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Tom Clancy’s Ghost Recon Breakpoint is the follow-up to 2017’s Ghost Recon: Wildlands, though developer Ubisoft is taking a different approach this time around. Breakpoint will have a darker tone, the developer says, in its new fictional New Zealand-esque setting, Aurora.

Aurora is home to Skell Technology, a corporation specializing in AI drone tech. When communication with the company ceases, you’re sent to the archipelago to investigate. When you arrive, however, you find yourself not in the role of the hunter, but the hunted.

Throughout Breakpoint, you’ll encounter a paramilitary group known as the Wolves, who Ubisoft says are just as skilled on the battlefield as the Ghosts. Because of this, the game places a greater emphasis on stealth. You’ll be able to employ drones and hide the bodies of any enemies you kill. Similarly, you can avoid detection by crouching in foliage or covering yourself with mud. The game also features some survival elements; any injuries you sustain need to be treated, and you need to maintain your weapons. Ghost Recon Breakpoint launches for PS4, Xbox One, and PC on October 4.

Todd Howard Responds To Fallout 76’s Poor Launch And Says What He Would Have Done Differently

Fallout 76‘s poor release did damage to Bethesda’s reputation and the Fallout brand overall, according to Todd Howard. He said in a new interview that the game, which launched in November 2018 to poor reviews and plenty of technical issues, created “some” damage to Bethesda’s reputation and the perception of the Fallout brand.

“It would be naive to say it’s had zero,” Howard said in a candid interview with IGN.

He went on to acknowledge that, due in part to the always-online, multiplayer focus of Fallout 76 being new ground for Bethesda, the team anticipated a rocky launch.

“We knew we were going to have a lot of bumps. That’s a difficult development; a lot of new systems and things like that. ‘Hey, we’re going to try this new thing.’ Anytime you’re going to do something new like that, you know you’re going to have your bumps; you know a lot of people might say, ‘That’s not the game we want from you.’ But we still want to be somebody that’s trying new things,” Howard said. “That was a very difficult, difficult development on that game to get it where it was …a lot of those difficulties ended up on the screen. We knew, hey look, this is not the type of game that people are used to from us and we’re going to get some criticism on it. A lot of that–very well-deserved criticism.”

Howard went on to say that Bethesda never expected Fallout 76 to get the highest review scores. “Even from the beginning, [we thought], ‘This is not going to be a high Metacritic game; that’s not what this is, given what it is,'” Howard said.

Fallout 76’s score on GameSpot sister site Metacritic was 53 on PS4, 52 on PC, and 49 on Xbox One. The previous Fallout release, 2015’s Fallout 4, had a Metacritic score in the high-80s across console and PC.

Despite predicting technical issues and lower review scores, Howard said the team at Bethesda felt strongly about making an online, multiplayer Fallout game. He also said he expects Fallout 76 to improve over time, similar to the way in which Bethesda’s MMO The Elder Scrolls Online sputtered at launch and has since grown to be one of the most popular MMOs on earth with more than 8.5 million players.

“It’s not how you launch, it’s what it becomes,” Howard said about Fallout 76, going to tease that Bethesda has “some awesome stuff” to reveal at E3 in June.

Though Fallout 76 was criticized, Howard pointed out that it was still a “huge release” and a chart-topper for sales. No sales numbers have been announced, however.

Howard said Bethesda’s main takeaway or lesson learned from Fallout 76 was that the developer should have kept the game in a testing phase for a longer period of time. The game might have benefitted from being in beta for “a number of months” before launching, he said.

“If there is one thing I would have done differently, [it would have been to] find a way to, at scale, let people be playing the game 24/7 before you say, ‘Everybody in. Here you go. Pay us.'”

Howard also clarified that Fallout 76 was developed not principally by the main team at Bethesda Game Studios in Maryland. Instead, the entire Bethesda team in Austin, Texas worked on Fallout 76, with support from teams in Dallas, Montreal, and home base in Rockville, Maryland where “a lot” of people contributed.

Top New Games Releasing On Switch, PS4, Xbox One, And PC This Month — June 2019

E3 2019 is only a few days away, but before we learn about a bunch of hot new games launching over the coming months, we have to take a look at June. The new month is full of big names like the goblin-filled Warhammer: Chaosbane, the high-octane Crash Team Racing Nitro-Fueled, and the fully customizable Super Mario Maker 2. There’s also a pair of action-packed games out of Japan, Judgment and Bloodstained: Ritual of the Night.

Warhammer: Chaosbane — June 4

Available on: PS4, Xbox One, PC

The latest video game take on the tabletop classic isn’t about strategy–this is a hack-and-slash game. As the name implies, it’s up to you to battle the forces of chaos using four different classes. You can take on the horde in four-player co-op too, then jump into boss rush mode if you need an extra challenge.

More Coverage:

Bloodstained: Ritual of the Night — June 18 (PS4, Xbox One, PC) / June 25 (Switch)

Available on: PS4, Xbox One, PC, Switch

If Bloodstained reminds you of Castlevania, there’s a good reason: this action game comes from ex-Castlevania boss Koji Igarashi. The Kickstarter-funded project takes cues from Symphony of the Night, with a big castle to explore, monsters to slay, and powerful magic to acquire. You’ll take on the roles of Miriam and Zangetsu, with the goal of stopping the evil alchemist Gebel.

More Coverage:

Crash Team Racing Nitro-Fueled — June 21

Available on: PS4, Xbox One, Switch

Nitro-Fueled isn’t just a remake of Crash Team Racing–it also includes tracks from Crash Nitro Kart and Crash Tag Team Racing. You can take the wheel with every playable racer from those games, plus some new ones that were just boss characters before. You can take some trap-filled laps in both local and online multiplayer.

More Coverage:

Judgment — June 25

Available on: PS4

Much like Bloodstained, Judgment might remind you of another game. In this case, Yakuza comparisons are totally apt, since this spin-off is set in a lot of the same locations. It even uses the same combat system, letting you swap between styles during the fight. But it’s not about the Japanese mob; Judgment sees detective Takayuki Yagami solving a series of murders.

More Coverage:

Super Mario Maker 2 — June 28

Available on: Switch

There’s almost too much to talk about with this Super Mario Maker sequel. You can build custom levels with a ton of new tools, and the story mode introduces some Mario mechanics you might not be familiar with, like the Angry Sun, Banzai Bills, and new level themes. What’s more, you can take on all the courses online cooperatively and competitively.

More Coverage:

New Releases will be taking a break next week with E3 kicking off. In two weeks, we’ll return with a special episode featuring all the big new release dates from the show. Check out our E3 2019 press conference schedule for an idea of what’s to come.

Godzilla 2 Tops The Box Office But Starts Slower Than The First One

The latest box office numbers are in, and Godzilla: King of the Monsters was No. 1. It made an estimated $49 million in the United States and Canada to come out on top in its debut weekend. That is a massive number, but it was slightly below industry projections of $50 million, according to Entertainment Weekly, which supplied all the box office numbers.

Additionally, the $49 million start is well below the movies that it serves as a sequel to. 2014’s Godzilla made $93.2 million over its opening weekend, while 2016’s Kong: Skull Island–which is in the same MonsterVerse–debuted with $61 million over its first weekend.

King of the Monsters made $130 million from overseas markets for a global opening-weekend haul of $179 million. The movie stars Kyle Chandler, Vera Farmiga, Millie Bobby Brown, and Ken Watanabe; it was directed by Michael Dougherty (Superman Returns, X-Men 2).

Disney’s Aladdin made $42.3 million in its second weekend to finish No. 2, while the Elton John biopic Rocketman starring Taron Egerton was No. 3 with $25 million. Another new movie, the Octavia Spencer-starring horror film Ma made $18.3 million to land at No. 4, while John Wick 3 rounded up the top five $11.1 million.

Avengers: Endgame made a further $7.8 million to to push its lifetime domestic box office to more than $815.5 million. Worldwide, Endgame has made $2.713 billion, which is still behind Avatar’s all-time record of $2.788 billion.

May 31-June 2

Via Entertainment Weekly

Godzilla: King of the Monsters — $49 million
Aladdin — $42.3 million
Rocketman — $25 million
Ma — $18.3 million
John Wick: Chapter 3 — Parabellum — $11.1 million
Avengers: Endgame — $7.8 million
Pokemon Detective Pikachu — $6.7 million
Booksmart — $3.3 million
Brightburn — $2.3 million
The Hustle — $1.3 million

Beyond Good & Evil 2 Skipping E3 2019

Beyond Good & Evil 2, the long-awaited Ubisoft sequel, will not be at E3 2019 this month. In a blog post, the developer said it’s focusing on “core development milestones.” As such, Beyond Good & Evil 2 won’t have a presence at E3 2019.

“This year, as we are focusing on core development milestones, we will not be attending E3 2019,” reads a line from the blog post.

More gameplay footage and other news about the game will be announced “when the time is right.” On the more immediate horizon, the next Space Monkey Report livestream event for the game will take place on June 5 at 6 PM PT. You can watch on Twitch, YouTube and Facebook.

“You continue to inspire us by sharing your ideas and creativity with the Beyond Good and Evil 2 dev team and community, and we really appreciate our Space Monkeys’ passion and dedication!”

This development follows the news from April when Ubisoft CEO Yves Guillemot suggested that changes might be afoot for Beyond Good & Evil 2. At the time, Guillemot said he recently spoke with creative director Michel Ancel about “another direction” for the game.

“I spoke with Michel last week about it to see where it was going; how we should move in one or another direction,” Guillemot said in a video that was apparently recorded in March. “We see the potential of this universe is fantastic, and Michel is really passionate [about it]. It’s going to be fantastic, I think.

In an intriguing bit of news, actor Joseph Gordon Levitt’s creative company, HitRecord, is partnering with Ubisoft for the tools so anyone can create content for Beyond Good and Evil 2.

Beyond Good & Evil 2 is a prequel to the 2003 original. It’s been in the works for a long time, but there is still no release date or announced platforms.

As for what Ubisoft will show off at E3 this year, the company has already confirmed Ghost Recon Breakpoint will be there. Ubisoft also announced it has three more triple-A games releasing by March 31, 2020. It hasn’t detailed what those are, but they’re very likely to be announced at E3, and one of them could be the rumored Watch Dogs 3. In addition to games, Ubisoft might announce a game-streaming service called Ubisoft Pass.

Ubisoft’s press conference will take place on Monday, June 10 at 1 PM PT / 4 PM ET / 9 PM BST (6 AM AET on June 11), sandwiched between Limited Run Games and Square Enix. You can check out the full press conference schedule for full details.

See Matt Damon And Christian Bale In First Trailer For Racing Movie Ford V Ferrari

A new trailer for Walt Disney/20th Century Fox’s upcoming racing movie Ford v. Ferrari has arrived. Matt Damon stars as Ford car designer Carroll Shelby whop recruits British driver Ken Miles (Christian Bale) to create a car that could beat Enzo Ferrari’s at the Le Mans competition in 1966.

John Bernthan, Tracy Letts, Josh Lucas, Caitriona Balfe, Noah Rupe, Ray McKinnon, and Remo Girone also star in the movie that’s directed by Oscar nominated director James Mangolf (Logan, Girl, Interrupted). Ford v Ferarri opens on November 15.

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Walt Disney/Fox also released a new poster and a series of production stills for Ford v Ferrari. Click through the images below the poster to see them all.

Ford v Ferarri opens on November 15.

Cuphead Is Coming To Tesla This Summer

Cuphead, the extra-challenging indie game from StudioMDHR, is coming to a new platform, but it’s probably not the one you’d expect. The game is coming to Tesla’s suite of electric vehicles.

Tesla founder Elon Musk confirmed this in an interview with the Ride the Lightning podcast. The game is already up and running for Tesla’s Model 3, Model S, and Model X, and Tesla worked with the game’s developer, StudioMDHR, to get it running.

“Cuphead we’ve got working. It’s a cool game. It’s insanely difficult. It’s sadistically difficult,” Musk said.

Cuphead runs on the Unity game engine, which Tesla has been working to port to Tesla’s own operating system. Musk also said there is a dune buggy game in the works for Tesla.

The game developer StudioMDHR confirmed to IGN that they’re looking to launch Cuphead for Tesla cars this summer. The game only includes the Inkwell Isle One part of the game due in part to storage space considerations.

“When Tesla reached out to us to bring Cuphead to their vehicles, we were thrilled!” StudioMDHR’s Maja Moldenhauer said. “Finding out that Mr. Musk was a fan of our game was extremely humbling and getting a chance to work with such an innovative company has been really exciting. We hope Cuphead can add some classic fun to such forward-thinking vehicles.”

You need a wired USB controller to play Cuphead in a Tesla; it does not support touchscreen controls.

Cuphead is not Tesla’s first in-car game. A number of Atari classics are already available, including Asteroids and Lunar Lander. In all cases, video games can only be played in Tesla cars when they’re parked.

Cuphead initially launched in 2017 for Xbox One and PC before launching for Nintendo Switch in April this year. The game has sold more than 3 million copies (but this doesn’t count the Switch version).