LG’s rollable 65-inch OLED TV, which first debuted at CES 2019, is once again on display at CES 2020. The screen, which can be rolled up into its own base when it’s not being used, is pretty incredible–and CNET has learned when it’s coming and how much it will cost. It’s called the OLED TV R.

The rollable television, which was also shown as a drop-down model during CES 2020 (which is a concept design and might not actually release), will apparently cost $60,000 when it ships this year between April and September. LG representatives at CES 2020 said that pricing “isn’t finalized,” but CNET received this figure from JS Lee, head of global marketing for LG home entertainment.

The television, which has been tested for up to 50,000 rolls, can be partially unfurled and display in “line mode” too, as seen below. The TV can also play music with the screen fully covered, and will sync with a phone via Bluetooth.

The television works by fixing the OLED screen to thin horizontal bars that are risen by a pair of arms at the back, allowing the screen to appear solid when it’s fully unfurled. It is covered by a standard TV warranty, but according to CNET, the display unit did not show any signs of wear or stress.

You’ll be able to pick up the LG Signature OLED TV R later this year, but only if you can afford such an expensive, fancy television.

Elsewhere at CES 2020, Sony unveiled the logo for the PlayStation 5 for the first time. By the end of 2020, you’ll be able to play PlayStation 5 on the OLED TV R.

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Thor actor Chris Hemsworth has announced he will donate $1 million to help support the ongoing firefighting efforts in Australia as the country faces devastating bushfires.

In an Instagram post from his home in Australia, Hemsworth announced his plan to donate the money and called on his fans to chip in whatever they can afford.

“Like you, I want to support the fight against the bushfires here in Australia. My family and I are contributing a million dollars. Hopefully you guys can chip in too,” he said. “Every penny counts so whatever you can muster up is greatly appreciated. Beyond appreciative to everyone around the world for their well wishes and donations. It really does make a difference, so dig deep!”

The ongoing fires in Australia have thus far burned more than 15 million acres, which is twice the size of Belgium. At least 25 people have died and around homes have been lost. Estimates state that around 500 million animals have died.

Go to GameSpot sister site CNET to see an extensive and informative breakdown of the national crisis and find out what you can do to help.

Hemsworth is not the only celebrity to pledge money toward helping support the fire crisis in Australia. Elton John announced during his Tuesday evening concert in Sydney that he would also donate $1 million, while Shawn Mendes, Ellen DeGeneres, Pink, and Kylie Minogue have also given money.

Russell Crowe, who is a New Zealand citizen living in Australia, won a Golden Globe this weekend but he did not appear at the event because he was protecting his family from the fires. His acceptance speech was read by Jennifer Aniston, and in it, he called on the world to “act based on science, move our global workforce to renewable energy, and respect our planet for the unique and amazing place it is.”

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Netflix has posted a fascinating behind-the-scenes video that shows how the team at Star Wars effects studio Industrial Light & Magic went about de-aging Robert DeNiro, Joe Pesci, and Al Pacino for the streamer’s new crime movie The Irishman.

Director Martin Scorsese explains had been trying to make The Irishman for nearly a decade, but he could never get financing. When Scorsese eventually signed a deal with Netflix for the movie, there was still a problem–DeNiro, Pesci, and Pacino were too old for makeup alone to make them look younger as would be required for their roles in the film.

When filming the Scorsese’s 2016 movie Silence, ILM boss Pablo Helman came to Scorsese with an idea to use digital de-aging to make The Irishman. Scorsese said he was worried that DeNiro, Pesci, and Pacino would feel uncomfortable and not be able to act their best with the traditional motion-capture rigs surrounding their faces. So Helman and his team at ILM created all-new technology that would not encumber the three Oscar-winning actors.

The entire video is incredibly fascinating and well worth a watch; check it out below.

This technology, as you’ll see in the video, includes a new camera rig system that uses three cameras–one traditional camera and two infrared cameras–as well as advanced software to create younger-looking versions of the actors. ILM spent around two years compiling footage from the actors’ previous movies across a spectrum of ages to serve as models for the faces and expressions that they would use in the film.

In 2015, years before cameras started rolling on The Irishman, DeNiro tested this technology by performing one of his memorable scenes from Scorsese’s 1990 mobster movie Goodfellas. Scorsese said he was blown away by the results, and Netflix also liked it and decided to move forward with filming the entire movie using this brand-new technology.

Pesci, DeNiro, and Pacino had their faces scanned into the computer so the software could emulate a multitude of different expressions. Some who have seen The Irishman have remarked that the de-aging doesn’t always look completely believable or what you might expect, and this may be on purpose. The ILM team explains in the video that they were not exclusively trying to create younger-looking versions of the actors. Instead, they sought to create younger-looking versions of the characters the actors were portraying.

The ILM staff in the video also speak about how they believe this kind of de-aging technology might become the new norm, and lead to a filmmaking world where actors never have to use face rings or have ping pong balls attached to their face and body. Scorsese told The Hollywood Reporter that ILM’s technology came at no small expense, so it remains to be seen how widely this technology may be adopted by other studios in the future. The Irishman reportedly carried a budget of more than $150 million, and that’s before marketing.

GameSpot’s review of The Irishman scored it a 9/10. “It feels like a career summation, a mature and dignified work that could only be made by an older filmmaker able to look back on his life and his work. And while Frank Sheeran is left as an old man filled only with shame and regret, Scorsese proves that his powers as a filmmaker remain at full strength,” reviewer Dan Auty said.

Despite its marathon length of 3.5 hours, many millions of people watched The Irishman in its first week and first month.