Some of the effects are silly, and don’t look for logic here, but the jokes in Dora and the Lost City of Gold are great and the cast is a delight. If you’re a fan of the animated series (or even a parent of a fan) you’re going to be happy with the film.
Dora the Explorer ran as a kid’s animated series for over a decade and was translated into dozens of languages. A generation of children sang along with the singing map, told Swiper the fox not to swipe and followed a little explorer and her monkey through all of their adventures. Though the film version of the popular series starts off when Dora and her cousin Diego are kids, Diego has to leave the jungle for Los Angeles, and Dora is largely left to her own devices, exploring on her own.
Benjamin Franklin once said the only things certain in this world are death and taxes. But you can probably add annual Call of Duty releases to that list as Activision reaffirmed its commitment to annualized releases, even as live-service games take over the industry.
In an investor call for its Q2 2019 earnings, Activision was asked whether the company will keep its annualized release schedule for the Call of Duty franchise as games like Fortnite and Rainbow Six: Siege adopt live-service models. This model keeps the base game feeling new thanks to regular updates, years after the initial launch.
Video games came under attack following the tragic mass shooting incidents in Gilroy, Dayton, and El Paso. Since blaming video games for gun violence doesn’t make sense, gamers across the internet have been using a meme template to show just how harmless and cute gaming can truly be.
The “Woman Yelling at a Cat” meme combines an image of Taylor Armstrong from The Real Housewives of Beverly Hills pointing and yelling with a picture of a harmless cat sitting behind a dinner plate, because internet humor has become a bizarre mix of deep cut pop culture references and… cats.
Walmart is reportedly removing signs, displays, and even video game demos that showcase violence. This follows a mass shooting at a Walmart Supercenter in El Paso, Texas on August 3, 2019.
Vice reported that Walmart employees received memos from corporate headquarters asking for the immediate removal of “signing and displays referencing violence.” A picture of the alleged memo shared on Twitter is telling employees to:
“Remove your store for any signing or displays that contain violent images or aggressive behavior. Remove from the salesfloor or turn off these items immediately.”
Like many mystery-driven adventure games, AI: The Somnium Files is a little tough to talk about. It’s not exactly action-packed in its moment-to-moment gameplay, and most of the intrigue in games like it comes from the ways in which they challenge your investigative skills and decision-making–plot twists and character dialogue are often at the heart of it all. This is very much the case when it comes to games under the direction of developer Kotaro Uchikoshi, best known for the Zero Escape series.
Since AI: The Somnium Files was first revealed, we knew that it would channel similar gameplay elements from Zero Escape, but it’s aiming to be an evolution of that. As special agent Kaname Date, you travel between reality and a dream world to unravel the truth behind a series of murders. Its overarching theme revolves around a pun for the word eye: “eye” as in your sight, “ai” the Japanese word for love, and A.I. as in artificial intelligence. Not to mention all the murder victims have one eye gouged out as well. Date himself has one eye that’s actually an A.I. companion named Aiba (a Japanese-English pun for eyeball). And the real name of A-set, the virtual influencer/idol behind music videos and promotional materials, is Iris.
Last time we spoke with Uchikoshi-san, he talked about love, story details, and the dream world’s Psync mechanic, but there’s still more than meets the eye. To get further insight into what’s going on, we corresponded again via email and dug into the game’s direction. We were also able to loop in the English localization team lead Alex Flagg for additional perspective on what it’s like to deliver a dialogue-heavy Japanese game to a Western audience.
Can you explain the “Somnium” world? It’s the key to solving mysteries, but are these people’s secrets, true feelings, dreams? How does Kaname Date use that information throughout the game?
Kotaro Uchikoshi: Somnium means “dream” in Latin. So a Somnium world would mean “dream world.” Dreams are made from fragments of memory stitched together like patchwork. Hidden inside are people’s secrets and suppressed feelings. It’s Kaname Date’s job to interpret what he sees in the dream to solve mysteries and move forward in the investigation. For example, there’s something like this: A girl was alone at the scene of the crime. However, she suffered mental trauma and now has aphonia, so she can’t talk. So, Date will dive into the girl’s dream world and find a lead: she heard a phone ring. Then, Date will return to reality, go back to the scene to investigate and look for a cellphone somewhere. Something like that.
We’ve seen AI being both dead serious, cheery, and sometimes outright absurd. How do you strike a tone that comes together?
Alex Flagg: Through a lot of hard work! Uchikoshi has this amazing ability to blend Wikipedia-diving information dumps, absurdist theater, and sex jokes into a gripping and touching story. What I’ve discovered by playing and localizing his work is that you can get away with a lot that seems narratively inconsistent as long as you’ve already captured the audience’s attention with an intriguing plot and interesting characters. Uchikoshi taught me that tone can fluctuate wildly, as long as the heart is centered and steady. Because if your heart is fluctuating wildly, you’re probably having a heart attack and are about to die. You know, narratively speaking.
KU: This is a hard question. All I can say is…by watching the balance. If I were to compare it, it’s like a barista or a mixologist. Their jobs are very sensuous, and it’s hard to put into words how they balance the ingredients. Or maybe it’s similar to hitting on someone. You can’t always be serious and cool and you can’t always be energetic and carefree. They’ll just brush you off, won’t they? It’s important to understand when to be serious and when to be energetic… What I’m trying to say is that everything is balanced out by things and you can’t just explain it away with words. Having said that, my pick-up techniques have never been very successful. I bet Alex is really good at it, so next time I’m in LA, maybe he can teach me a few tricks!
Click To Unmute
AI: The Somnium Files – Official Gameplay Trailer
Pokemon Sword & Shield Gets Galar Forms, Rivals, And More – GS News Update
Call Of Duty: Modern Warfare Will Have Dedicated Servers And Tamagotchis – GS News Update
What Cyberpunk Red Teaches Us About 2077
Pokemon Pokemon Go Gets Shiny Poliwag, Sword And Shield News Coming This Week – GS News Update
Black Mesa Xen Beta – Gonarch’s Lair Is A Terrifying Boss Battle
Heave Ho – Co-Op Indie Game
Pokemon Go Gets Shiny Turtwig This September – GS News Update
Xbox, PlayStation, Nintendo Loot Box Changes Will Happen – GS News Update
Cataclysm Finally Comes To Anthem – GS News Update
DC Universe Online – Hands-On Switch Gameplay
Pokemon Sword And Shield – New Team And Rivals Gameplay Reveal Trailer
Legion Season 3 Episode 7 “Chapter 26” Breakdown
Share
Size:
Want us to remember this setting for all your devices?
There’s some body horror, light gore, and morbid imagery in your games, AI especially. Do you ever have ideas then stop yourself from going too far?
KU: When I was writing the scenario for AI, the character designs weren’t finalized yet. That meant that I only had a general idea of the characters while writing. That’s why I didn’t feel much guilt putting the characters through some really tough times. When the designs came in, I thought, “OMG, so cute!” That’s when the characters started to really exist. But then it crossed my mind. “Ah, why did I do that to them…?” I didn’t want to have a guilty conscience about it, so I thought, “Could I at least try not to put them through the darkest of my ideas?” Because of that, some scenes are now milder than the original idea. But this isn’t censorship, this is love. Love for my characters. I decided to tone down some things, but the story isn’t any less interesting or fun because of it. Please don’t worry about that.
What are your thoughts on canonical endings in games with branching storylines? How does AI handle that?
KU: I remember watching a Hayao Miyazaki documentary, and he said something like, “I’m over this, I don’t want to do this” while drawing original cels. Branching routes are like that to me. It’s so much work. I scream, “Augh! I’m over this, too much work!” while writing the story too. In AI, the story splits from the decisions you make in the Somnia. To put it simply, picking either the “A” lead or “B” lead changes how the story unfolds. Branching stories are a pain in the ass for the creator, but to the player, there’s nothing better. There’s a lot of interesting elements in this game due to the branching paths, so please look forward to it!
What are some important things Akira Okada (assistant director) has brought this time around for AI that you didn’t think of?
KU: Of course Okada-kun was a huge contributor, but AI was created from multiple ideas from all the staff members. For example, Aiba turning into a cute girl in Somnium, the video game inspiration behind a certain action scene, one of the stages from one of the Somnia. All of those were ideas from the staff. I mean, the Somnium parts, from the setting to the structure, was mainly done by Okada-kun and Yamada-san. I have nothing but respect and appreciation for the staff.
Are there any particular difficulties that come out of having to do a simultaneous Japanese and Western release?
AF: Oh, absolutely. Working side-by-side with the Japanese creative team is a totally different experience than picking up a completed project and adapting it.
KU: Thanks to the hard work from Alex, Kazu [Okura], the other Spike Chunsoft Inc. team members, and [community manager] Dave Kracker, I didn’t really have any trouble with simultaneous shipping. So, to the Spike Chunsoft Inc. team of course, the development staff in Japan, and the Chinese localization staff: I thank you very, very much, from the bottom of my heart!
You get to control Aiba in the Somnium world, but you only get a limited time to investigate.
What are some Japanese- or English-only quirks you get to put in the game? Are there some unique things players will get out of either language option?
AF: The Japanese and English are largely the same, script and presentation-wise. There are a few times here and there that, say, a joke was intentionally not localized, or a character’s voice performance in the English has a slightly different feel than the Japanese performance, but for the most part they are two versions of the same game.
Some jokes or one-liners might come across differently in either language. And one thing that we’re very proud of is that A-set’s debut single, “Invincible Rainbow Arrow,” is fully localized, right down to matching the Japanese rhyme scheme and poetic meter. So if you are playing in Japanese, you will hear the Japanese version of the song; if you are playing in English, you will hear the English version.
How involved are you with the performances of the voice cast?
AF: The translator for this project, Kazu Okura, and I were either there at Bang Zoom! studios or listening in over voice call every single day of recording. While we offered feedback and direction, especially during particularly intricate or complicated scenes, we can only take a little bit of the credit: it was our audio engineer JP Aller and voice director Chris Faiella that really helped the words come off the page and become something incredible in the performance.
What’s the toughest aspect for localizing AI that folks might not realize?
AF: I would say the humor is by far the most challenging aspect of localization, especially “dad joke” humor, jokes that are intentionally bad. If you localize that joke to make it genuinely funny, you aren’t exactly matching the tone of the Japanese. If you localize the joke to make it unfunny, you run the risk of the audience not realizing that the joke is supposed to be bad, it’s supposed to make you roll your eyes and groan. AI is full of these kinds of jokes, so my translator and I worked very hard to make them funny…but not too funny.
“Tesa, aka A-set, you bet.” was totally the localization team’s idea, huh?
AF: Yes, it was. Her slogan cheer is different in the Japanese and the English. In the Japanese, it goes something like “volatile solvent of the net world, Aseton, aka A-set!” It’s a wordplay on the honorific “ton” added to her stage name “A-set,” making it sound like “acetone,” the chemical solvent. Keeping it “Aseton” in English would be clunky, invite mispronunciation, and lose the cuteness factor of the Japanese wordplay. So we decided to go with “Tesa,” a cute, easy-to-say nickname that utilizes the game’s prevalent motif of reflection (“Tesa” is of course “A-set” backwards). There was a time we briefly considered making her nickname “Ace,” but Zero Escape fans will know why we decided against that.
A-set has been a huge part of AI’s lead up. Besides being a major character and idol, what was the idea behind breaking the fourth wall with A-set’s YouTube channel?
KU: One of the themes of this game is dreams and reality. So by linking the real world that we live in with the artificial world of AI, I tried to express the analogy (or is it a metaphor?) of “dreams and reality,” or something like that. Iris (A-set’s real name) is the goddess of rainbows in Greek mythology. She is said to be the messenger girl that delivers the words of the gods. Rainbows are also sometimes called the “bridge of heaven,” so you could say that A-set is the “bridge” between fiction and reality.
With all the lead up to AI and A-set at the forefront, how involved are you in her video content?
AF: Very involved! Our team and the creative team in Japan were sharing ideas for videos and story beats for months, coming up with the general “plot” of her YouTube channel together. Once that was more or less in place, we localized and recorded each video based on Japan’s video, which was incredibly difficult because of the fast pace they had to be produced. Often times we didn’t even have a final video render to look at while we were recording, so we had to feel it out by the script alone. But it came together beautifully.
How’s she been as a promotional partner?
KU: She was amazing! I know there were times I pushed her, but she didn’t make a face and took everything very seriously. I thank her from the bottom of my heart. Also, she smells really nice. A sweet scent that tickles a person’s heart… If she comes on screen while playing AI, please put your nose up to the screen. I’m sure you’ll start to smell irises…
Will A-set’s presence in our real world play into events in AI?
AF: “Our real world”? What a peculiar way of phrasing it. You can see her, hear her; she is information in the universe and she occupies space in your mind at this very moment. She exists in this world the same way I do right now, typing away at my computer, communicating with you only through ones and zeros. One and the same.
KU: I already kind of answered this, but Iris is the bridge that connects our world to their world. As long as she exists, both worlds will continue to be linked.
How much tequila have you drank since the A-set interview we did?
KU: The situation has changed. Currently, rather than me drinking tequila, it’s more of tequila drinking me. My office is always full of it. That’s where I wrote the game’s story. Just like one of those caterpillars in the bottles of tequila.
In a rapid-fire interview with Game Informer, art director Joel Emslie did not confirm or deny whether Modern Warfare will have a battle royale mode. However, after being asked if the game will feature the mode, Emslie said, “We’ll have to wait and see.” Emslie then noted that he’s a fan of both the battle royale genre and larger player counts, with his personal favorite game mode being Ground War.
Game Informer also asked if there are any multiplayer modes that have yet to be announced. “There are many,” Emslie confirmed. He did not specify what “many” amounts to. There are plenty modes that we know of thus far: the gritty single-player campaign, Gunfight, Ground War, Spec Ops, and a swath of traditional multiplayer modes (including the likes of Capture the Flag, Team Deathmatch, Search and Destroy, and more).
Also out of Game Informer is a new addition to the Modern Warfare experience. Tamagunchis, a virtual pet similar to the Tamagotchis from the ’90s, add a lighthearted touch to the game’s multiplayer experience. And Gunsmithing also introduces deeper weapon customization tools to multiplayer when it launches on October 25 for PC, PlayStation 4, and Xbox One.
Fortnite: Battle Royale has entered its second week of Season X, and there’s a new batch of challenges for Battle Pass holders to complete. The latest set of missions is called Spray and Pray, and as its name suggests, many of the tasks revolve around finding spray cans or spraying certain objects around the map.
Unlike past seasons, which gave Battle Pass holders access to all of a week’s challenges at once, only three of these Spray and Pray challenges will initially be available, with additional tasks unlocking as you complete them. The first asks you to deal damage to opponents with SMGs; the second has you spray a fountain, a junkyard crane, and a vending machine; and the third tasks you with spraying three different gas stations. You can see the full list of Spray and Pray challenges we’ve unlocked below.
As previously mentioned, you’ll need to own a Battle Pass in order to access the Spray and Pray challenges. Whereas past seasons gave all players a selection of missions to complete each week (with additional ones available exclusively to Battle Pass holders), Season X gates most of its challenges behind the pass, so you’ll need to purchase one if you’re hoping to get the most out of the season.
Beyond that, the Battle Pass works the same as before. Completing challenges will net you Battle Stars, which in turn will help you level your Battle Pass up and unlock skins and other cosmetic rewards. If you need help completing any of this season’s missions, you can find all of our tips and guides in our full Season X challenges roundup, which we’ll continue to update as the season rolls on. You can see all the new cosmetics that are up for grabs in our Season X Battle Pass rewards gallery.
In other Fortnite news, developer Epic Games’ recently rolled out the title’s 10.00 content update, which introduced another new gun to the mix: the automatic sniper rifle. Additionally, a Rift Zone has transformed Neo Tilted into the Wild West-themed Titled Town, and a limited-time Arsenal mode is now underway. You can read the full patch notes for the content update on Epic’s website.
Fortnite Season X, Week 2 Spray And Pray Challenges
Deal damage with SMGs to opponents (500) — 10 Battle Stars
Spray a Fountain, a Junkyard Crane, and a Vending Machine — 10 Battle Stars
Spray different Gas Stations (3) — 10 Battle Stars
