crumble and fall

And she never wanted to leave.

And here’s a weird “lyric video” featuring the credits version of the song, sung by the band Florence and the Machine:

It’s notable as well that fans have speculated that Rhaegar Targaryen himself wrote Jenny’s Song, although nobody in the books seems to know for sure. Rhaegar rather famously was a skilled composer and minstrel in addition to being a formidable warrior and apparently quite a hunk. Dany even notes as much–in this very episode, and in fact, right after Pod’s rendition of Jenny’s Song ends. That may be a coincidence, but who knows? It may not be.

As Game of Thrones barrels toward its ultimate conclusion, it was nice to take a quick break from all the build-up and foreshadowing to enjoy a reference to the books on which the series was once based. Whatever happens in the final four episodes, we’ll always have Jenny’s Song.

Photo: HBO/Helen Sloan

Game of Thrones: Why Bran’s Plan Is Significant

Full spoilers for Game of Thrones: Season 8, episode 2 continue below, so read on at your own risk. Be sure to read IGN’s review of Season 8, episode 2.

Bran Stark is the man with the plan to defeat the Night King, and there couldn’t be a better time for it. With the White Walkers finally arriving at Winterfell at the end of the second episode of Season 8, all hopes currently lie on Bran’s plan to draw out the Night King and allow someone to kill him.

We know next week’s episode is going to be the epic Battle of Winterfell and that apparently it will make history as the longest sequential battle scene to ever be committed to film. But with three more episodes of Season 8 after that battle, it seems safe to assume that the Night King might not go down as easily as Bran, Jon, and Daenerys may hope.

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Game of Thrones: What Is the Significance of THAT Song?

Warning: this article contains spoilers for Game of Thrones Season 8, Episode 2!

The second episode of Game of Thrones’ final season ended on a fittingly somber note. As the inhabitants of Winterfell settled down for what very well might be their final night together, Podrick Payne serenaded his friends with a rendition of “Jenny of Oldstones,” a popular folk tune among the people of Westeros. The episode also featured a reprise of the song over the ending credits, this time performed by Florence + The Machine.

As is pretty much always the case whenever we hear a new bit of music in the series, this tune has deep thematic implications. It’s more than just a sweet, sad song about a bygone age. It speaks to the heart of the conflict between Jon Snow and Daenerys Targaryen as the series finale looms.

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