VVVVVV Creator’s Rougelike Dicey Dungeons Has Rolled Onto Switch

Nintendo’s most recent Indie World showcase was a big one, and while we were busy watching it, an exciting new game dropped on the system. Dicey Dungeons, the latest game from VVVVVV and Super Hexagon creator Terry Cavanaugh, is now available on the Nintendo Switch.

In Dicey Dungeons, players choose from numerous playable dice characters, all of which have unique abilities. As you move between the nodes of each level, you’ll come up against various enemies. Combat is based on dice rolls, with Yahtzee-like rules: you can play a rolled number on a corresponding attack, or you can re-roll dice several times to try and get numbers that better suit your abilities. As you go, you can power up and re-spec your dice, and if you die you need to start over.

The game costs $15 on Switch, with a 10% discount currently active for launch.

It’s also worth noting that there’s a bug in the game right now that does not let you increase animation speed again after decreasing it–this will be patched, but there’s also a workaround available for the problem right now.

Dicey Dungeons received a 7/10 in GameSpot’s review. “Dicey Dungeons is a charming and often rewarding game, as long as you learn to accept that sometimes the dice won’t roll your way,” the review states.

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Lizzie McGuire Reboot Not Happening, Hilary Duff Responds

For many of us, Disney+ means more Star Wars, more Marvel, and more Pixar. But for a whole generation, it means an opportunity to revisit characters like Hilary Duff’s Lizzie McGuire. The announced reboot is officially off after a bumpy road, though, according to Duff herself.

Duff made the announcement via text post on Instagram today.

Disney began production on the revival of the 2001 show shortly after Disney+ debuted in November 2019. The show was set to bring back not just Duff herself but series stars Jake Thomas, Hallie Todd, Robert Carradine, and Adam Lamberg. Series creator Terri Minsky was to return as showrunner, too.

Problems began in January when news broke that Minksy was fired from the project. Duff and Minsky wanted to look at McGuire from a more adult perspective, as Duff hints at in her latest post, while Disney was looking for something for younger audiences–despite the fact that the audience most likely to to watch would be in their mid-to-late 20s at the very youngest at this point.

Duff connected the show’s struggles to another show originally aimed at Disney+. A television adaptation of the movie Love, Simon was initially set for company’s primary streaming service, but renamed Love, Victor and shifted to Hulu as it was deemed not “family friendly” enough for Disney+. Duff quoted the headline in an Instagram story where she circled the words “family friendly” and wrote added text reading “Sounds familiar” to the post.

It seems that Disney has decided to cancel the reboot, despite two episodes having already been filmed to completion, rather than allow one of its shows to move to another service. Duff asks fans in her post to “take a moment to mourn the amazing woman [Lizzie McGuire] could’ve been and the adventures we would have taken with her,” before acknowledging that “this is what 2020s [sic] made of.”

Call Of Duty: Warzone Lets You Rick Roll People Now

Call of Duty: Warzone is never gonna let you down. New songs, including Rick Astley’s classic Never Gonna Give You Up, have been added to the game as vehicle tracks.

One of the most exciting things you can do in Warzone is hop in a vehicle and soar through Verdansk while blasting the horn. Players can customize what sound they make when they honk their car horns–those options now include the infamous rickrolling song. They better hope that someone isn’t hiding on a nearby rooftop with an RPG.

If you don’t know what it means to get Rickrolled, this link should be a good explainer.

Flight of the Valkyries had been one of the more popular songs to hear blasting from trucks and humvees as you explore Verdansk, but Never Gonna Give You Up may take the throne once players have had time to use it in-game. Other songs included in the 80’s Hits vehicle tracks include I Ran by Flock of Seagulls and Shout by Tears For Fears.

The new tracks were added as a part of Warzone’s newest update that integrates the battle royale with Black Ops Cold War. A ton of new content was added, including a number of issues that Treyarch, Activision, and Raven Software need to iron out. A new, smaller map called Rebirth Island was also included. Full patch notes for the update can be found right here.

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Bravely Default 2: Final Demo Is Available Now For Free On Switch

Bravely Default II has received a second–and final–demo, allowing players interested in the RPG sequel to check it out ahead of the Switch title’s 2021 release. The demo is available now on the Eshop through the game’s store page.

The Bravely Default II final demo features the game’s four main characters some way into their adventure, meaning that many of the systems introduced early in the game are available to demo players from the start. Jobs and Abilities can be used and swapped, for instance.

Players who download the demo ahead of the game’s launch will also be able to nab 100 My Nintendo Platinum Points, which can be redeemed for rewards through the My Nintendo portal.

The demo weighs in at 3.3GB. The game releases on February 26, 2021, and is available to preorder now.

Bravely Default II is, somewhat confusingly, the third game in the Bravely series. The original Bravely Default on 3DS was followed by a direct sequel, Bravely Second. This Switch game has a new cast of characters and setting, though.

Now Playing: Bravely Default 2 – Nintendo Direct Mini Trailer

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Cozy Grove Looks Like Animal Crossing With More Ghosts In First Trailer

Developer Spry Fox has announced Cozy Grove, a new game set on a haunted island that’s giving off some serious Animal Crossing vibes. But whether or not this game has taken inspiration from Nintendo’s massive series, Cozy Grove’s big difference is that the island is swarming with ghosts.

The game, which is coming to Switch, PS4, Xbox One, PS5, Xbox Series X/S, and PC in the first half of 2021, casts players as a “Spirit Scout”. It’s up to them to seek out the ghosts of the island and help them, building up a camp and crafting new materials as you go.

You’ll also be able to go fishing, as the trailer below shows.

Spry Grove’s earlier games include Road Not Taken and the Alphabear series.

The game’s website promises that all the spirits you meet with have unique storylines, and that the game will last for 40+ hours if you really take your time getting to know everyone.

There is, of course, one ghost in Animal Crossing: New Horizons: Wisp, who appears at night sometimes and rewards you for gathering up his spirit. It looks like the quests offered by Cozy Grove’s ghosts will be more extensive, though.

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Pocket Mortys Developer Big Pixel Studios Is Shutting Down

Big Pixel Studios, the developer behind the popular Rick & Morty mobile RPG spin-off Pocket Mortys, is shutting down. The studio, which was bought by Adult Swim in mid-2018 after making the Pokemon-like adventure, will be shuttered at the end of 2020, leaving is employees out of work.

According to a report from Gamesindustry.biz, around 40 people are affected by this closure.

Developer Laurie James announced the news on Twitter, saying that the team’s next game won’t be released. “Some hella good people here, who made something proper cool,” he said. “Unfortunately you’ll never get to play it, because capitalism.”

In a statement to Gamesindustry.biz, an Adult Swim spokesperson said that this decision was made “as part of WarnerMedia’s larger transformation,” and that the games based on their IP “will continue to be a priority” going forward.

Pocket Mortys has continued to receive updates, but it’s unclear if this will remain the case going forward.

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PS5 Software Sales Could Be Struggling Because Of Scalpers

The PlayStation 5 released worldwide in November, but right now it’s very difficult to buy one, with stock in short supply. One issue since preorders opened has been the prevalence of scalpers, including bots that automatically buy systems to then resell at a higher price. Now, figures out of Japan suggest this might be an even more severe problem than first thought.

Bloomberg reports that strong console sales are not necessarily translating into software sales. Figures they’ve taken from Famitsu show that the system has sold 213,000 units in Japan since launch, but the sales for physical releases of the system’s top 3 games (Spider-Man: Miles Morales, Demon’s Souls, and an unnamed third-party title) come to just 63,000 units.

Comparably, the Switch sold 525,000 units in its first month, and saw that almost matched with 509,000 sales for its top 3 games.

There are numerous caveats here–because of forwards compatibility, it’s likely that many customers have bought PS4 versions of certain games for less money, and digital sales figures have been on the rise. The PS5 also has a digital only version, which would drive down physical sales, too. But the disparity is great enough to signal an issue, and because the PS5 is sold at a loss–as most consoles are at launch–Sony is reliant on software sales to make money.

This could have a long-term impact, too. Bloomberg quotes Morningstar Research’s Kazunori Ito, who belives that the system “could miss a critical chance to get into a good hardware-software upward spiral.” This could mean that “the platform’s total revenue earned won’t be as strong as we hoped for,” he says.

Hopefully, PS5 stock will stabilize in the near future–or Sony (and Microsoft) will find reliable ways to deal with scalpers.

If you want to buy a PS5–and you’re not a scalper–make sure to bookmark GameSpot’s PS5 Restock Updates page. We’ll keep you updated when systems appear for sale again.

Now Playing: PlayStation 5 Video Review

Hades Cross-Saves Update Is Now Available On Nintendo Switch

Hades players can now access their save files on both PC and Nintendo Switch. Supergiant Games released an update that added the cross-save feature earlier today, December 16.

Cross-save functionality was originally promised alongside Hades’ launch on Nintendo Switch, but Supergiant Games decided to push the feature to focus on the game itself. The studio said it delayed the feature so it wouldn’t have to delay the full release of the game.

Other improvements that had already been released on PC were also added to the Nintendo Switch with the update today. You can download it by launching Hades from the Nintendo Switch menu. Full patch notes for the update can be found on Supergiant’s website.

Hades originally launched in early access in 2018 and has been in continuous development up until its official launch in September. Supergiant Games is currently working on other updates and fixes for the game, but has no plans for other content. Creative director Greg Kasavin previously told GameSpot that the studio does not know what they are developing next.

Hades is one of GameSpot’s Best of 2020 nominees. Its innovative take on the roguelike genre that combines tight gameplay with a beautifully written story is unlike anything else we’ve played this year.

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The 10 Best-Reviewed Shows on Netflix in 2020

Netflix continues to churn out an impressive lineup of original content in 2020, earning 21 Emmy wins (second behind HBO’s 30 wins) and releasing critically-acclaimed series like Season 4 of The Crown, the terrifying Haunting of Bly Manor, and the second season of its bonkers adaptation of The Umbrella Academy graphic novels.

Below, we compiled a list of Netflix’s best-reviewed shows in 2020, using Metacritic as our barometer. According to Metacritic, which grades on a scale of 0 to 100, “we carefully curate a large group of the world’s most respected critics, assign scores to their reviews, and apply a weighted average to summarize the range of their opinions. The result is a single number that captures the essence of critical opinion in one Metascore. Each movie, game, television show, and album featured on Metacritic gets a Metascore when we’ve collected at least four critics’ reviews.”

Click through the slideshow below or read on to see the 10 best-reviewed shows on Netflix in 2020:

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Cheer: Season 1 – Metascore 81

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This compelling documentary series follows a competitive cheerleading team from Texas’ Navarro College as they compete for another national title with their demanding coach, Monica Aldama. The Washington Post’s Hank Stuever calls it an “often surprisingly moving documentary series.” And Vulture’s Jen Chaney says Cheer is “an earnest video journal about the challenges this dangerous sport poses and how the men and women who have made that sport the center of their lives rise to meet them.”

The Midnight Gospel: Season 1 – Metascore 82

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This adult animated series follows Clancy, a spacecaster with a malfunctioning multiverse simulator who leaves the comfort of his extra-dimensional home on the Chromatic Ribbon to interview beings living in other worlds. IGN’s Jesse Schedeen calls The Midnight Gospel “a unique experience, but viewers might as well just skip to the final episode.” IndieWire’s Eric Kohn says, the series “forces you to push beyond the distractions of its many moving parts and appreciate the substance at its core.”

Sex Education: Season 2 – Metascore 83

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Sex Education Season 2 continues to follow young Otis Milburn (Asa Butterfield) as he struggles to cope with the complexities of high school, and the awkwardness of living with his sex-therapist mother, Jean (Gillian Anderson). IGN’s Matt Fowler says, “Though not as strong as Season 1, Sex Education still shines with fun characters, admirable honesty, and inclusivity.” The Guardian’s Lucy Mangan says, “even the smallest parts have a sketched backstory and some good gags.”

Feel Good: Season 1 – Metascore 83

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Feel Good centers on Mae (Mae Martin), an aspiring comedian who battles addiction and an intense romantic relationship with George (Charlotte Ritchie). Slate’s Willa Paskin says, “what it lacks in rom-com purity it makes up for in substance. I found myself rooting for the couple to stay together and also get the hell apart.” Variety’s Caroline Framke says, “Feel Good feels lowkey, insightful and real in a way that so much of TV tries to be, but rarely achieves quite like this.”

Immigration Nation – Metascore 85

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In this six-part docuseries, Immigration Nation captures the daily workings of Customs Enforcement agents, activists, lawmakers, and attorneys. Time Magazine’s Judy Berman calls Immigration Nation “easily the most important TV show of the year.” And Vanity Fair’s Sonia Saraiya says, “Immigration Nation also tells human stories, where the filmmakers sit down with migrants to hear their particular saga of suffering. Each is like a vortex, lengthening into a dimension of unfathomable personal grief.”

Unorthodox: Season 1 – Metascore 85

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Set in Berlin, Unorthodox is a powerful coming-of-age story that follows a young girl who rejects her conservative Jewish upbringing. Newsday’s Robert Levin calls Unorthodox “an achievement of searing power and grace, attuned to big, sweeping emotions and small, observational moments in equal measure.” The Hollywood Reporter’s Dan Fienberg says, “Unorthodox finds a lot of humanity, even in the character who are surely villains.”

The Crown: Season 4 – Metascore 85

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In The Crown’s fourth season, Prince Charles (Josh O’Connor) falls in love with a beautiful Diana Spencer (Emma Corrin), while Queen Elizabeth II (Olivia Coleman) faces off against a formidable new prime minister named Margaret Thatcher (Gillian Anderson). IGN’s David Griffin says, “The Crown continues to prove why it’s one of the best shows on television in Season 4, with amazing performances from its ensemble of characters and superb writing from showrunner Peter Morgan and his team.” Vulture’s Kathryn VanArendonk says, “Thatcher and Diana give The Crown an energy and sense of direction it lacked in the third season, and a feeling of verve the show has arguable never approached before.”

The Baby-Sitters Club: Season 1 – Metascore 87

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Based on the best-selling book, Season 1 of The Baby-Sitters Club centers on best friends Kristy Thomas (Sophie Grace), Mary-Anne Spier (Malia Baker), Claudia Kishi (Momona Tamada), Stacey McGill (Shay Rudolph), and Dawn Schafer (Xochitl Gomez), who start their own babysitting business. Decider’s Meghan O’Keefe calls it “a total triumph. It’s sweet, funny, hopefully, but most of all, encouraging.” Rolling Stone’s Alan Sepinwall says, “It’s sweet, and honest, and nice, in a way that feels just as refreshing as the girls’ old-fashioned business model.”

Lenox Hill: Season 1 – Metascore 87

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Lenox Hill is a docuseries that follows the lives of four doctors (two brain surgeons, an emergency room physician, and a Chief Resident OBGYN) at a renowned hospital in New York City. The Wall Street Journal’s John Anderson calls it “a singular piece of work about people, their work and the place in which those people do that work.” Decider’s Lea Palmieri says, “the show honors them and their hard work and you can’t help but feel it in your heart.”

Bojack Horseman: Season 6.5 – Metascore 91

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In BoJack Horseman’s final season, Netflix successfully concludes its tale of the self-loathing, alcoholic ex-sitcom star in search of some redemption. IGN’s Mathew Dougherty says, “BoJack Horseman ends its incredible run with a tense, taut (but no less hilarious) second half to Season 6, one that examines the very nature of our existence, the crushing blows of personal failure, and the value of the ones we hold closest to us, even if we’ve hurt them.” Decider’s Kayla Cobb says, “In the end, BoJack may have lost some friends but in his new life, with all of his dark secrets now on full display, BoJack was given something much more valuable. By living, BoJack was given a chance at true happiness.”

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David Griffin still watches DuckTales in his pajamas with a cereal bowl in hand. He’s also the TV Editor for IGN. Say hi on Twitter.

Best Games Of 2020 – Demon’s Souls

Over the next week, we will be posting features for what we’ve nominated to be the best games of 2020. Then, on December 17, we will crown one of the nominees as GameSpot’s Best Game of 2020, so join us as we celebrate these 10 games on the road to the big announcement. Be sure to check out our other end-of-the-year coverage collected in our Best Games of 2020 hub.

Who would have thought that 11 years after its initial launch, Demon’s Souls–a game described by a current senior PlayStation executive as “crap” and an “unbelievably bad game” when he played it during development–would be the showpiece for a new generation of PlayStation console.

From Software’s PlayStation 3 original was, at the time, something that felt harsh and alienating to many. But for those who clicked with it, the game was a wholly unique experience that offered rewarding challenges with a palpable sense of self-improvement, a thoughtfully constructed world to explore and unpack, and a fascinating narrative that rewarded those willing to piece it together.

Demon’s Souls fell victim to the progress of time and the advancement of technology. The world moved on from the PlayStation 3 and, by the time From Software’s Souls franchise hit a critical mass of popularity late into the life of 2011’s Dark Souls, the servers for Demon’s Souls had largely been abandoned and copies of the game were hard to come by–going back to see how it all began wasn’t an easy prospect.

That is until this year when developer Bluepoint Games delivered a stunning remake of Demon’s Souls for the PlayStation 5 that is as much a love letter to From Software as it is a realization for Bluepoint’s vision for the game in its own, distinct way. In doing so, Bluepoint has empowered people to enjoy, examine, and explore a game that was far ahead of its time, and that paved the way for From Software to change the industry.

Bluepoint takes great pride in delivering faithful remakes, and that hasn’t changed with Demon’s Souls. But what sets its work apart with this particular game is that it had the opportunity to paint with its own brush, to a degree. Given the limitations of the PS3 hardware and what From Software was able to achieve at the time, much of what makes Demon’s Souls distinct and memorable is suggested more than it is depicted. By current standards, it’s decidedly bare and, often, a bit ugly–much of the detail is left to the imagination.

For longtime fans with extensive knowledge and experience of Demon’s Souls, Bluepoint’s remake gives them the ability to feel what it’s like to play a Souls game for the first time.

Bluepoint effectively had a blank canvas to paint on. However, to do so without compromising what made Demon’s Souls what it is required an intimate knowledge of From Software’s intent and vision, and that’s what makes the studio’s work so impressive. Visually, the world of Boletaria looks completely new, and yet it is the same. Every inch of it is lovingly and painstakingly crafted with details that were never there but feel essential. Bluepoint showed that it understood the essence of what made Demon’s Souls special and brought it to life in a fuller, richer way.

For the most part, the game still plays the same–for better or worse. Of all the Soulsborne games, Demon’s Souls is the most idiosyncratic, the most daring, and the most experimental. Not everything works, but the fact that it’s preserved here is vital. As previously mentioned, this game is a kind of sacred text for fans of the genre, the primordial Souls soup that From Software still picks ingredients out of when making new experiences. As a result, the failures of From Software’s first attempts are as fascinating to look at as the successes, because it allows enthusiasts to trace and track the evolution of one of the most divisive and beloved new game genres of the last few years, and for newcomers to experience it for the first time. So, yes, things like World Tendency–specifically the obtuseness of it–remain unchanged, but the best parts of the original Demon’s Souls are still there as well.

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In all regards, the Demon’s Souls of 2020 plays just as the Demon’s Souls of 2009 did, and is just as compelling. But at the same time, every technical aspect of the game’s design and execution benefits from the PlayStation 5’s horsepower, whether that’s the stunning visuals that run at a smooth, consistent framerate or the speedy load times; the immersive 3D audio or the tactical implementation of adaptive triggers on the DualSense controller. Needless to say, Demon’s Souls is the PS5 game to own.

For longtime fans with extensive knowledge and experience of Demon’s Souls, Bluepoint’s remake gives them the ability to feel what it’s like to play a Souls game for the first time. That is something that I highlighted in my review, and the value of it cannot be understated. The Souls community is obsessive, constantly chasing the same high that they get when playing From Software’s titles, so to be able to re-experience a game it already knows and loves, but through the eyes of a newcomer again, is incredibly valuable and why Demon’s Souls is one of the best games of the year.

Now Playing: Demon’s Souls – Game Of The Year 2020 Nominee