Author: Trafficblast

Xbox head Phil Spencer has published an editorial on the Microsoft Blog expressing the importance of diversity, and committing the company to combating toxicity online. To that end, he identified three key initiatives for the Xbox team.

The first initiative is continued vigilance from its Xbox Safety team, and expanding the composition of the safety team for a greater variety of perspectives. The group of community leaders known as Xbox Ambassadors will also be working on “community missions” to help create an inviting environment for players.

Spencer’s second initiative is to create more tools for players and community leaders to customize their level of engagement to their comfort level. Over the summer, Club managers will get more moderation features, and other content moderation tools will be available by the end of 2019. It also commits to easier parental control tools, along with Gaming Summer Camps launching this summer to teach kids healthy habits. A recently launched “For Everyone” portal on Xbox.com keeps track of these initiatives.

Finally, Microsoft will share its safety tech across the industry, including its teams working on research, data science, and moderation. It compares this plan to its PhotoDNA technology, which it has shared with police and tech companies to fight child pornography.

“The gaming community continues to grow rapidly, and the imminent roll-out of new game services such as Apple Arcade, Google Stadia, and Microsoft’s Project xCloud, will make gaming available to even more people worldwide,” Spencer states. “Our industry must now answer the fierce urgency to play with our fierce urgency for safety.”

The full letter also serves partly as a mission statement for the company. It cites data on the current diversity of the gaming audience, the benefits of gaming for people with autism or Alzheimer’s, the connection between gaming and STEM education, and then explains the current events that have led to this safety-focused approach.

“This widespread embrace of gaming and its global communities have turned video games into the world’s leading cultural industry, bigger than movies or music,” it says. “But it also comes at a time when digital life includes a growing toxic stew of hate speech, bigotry and misogyny.”

Given the smelly trash fire that the episodes leading up to it were, there was never any real chance of Game of Thrones’ finale, Season 8 Episode 6, “The Iron Throne,” being anything other than a disappointment. But at least they tried.

There’s a parallel universe somewhere where this exact episode was preceded by two full seasons of the phenomenal storytelling that Game of Thrones was once capable of, and in that brighter timeline, the show went out on the right note. It still would have been bittersweet, but it would have also felt earned, which this definitely did not. Too many plot points were swept under the rug and too many endings came from seemingly out of nowhere for this to feel satisfying.

Unlike the nonsensical Dothraki charge in Episode 3 or Euron’s magic scorpion bolts in Episode 4, there was nothing particularly terrible in the Season 8 finale; we got some surprises (Bran the Broken), while other plotlines concluded exactly as they needed to (Arya sailing West, and Brienne finishing Jaime’s page in the Kingsguard book). It just all felt a little tawdry thanks to the path we took to get here.

Look at where the show’s biggest characters ended, in broad strokes: Jon never fully embraced his secret identity, which was disappointing, but fitting; he’ll die a Stark, in the North, as he lived. (I kept waiting all season for something to make me start thinking of him as Aegon Targaryen instead of Jon Snow, but it never happened, seemingly by design.) Dany wound up being her father’s daughter after all, which is depressing, but not unrealistic. Some combination of Bran, Sam, and Tyrion–the characters who are supposed to be smart–rewrote the rules of Westerosi politics, transforming the realm from the hereditary monarchy it’s been for centuries into, essentially, something resembling a representative democracy. Sansa is Queen in the North, Arya leaves for her own adventure, and the Six-Plus-One Kingdoms are left in somewhat capable hands.

Let’s talk about King Bran the Broken, First of His Name (and here’s a good joke about that very weird title). On paper, yes, he makes a good king. And it’s not completely incomprehensible that he winds up on the throne, since the show established that everyone just sort of accepts his Magic Powers of Knowing Everything as fact for some reason. As with the rest of this, I think there’s a version of this ending that lands better–one that follows a story in which Bran wasn’t written out of an entire season and didn’t return to the show as a soulless, dead-eyed husk of a character who did nothing for several years.

There’s an alternate theory for why Bran winds up on the throne that involves things like the Three-Eyed Raven’s true identity, both characters’ skin-changing/warging abilities, and cryptic Bran statements about how he’s not really Bran anymore. But since the show never really committed to any of that (seriously, when was the last time Bran actually warged into anything or anyone and did something useful?), we have to just take what we got at face value. Whatever.

Jon killing Daenerys definitely falls under the umbrella of “things that were inevitable but that doesn’t make them any less sad.” This episode had some insanely beautiful and effective shots, from Dany walking out to address her soldiers with Drogon’s wings spreading behind her to the pivotal scene in the throne room, up to and including the dragon flying away with his dead mother clutched in one claw. Where did he go? Maybe Bran will find him, maybe he won’t. Like so many other things in Game of Thrones’ neutered final season, that’s beside the point.

This is the thing: An ending can make sense without feeling satisfying. The reasons why Game of Thrones’ finale felt disappointing have less to do with the ways things actually wound up, and more with how we got here. If Bran had actually been present as a character and not just a doorstop for the past couple of seasons, fans might have cheered at the idea of him ruling over Westeros. If Dany’s full-on murderous insanity had been properly built up to–as opposed to simply foreshadowed and then flipped on in an instant, which unfortunately isn’t the same thing–her death could have been one of the most emotional television scenes ever, rather than something that felt like it simply needed to be done for the Story to continue its breakneck freefall toward a Conclusion.

The moments that worked best in “The Iron Throne” were the ones that were properly set up long ago, like Brienne finishing Jaime’s page in the White Book of the Kingsguard. It’s the right kind of bittersweet: The Jaime that we got to know over these eight seasons (and five books) wanted nothing more than to leave a legacy that could stand alongside those of past Kingsguard greats like Ser Arthur Dayne. And who knew that side of the Kingslayer better than Brienne?

But therein lies the quintessential difference between page and screen: If you only watch the show, do you know that side of Jaime? In George R.R. Martin’s books, events play out from specific characters’ perspectives. When we’re seeing the world through Jaime Lannister’s eyes, we’re also privy to his inner monologue, thoughts, feelings, dreams, hopes, and fears. When the show was still based on the books, it felt similar–in early seasons we usually understood why the characters did the things they did. The show did a great job letting us get to know them.

In more recent seasons, it’s felt like the show kept us at arm’s length, deliberately leaving things offscreen–like Bran, Arya, and Sansa plotting against Littlefinger, or Dany learning to ride and control Drogon–in order to build up surprises and cinematic climaxes. Those moments often worked, but they also left us wondering exactly how the pieces fell into place behind the scenes. Maybe showrunners David Benioff and Dan Weiss orchestrated that shift deliberately, or maybe they just didn’t have the answers and so chose to not even try to come up with some. R’hllor knows George R.R. Martin has a hard enough time–the story’s complexity is often cited as one of the reasons the books take him so long to write.

The point is: The broad strokes of this ending may be what the author has in mind, and, if he ever manages to finish his own story, this may be the ending that we ultimately get. But the way we get there will likely be characterized not by the bad taste of a botched rush job, but by the careful plotting, endless detail, and realistic, complex characters that the story actually began with.

Here’s a silver lining: Even if you wanted Jon on the throne in the end, you have to admit that finally seeing him pet his direwolf again is an even better conclusion to his story. At least they got there in the end.

Photos: HBO/Helen Sloan

Minecraft is one of the most popular and commercially successful games in history. Microsoft has now shared a new sales update for the entire franchise–and it’s huge.

Minecraft creative director Saxs Persson said in a blog post that the franchise–which debuted on PC 10 years ago in 2009–has now crossed 176 million copies sold. This counts copies sold across all platforms. The game has sold a copy in nearly every country in the world, Persson added. This includes at least four copies sold in Antarctica.

The game launched on PC, but now it’s available pretty much everywhere you can play games, including console, mobile, and more.

Less than three years ago, in June 2016, developer Mojang announced that Minecraft lifetime sales stood at 106.85 million copies, so sales have continued steadily since then.

Not only have many, many people bought Minecraft, they’re also playing a lot. By Microsoft’s latest count, the game has 91 million monthly players, which is many millions ahead of Fortnite.

Given the huge success of Minecraft, you might think Microsoft would want to release Minecraft 2, but that’s not going to happen soon–or ever. If Microsoft were to make Minecraft 2, the player base might get fractured as some move to the sequel and others stay with the original. While Microsoft could theoretically do that and still make a lot of money, it makes more sense to keep the community together, according to Minecraft boss Helen Chiang.

“We’re trying to keep our community together,” she explained. “That’s why our updates our free. We don’t want to ask [players] to move from Minecraft 1 to Minecraft 2. We want them to just enjoy Minecraft. And there’s other ways that we can expand that are more meaningful and authentic to what we want to be, rather than just releasing another iteration in the way that most other franchises do.”

In other news about games that have sold an unthinkable number of copies, Take-Two just announced that Grand Theft Auto V has sold almost 110 million copies.

Multiple new Minecraft games are in development, including an AR game called Minecraft Earth and a dungeon-crawler style project called Minecraft Dungeons.

Microsoft acquired Minecraft and developer Mojang in 2015 for $2.5 billion. The game’s creator, Markus “Notch” Persson, is no longer involved with the franchise and Microsoft is distancing itself from him in the wake of his controversial opinions.

So that’s it. Game of Thrones has come to its end. There’s a new ruler for Westeros, and while a whole bunch of people died along the way, a lot of fan-favorite characters managed to make it through the game of thrones and win, or at least didn’t die.

In Episode 6, “The Iron Throne,” we saw what finally became of the Stark kids after years of them dodging death at the hands of their enemies. Here’s what happened to the Starks in the final moments of the show–as always, there are tons of spoilers for the finale episode from here on out.

Let’s start with Jon Snow. In the aftermath of the destruction of King’s Landing, Jon had to choose whether to serve Daenerys Targaryen as a tyrant queen. Instead of ruling at her side (or taking the risk of letting her kill him and the rest of his family at some later point), Jon assassinated Daenerys, stabbing her in the heart with his dagger.

Grey Worm imprisoned Jon, but he somehow avoided being executed for his crime. Jon didn’t win the throne, however–as a compromise between Sansa Stark and Grey Worm, Tyrion exiled Jon back to the Wall. Right after rejoining the Night’s Watch, Jon teamed up with Tormund, the wildlings, and Ghost (hooray!), and headed North, presumably to live in freedom now that there are no White Walkers to kill everyone.

With no new monarch left for Westeros, the surviving lords and ladies of the kingdom gathered at the King’s Landing dragon pit to choose a new leader. At Tyrion Lannister’s suggestion, they landed on Bran Stark as the new king. Bran can’t father children, though, so the next king of Westeros won’t be his son; instead, the lords and ladies of the country will choose a new monarch when Bran’s rule ends.

Sansa might not have won the throne, but she won a throne. When everyone in the council was voting on a new king, Sansa abstained, instead refusing for the North to rejoin the Seven Kingdoms. That makes Bran the ruler of the Six Kingdoms, with the North remaining independent. Meanwhile, Sansa was named Queen in the North by her bannermen, leaving her with a kingdom of her own.

Arya often said she was no lady, so she didn’t hang around in Winterfell with her sister or marry a lord (like Gendry Baratheon). She made good on her idea to find out what’s west of Westeros, which she mentioned back in Season 6. We see her taking a ship to go exploring in her final moments.

While a lot of great houses went extinct through the course of the show (RIP House Tyrell), the Starks only lost a majority of their members. The head of the house, Ned Stark, was beheaded by Joffrey Baratheon back in Season 1. His wife, Catelyn Stark, died at the Red Wedding, along with her eldest son, Robb Stark. And Rickon Stark was killed by Ramsay Bolton during the Battle of the Bastards. But against all odds, the rest of the kids survived.

Of all the great houses of Westeros, the Starks wound up making out better than most of the others. Three of the five kids survived (or four of six if you count Jon, who’s technically a Targaryen), and most of them got what they wanted. Sansa gets to be queen, her desire from Season 1; Arya got the freedom to do what she wants; Bran can use his Three-Eyed Raven powers to make the world a better place; and Jon gets to live among the Freefolk. All in all, not a bad result, especially compared to their enemies.