Who Is That In This WandaVision Behind The Scenes Feature?

The first two episodes of Marvel’s WandaVision have landed on Disney+ and Phase 4 has officially begun–but it’s really, really weird. The show has pulled no punches in terms of its vintage sitcom aesthetics and flavor, but asked more questions than it’s answered. How did Wanda and Vision get here? Where is here? Why are they hopscotching through TV history? And, perhaps most obviously: How is Vision, who we last left dead in Avengers: Infinity War, suddenly alive again?

Theories are already beginning to brew across the internet, but a behind-the-scenes featurette released by Marvel to celebrate the premiere might shed some light on that last question–in the most bizarre way possible.

In the “Story Featurette” head writer and executive producer Jac Schaeffer gave an interview in front of what looks like walls of blurred out storyboards for the show–but one character is immediately recognizable. The distinctive black-and-red uniform of Simon Williams, AKA Wonder Man, can be seen clearly in the frame.

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Vision’s comic book history is a complicated and convoluted affair, but Wonder Man–an otherwise C-list Marvel hero–does play an important role. In Vision’s initial introduction to the Avengers, he was actually created by Ultron using parts of the original android Human Torch, which still contained the Torch’s memories. Ultron later modified his creation using the collected memories of the then deceased Wonder Man to create a unique lifeform.

While Ultron originally intended on Vision being able to destroy the Avengers, gaining free will allowed Vis to team up with them and take his “father” down. He was later accepted onto their team after the Avengers realized that Vision was functionally a sort of copy of their dead teammate. Later, when Wonder Man came back to life (as superheroes tend to do) things got even messier considering Vision still existed–there were attempted body-mergings, some deaths on Visions part–you know how these things go.

So what does this mean for the MCU? Obviously, it’s hard to say–but introducing Wonder Man into the mix would, in theory, be a way to “revive” Vision using the same sort of brain-wave or brain-replication technology vaguely explained in the comics. If some scrap of Vision’s original programming remained intact after his death, it could use someone like Wonder Man–or Wonder Man’s brain, personal history, what have you–to create a fully formed consciousness again.

Also, it would certainly be a quick and easy way to bolster the MCU’s roster with another new character that could be elevated from relative obscurity to the spotlight in addition to adding even more sci-fi weirdness to the mix for the future. Once you start allowing characters, even the robot ones, to merge or copy brain waves and come back to life, all the breaklines have officially been cut.

WandaVision will continue on Disney+ every Friday.

John Wick Writer to Pen Dungeons & Dragons Live-Action Series

John Wick creator and writer, Derek Kolstad, is set to write and develop a pitch for a live-action Dungeons & Dragons series.

This news comes by way of The Hollywood Reporter that states Kolstad is penning the series for Paramount and Hasbro’s entertainment studio, eOne, which is the same studio developing a Dungeons & Dragons movie starring Chris Pine. Kolstad’s series isn’t the only series in the works as eONe is already working with and looking for more writers to pen multiple projects set in the Dungeons & Dragons universe, according to the report.

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No plot details were given for this series, but it will be live-action and it will be the first official Dungeons & Dragons TV show since the animated television series, Dungeons & Dragons, which ran from 1983 to 1985.

Kolstad not only created the character of John Wick, but he wrote the first John Wick movie and worked on the two sequels in the series. He’s also a writer on Marvel’s upcoming The Falcon and the Winter Soldier Disney Plus series. In 2019, it was revealed that Kolstad was also working on a feature film set on the video game franchise, Just Cause, and that he would be the screenwriter for the movie.

While little is known about this series, it’s safe to say that Kolstad has a lot of source material to pull from considering the breadth of Dungeons & Dragons content in the multiple decades it has been around.

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While waiting for more details to arise about this live-action Dungeons & Dragons TV series, read about the new Dungeons & Dragons book, Candlekeep Mysteries, that was announced this week. Be sure to check out this story about the Dungeons & Dragons movie starring Chris Pine coming in 2022 after that and then check out these shots of the Beadle & Grimm’s Curse of Strahd: Legendary Edition set recently revealed.

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Wesley LeBlanc is a freelance news writer and guide maker for IGN. You can follow him on Twitter @LeBlancWes

The Last of Us HBO TV Series Gets a New Director

HBO’s The Last of Us Series officially has a new director. The Oscar-nominated Beanpole director Kantemir Balagov will direct the adaptation of Naughty Dog’s hit post-apocalyptic adventure game, according to The Hollywood Reporter.

Beanpole, a drama focused on two women in post-WWII Leningrad, was selected as Russia’s entry for Best International Feature Film for the 92nd Academy Awards in 2019, but ultimately lost to South Korea’s Parasite. Beanpole earned Balagov the Cannes Film Festival’s best director award in 2019.

Balagov also directed 2017’s drama Closeness, a drama centering on a kidnapping of a young couple and the subsequent ransoming.

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Balagov’s somber aesthetic is likely a factor in HBO’s decision to hire him, likely ensuring a dark tone congruent with the original game’s harrowing tale, and likely pairs well with writer and executive producer Craig Mazin. Mazin’s Chernobyl series was similarly known for being visually and thematically somber.

It was originally reported that the project would reunite Mazin and Chernobyl director Johan Renck, at least for the first episode, but THR reports that he has dropped out due to a scheduling conflict.

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The Last of Us series was officially greenlit by HBO in November last year. The game’s creative director and writer Neil Druckmann is also writing and executive producing the series.

Sony Pictures Chairman and CEO Tony Vinciquerra announced in December last year that the studio is currently developing seven shows and three movies based on PlayStation properties. Vinciquerra didn’t clarify if The Last of Us series and Uncharted film were included in that count.

The Last of Us series doesn’t have an official premier date, but it’s estimated that it may debut alongside The Walking Dead’s final season.

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Joseph Knoop is a writer/producer/clicker for IGN.

Moon Knight: Ethan Hawke Cast as Marvel Series’ Main Villain

Ethan Hawke is the latest Hollywood star to make the jump to the MCU. According to The Hollywood Reporter, Hawke has been cast as the main villain of the Moon Knight series on Disney+.

THR doesn’t indicate which character Hawke is playing, only describing the role as “the lead villain” of the series. Hawke will star opposite Oscar Isaac, who has reportedly been cast as the supernatural vigilante. Production on the series is expected to begin in Budapest in March 2021.

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Moon Knight doesn’t have the largest rogues gallery in the Marvel Universe, which may help narrow down the pool of candidates. Given the character’s ethnicity in the comics, we can probably assume Hawke isn’t playing Moon Knight’s frequent nemesis Raoul Bushman. Moon Knight’s rogues gallery also includes villains like Killer Shrike, Black Spectre and the Sun King, any of whom could make sense for the series. However, it’s just as likely Hawke won’t be playing a traditional supervillain. He could be the leader of The Committee (the criminal cartel that hires Moon Knight in his very first appearance) or even the physical manifestation of the moon god Khonshu.

Hawke’s casting is certainly unexpected, given both the actor’s tendency to avoid mainstream Hollywood franchises and his past comments criticizing the superhero movie genre.

“Now we have the problem that they tell us Logan is a great movie,” Hawke said in 2018. “Well, it’s a great superhero movie. It still involves people in tights with metal coming out of their hands. It’s not Bresson. It’s not Bergman. But they talk about it like it is.”

Hopefully Hawke’s decision to sign on for the MCU is a good sign for Moon Knight fans. Marvel first announced the Moon Knight series at D23 in August 2019. At one time, Kevin Feige indicated that Moon Knight and some of Marvel’s other Disney+ series’ such as She-Hulk and Ms. Marvel would all wrap production by the end of 2020. Ultimately, the coronavirus (COVID-19) pandemic delayed that timetable and many of the original production dates were pushed back.

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WandaVision, however, is releases on Disney+ on January 15, as the first entry in an ambitious new lineup of TV series’ designed to be more closely integrated with Marvel’s movies. For more about the studio’s future slate of projects and releases, read our breakdown of the biggest and most noteworthy developments in the MCU, on Disney+ and in Marvel’s comics this year.

Hawke’s casting is the latest big MCU news to drop in recent days. We also learned Chris Evans may be in talks to return as Steve Rogers, while a leaked action figure may have revealed a major spoiler for The Falcon and the Winter Soldier.

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Jesse is a mild-mannered staff writer for IGN. Allow him to lend a machete to your intellectual thicket by following @jschedeen on Twitter.

Where Does WandaVision Fit in the MCU Timeline?

Now that the Marvel Cinematic Universe has seen Thanos kill half of all life in existence in Avengers: Infinity War and the Avengers use time travel to undo that devastation in Avengers: Endgame, it’s safe to say that it’s gonna take a little more legwork to really shock the audience going forward. But that’s what WandaVision is setting up to do, as it follows psychic powerhouse Wanda Maximoff seeming to live out a happy life with her android love Vision. But, as is usually the case when the dead suddenly walk, everything is not as it seems…

The show is perhaps Marvel Studios’ strangest outing yet in the MCU, and it has fans wondering where it fits in the MCU timeline, whether or not it takes place after Endgame, and more generally WTF it even is. So let’s catch up on how the MCU’s most prominent witch and robot couple made it to their sure-to-be-short-lived happily ever after in the first place.

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Watch the video above or read on for all the details!

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Wanda and Vision’s Debut in Avengers: Age of Ultron

Wanda and Vision both start their Avenging careers around the same time, after the heroes bring down the HYDRA leadership that has been pulling SHIELD’s strings. But, you know, cut off one head and those damn things keep sprouting! Case in point, a HYDRA splinter group run by Baron Strucker in the mountains of Sokovia continues their research on Loki’s scepter, which was recovered from the Battle of New York and houses the Mind Stone. In the post-credits scene of Captain America: The Winter Soldier, we see that Strucker has been using the scepter to try to give people superpowers!

That includes Sokovian siblings, Wanda and Pietro Maximoff. While Pietro’s powers mostly make him go real fast, Wanda’s are a bit trickier to nail down. Sure, we see her ruin her cube toy (which is a waste, that thing looks like fun), but it’s not until the Avengers come to bust up Strucker’s operation in Avengers: Age of Ultron and recover Loki’s scepter that we learn that telekinesis is just the tip of Wanda’s mental iceberg. As Tony learns the hard way, Wanda’s also capable of projecting psychic visions into her victims’ minds. They leave the extent of this power a little vague… we’ll come back to that later.

Now, the Maximoffs have some significant beef with the Avengers, specifically Tony, whose Stark Industries-engineered missiles are responsible for the death of their parents. It’s why they signed up for Strucker’s experiments in the first place. That grudge leads them to align with Tony’s robo-nemesis-slash-son Ultron, who’s also out to destroy Earth’s Mightiest Heroes after being gifted with life thanks to the very same Mind Stone that gave the Maximoffs their powers. Ultron compels Avengers ally Dr. Helen Cho to make him a shiny, invulnerable new body, complete with the Mind Stone embedded in the forehead. The heroes manage to recover Ultron’s would-be body and upload their own artificial consciousness into its brain: Tony Stark’s A.I. JARVIS! Quite the promotion from being a weapons-enabled virtual assistant! This new android takes the name Vision and proves that he’s not going to go all Skynet on the Avengers by picking up Thor’s hammer. He’s worthy!

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It’s during the failed process of transferring Ultron’s brain into Vision’s body that Wanda discovers that the robotic villain is not just planning on wiping out the Avengers for the good of the planet, but all of humanity. The Maximoffs decide to jump ship and join with the good guys to foil Ultron’s plan, which is to kickstart the apocalypse by turning the Sokovian capitol into a meteor and rocketing it back to Earth. And he would’ve gotten away with it too, if it weren’t for those meddling Avengers! While the heroes are successful in killing Ultron, averting the end times, and even evacuating most of the Sokovian capital’s population, Pietro is killed in the battle. That leaves Wanda without a family, but hey, at least she’s got job prospects!

The Sokovia Accords, Captain America: Civil War… and Love!

Wanda joins a new Avengers lineup, alongside Vision, and operates for the next year without incident. But in Captain America: Civil War, while on a mission to apprehend Crossbones, Scarlet Witch accidentally lets his suicide vest detonate next to a crowded building.

This latest loss of civilian life during a superhero match-up is the last straw for the global community. Secretary of State Thunderbolt Ross presents the Avengers with the Sokovia Accords, under which the team will give up their independence and defer to the United Nations for which missions to go on. The heroes are split on the issue, with half the roster falling in behind the pro-Accords Tony and the other half, led by Captain America, believing that independence is the only way the Avengers can remain effective. Wanda and Vision – spending a lot more time together these days at the New Avengers Facility – find themselves on different sides of this conflict. Recognizing the destructive effect the Avengers have had, Vision is in favor of the accords, but Wanda’s not so sure. And the fact that Tony’s now commanded Vision to keep Wanda in custody after the tragedy doesn’t do a lot to bring her around to his way of thinking, either.

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Eventually, this leads Wanda to side with Team Cap while Viz joins Team Iron Man. The Avengers have it out on the tarmac of Berlin’s airport, and although it’s gonna take a few more movies for Tony and Steve to get there, Wanda and Vision get a moment of reconciliation.

Still, after all is said and done, Wanda’s in the slammer for helping Cap… but if we know one thing about Cap, it’s that he never leaves a friend behind. He breaks his allies out of the Raft and goes off the grid…

Mind Games and Avengers: Infinity War

The next time we see Wanda and Vision is in Avengers: Infinity War, and then Avengers: Endgame for Wanda anyway. Uh oh…

The two continue their witch-android romance in secret over the next couple of years, seeing each other when they can. It’s during one of their nights together that Vision’s stone starts hurting. That’s down to the impending arrival of Thanos, armed with an Infinity Gauntlet real hungry for Infinity Stones like the one in Viz’s noggin. Thanos’ fan club, the Children of Thanos, ambush Wanda and Viz to dig the Mind Stone out of the android’s forehead before Cap, Black Widow, and Falcon swoop in to fend off the Mad Titan’s angry tykes.

Vision surmises that having Wanda destroy the Mind Stone is the surest way to deprive Thanos of having a complete set of Infinity Stones with which to wipe out half of all creation. The whole team’s pretty down on the whole idea of having her blow the thing out of his head being plan A though, and decide to call on Black Panther for aid.

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T’Challa receives the Avengers and his tech genius sister Shuri sets to work making a backup copy of Vision’s consciousness. But Thanos has finally been able to pick up some speed when it comes to wrangling these Infinity Stones and, after defeating Tony and his team of heroes on Titan, he just needs that one out of Vision’s forehead. So he lays siege to Wakanda to get it. Shuri continues to copy Vision’s mind as Wanda steps onto the battlefield to lend a hand. Thanos’ forces eventually break through the defenses and put an end to Vision’s backup before it can be completed… or was it? Vision brings the fight into the jungle but eventually, knowing this is their last chance, convinces Wanda that it’s time to go to plan B.

Yes, that’s Plan B-low Vision’s head up. With Thanos advancing, Wanda says goodbye and destroys the Mind Stone, killing Vision. But Thanos just uses the Time Stone to undo Vision’s sacrifice and pluck the Mind Stone out of his forehead, killing Vision in the process. With his Infinity Gauntlet finally complete, Thanos delivers on his apocalyptic threat to will half of all life out of existence (you know, the Snap!). Wanda Maximoff is on the wrong side of that coin flip, just like many of the Avengers’ roster.

Does WandaVision Take Place After Avengers: Endgame?

Five years later, in Avengers: Endgame, the surviving heroes pull off one hell of a time heist to recover the Infinity Stones and undo the Snap. Unfortunately, this only applies to those killed in the Snap, so while Wanda gets to come back from the great beyond, Vision remains in the Recycle Bin.

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So now that WandaVision has arrived on Disney+, the mysterious setting of the show is leading fans to ask many questions. But it seems clear that despite the throwback nature of the series – exploring old sitcom formats from decades past – WandaVision is set after Avengers: Endgame. How Vision is still alive of course is a major question then. If he’s even alive, that is. But what happens when Vision starts remembering the fact that he died? As for what’s got him back on his feet, that’s still unclear, but seeing Wanda is one of the most powerful psychics in the MCU and she’s in mourning, we can en-vision her powers being involved somehow.

What do you think is really going on in WandaVision? Let’s discuss in the comments!

Netflix’s Outside the Wire Review

Outside the Wire is now playing exclusively on Netflix.

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Outside the Wire features solid leads and sparse moments of enthralling action, but it’s saddled with an ineffective gimmick and underserved by an undercooked script.

Set in the near-ish future, the film inserts the viewer into an Eastern Bloc civil war where the U.S. is playing ragged referee using robot soldiers (called “Gumps”) to patrol a battle-ravaged No Man’s Land. It’s this premise, and of course the early reveal that Anthony Mackie’s Captain Leo is a classified next-gen cyborg, that makes Outside the Wire a sci-fi film. But the more you watch the movie and marvel at the money Netflix is throwing at a mostly-disposable offering so that it can be a “sci-fi” film, the more you realize this didn’t need to be a sci-fi movie at all. The messaging could have easily been conveyed with present-day humans.

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Then, if you go a little further down the rabbit hole, you might discover that this movie’s moral quandaries aren’t exactly fresh and that maybe this movie didn’t need to get made at all. And that perhaps Outside the Wire’s sci-fi skin was just a shiny excuse to retell a “war is bad” morality tale that’s been explored countless times already. So despite the performances, some fun bits of Super Soldier action, and a (convoluted) “twist,” it all resonates as hollow. Just like, sadly, a majority of Netflix movies, it feels like a project that’s only three-fourths realized. Though, to be fair, the ads for this film run with “From the studio that brought you Extraction and The Old Guard…” and those are both better movies than this one.

As mentioned, the MCU’s Mackie plays a cool and confident android who’s more or less allowed to run his own ops in the midst of the chaos – with his top priority being the capture of warlord Victor Koval (GoT’s Pilou Asbæk). Mackie, as usual, is an immensely charismatic performer, capable of making the clunkiest lines of dialogue, and a seemingly unending string of exposition, feel vital. And, though we don’t know what awaits his Marvel character, Sam Wilson, in the upcoming Falcon and the Winter Soldier series, it’s a bonafide blast to watch Mackie get to fight like a Cap and/or Bucky-level badass.

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Stepping in as the second in this bizarre “buddy cop” dynamic is Damson Idris’s Lt. Thomas Harp, a drone pilot who’s sent to the front as punishment for going against direct orders and launching a strike that kills two marines (but saves over two dozen others). It’s here, with Harp, that the movie seems unable to decide on where to land regarding his “greater good” decision. Harp is painted as a cold solider who begins to see the pain his drone strikes have caused once immersed in the hell of actual combat (the dichotomy being that Mackie’s android is more emotional and human than Harp) but the film also makes a point, several times, to say that Harp was right to do what he did.

After a while, the convoluted messaging and overdose of esoteric robotics protocol piles up into a movie that you can’t even fully enjoy on a pure action level. Leo and Harp go off-book, “outside the wire,” and into the war zone to stop Koval from getting his hands on nukes and it’s all profoundly less interesting than it should be. Things are briefly able to lift off whenever Mackie’s able to rampage as a one-man army, but mostly director Mikael Håfström (Escape Plan, The Rite) has crafted a very expensive, nice-looking dud that can walk arm-in-arm with other bloated and bland Netflix offerings.

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Ben Affleck Calls Marvel Boss Kevin Feige “The Greatest Producer”

Ben Affleck, who these days seems to be equally well known for once playing Batman and a man unable to hold his Dunkin’ Donuts, wants it to be known that he has nothing but the most enthusiastic praise for Marvel Boss Kevin Feige. Speaking on The Hollywood Reporter’s Awards Chatter podcast, the actor who formerly played Batman in Batman v Superman, Suicide Squad, and Justice League commended Feige for his ongoing understanding of what audiences want and consistently delivering it.

“F****** Kevin Feige is absolutely; you have to say, the greatest producer, most successful producer who ever lived,” Affleck said in the interview, which was transcribed by IGN. “That f***** knows his audience like no producer ever; he’s a genius. Kevin is like a ringmaster at the circus; he knows exactly how much to wink at the audience, exactly when to pull at the heartstrings, exactly when to do the effects, how many jokes, what the sensibility, what the tone is.”

The timing of Affleck’s comment is a nice lift on the debut day of Disney+’s weird, wonderful, and also first MCU show, WandaVision. The Marvel show’s commitment to the premise of revisiting classic sitcom settings is endearing and bizarre–and doubles down on everything Affleck says. However, one quirk of his praise is how, noticeably, Affleck doesn’t have any current projects–that we know of–in the MCU pipeline.

For Affleck’s part, he quit being the bat because reportedly the role led him back to drinking. But it would be impossible to slow down Batman content–a Gotham PD HBO Max series is in the works, which will also function as a TV spin-off from Matt Reeves’ upcoming movie The Batman.

Now Playing: Gotham Knights – Official Gameplay Reveal Trailer

HBO’s The Last Of Us TV Adaptation Gets A New Director

The Last of Us TV show adaptation being undertaken by HBO lost its original director, Chernobyl’s Johan Renck, back in November. Now, though, the series has found someone new to helm the episodes.

According to The Hollywood Reporter, Kantemir Balagov has been hired to direct the series. This will be the first TV series for the Russian director, best known for the 2019 film Beanpole, which earned him some acclaim at the Cannes film festival. Balagov will work with writer and executive producer Craig Mazin, as well as creative director of the game Neil Druckmann, who will also serve as a writer on the show.

Based on what we know so far, the series looks to be set surrounding the events of the first game in the video game franchise. A description released by WarnerMedia reads, “The story takes place twenty years after modern civilization has been destroyed. Joel, a hardened survivor, is hired to smuggle Ellie, a 14-year-old girl, out of an oppressive quarantine zone. What starts as a small job soon becomes a brutal, heartbreaking journey, as they both must traverse across the U.S. and depend on each other for survival.”

However, Mazin previously said the series will introduce characters and events not featured in the games. Perhaps the show will be set somewhere between The Last of Us and The Last of Us Part II.

At this point, there is no release date for HBO’s The Last of Us–or even a cast announcement.

Now Playing: Why The Last Of Us’ Story Still Resonates 7 Years Later

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Ethan Hawke Lands A Role On Marvel’s Moon Knight

Marvel’s Moon Knight TV series on Disney+ is becoming a star-studded affair. Oscar Isaac and May Calamawy were recently announced for the series, and now, Ethan Hawke will join the cast, according to The Hollywood Reporter. And Hawke will be in a dubious role for the upcoming show.

The actor has landed the role as the lead villain in the series. However, the name of the character he is playing is unknown at this time. While Moon Knight’s villains range from the brainwashing Crossfire to Vietnam War vet Black Spectre, the hero’s greatest villain is Raul Bushman–the former friend of Marc Spector (the man who would become Moon Knight), who went on a killing spree after discovering some gold. While Moon Knight debuted in 1975, the Bushman character debuted in Moon Knight #1 in 1980. At the time of this writing, there’s no clear indication of who Hawke will play.

Isaac will be playing Spector/Moon Knight, a vigilante in white who suffers from multiple personalities and mental illness, and may have some sort of connection to Egyptian gods–depending on who is writing the character.

The series is coming together quickly with Mohamed Diab (Crash), Jeremy Slater (Umbrella Academy), Justin Benson (Synchronic), and Aaron Moorhead (Synchronic) announced as directors for the upcoming show. Depending on which stories these directors pull from, this could be the darkest thing to come out of the MCU yet.

And the Disney+ original series kicked off recently with WandaVision. The first two episodes debuted on January 15. In GameSpot’s WandaVision review, Chris E. Hayner said, “Marvel Studios attempted something they hadn’t tried before and wound up with a show that’s somehow a classic family sitcom that is also propelling forward the storytelling of the universe of epic films that has been unspooling for over a decade.”

Tom Cruise Reportedly Buys Robots to Enforce COVID Safety on Film Set

After he was recorded shouting at film set employees for breaking COVID-19 restrictions, Tom Cruise has reportedly purchased two robots designed to patrol the set of Mission Impossible 7 when it resumes film next week, The Sun reports.

The robots, which can reportedly administer on-the-spot COVID-19 tests, were purchased by Cruise. It’s unclear what kind of robots they are, but The Sun cites a source who describes them as “really sophisticated and rather intimidating. It’s like the Terminator only not as violent.”

“Tom is so serious about making sure the shoot isn’t shut down that he’s splashed out on these robots as he can’t be everywhere to ensure people are behaving themselves,” The Sun’s source said. “Yes, the rant that came out last month may have been a bit over the top, but he was right, and those who saw the story sympathised with him.”

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Cruise isn’t the only person employing COVID-19 testing robots in Hollywood. CBS has reportedly expressed interest in renting or purchasing lab-certified disinfection bots used in more than 500 hospitals worldwide.

The Sun’s report doesn’t clarify what kinds of robots Cruise has acquired, but judging from the source’s comment, it’s a step or two beyond a stationary machine.

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Mission Impossible 7 is planning on wrapping production in the United Kingdom this week before heading to Dubai to continue production.

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Joseph Knoop is a writer/producer/totally a human for IGN.