Author: Trafficblast

With a futuristic, digitized look and rhythmically pulsating soundtrack, Frozen Synapse 2 is every bit as stylish as its predecessor. It’s a deliberately slow and cerebral experience meant to be learned and played at your own pace. While some technical issues and annoying limitations to the campaign result in frustration at points, Frozen Synapse 2’s compelling take on tactics and strategy makes up for this. Whether in single or multiplayer, its highly tactical combat requires patience and wit to grasp, but the steep learning curve is worth it, with every engagement brimming with brilliant tension.

While the game’s style is undeniable, with gorgeous, procedurally-generated urban environments, Frozen Synapse 2’s tactical, turn-based gameplay is the main draw. You control every movement of a squad of up to six Vatform units–repairable humanoid mercenaries hired for use in combat deployments–to take down enemy teams. Units are controlled by the strategic placement of waypoints, which you mark on the battlefield as you plan out your next turn. Once your plans are primed, you hit the play button and watch as the next five seconds of your movements, and those of your enemy, are played out in a real-time concert of bullets and shotgun blasts. It’s a violent game of chess where, refreshingly, logical rules dictate the outcome of a gunfight, not the roll of a random number generator.

When making your plans, plotting out waypoints and moving units from one place to another is the easy part. Where the real effort comes in is predicting the movement of your enemies and anticipating what they’re going to do next. At any point along a unit’s path, you can add any number of commands, from “wait” or “engage on sight” to asking them to duck and stay low when moving. Your options are plentiful, letting you get as complex as you need to. Helpfully, you’re able to plot out enemy waypoints as well, letting you test out theoretical counter-attacks that they might set up in response. But there’s no certainty in war, and it’s this uncertainty that makes each engagement feel wonderfully tense and unique. Even your best-laid plans can go horribly wrong, while at the same time, a hail mary might see things line up in the exact way you needed it to.

The lack of random chance makes planning out your moves more meaningful, as there is always an optimal solution for any given scenario. A stationary unit will always have a faster time-to-kill than a moving one, for instance. However, different units have their own time-to-kill stats, as well as effective ranges and reload times. These need to be taken into account when marking out your next move, as even well-placed units can struggle to make an impact when they’re outgunned and vice-versa; shotguns are devastating in close quarters but are sitting ducks when left out in the open. Learning the intricacies of Frozen Synapse 2’s combat is an exercise in both dealing with and overcoming the frustration of early mistakes, of which you’ll make many. It only makes it all the more satisfying when the mechanics all finally click, which they will after a few hours of experimenting.

Frozen Synapse 2’s single-player mode adds an intriguing real-time strategy layer to the game’s strong combat systems in the form of the city map. The city is broken up into several districts, with the different factions operating within them. Both the districts and factions directly contribute to your overall budget, increasing funding as you complete contracts on their behalf, and decreasing it if those actions affect them negatively. Contracts are also time-sensitive, so if you fail to act in time or ignore it completely, another faction will jump at the chance, costing you precious funding and faction reputation. It feels like you’re forever on the back foot, which can be a jarring experience at first.

Aside from the occasionally menu-heavy UI, the city has a gorgeous cyber-minimalist look to it. This is backed by a superbly written futurist sci-fi story, told through smart and occasionally funny character dialogue between Mettem, chairman of the city municipal council, your gleefully dry AI helper named Belacqua, and the various faction leaders, each with own clear sense of purpose. You are given the reins of the city’s security forces as it deals with an increasing level of factionary violence as well as the outbreak of a sentient AI named Sonata that’s also causing a fuss.

The campaign has some issues, though. It struggles to maintain stability at times, unexpectedly crashing to the desktop on rare occasions. Checkpoint contacts involve keeping a squad deployed on a street corner for an allotted time period, except immediately after a deployment, you’re prompted to send the squad back to base. If you’re not aware of this, you’ll fail the contract and your time spent in combat there will be for nothing. There’s also no autosave prior to mission deployment, so if your squad’s too small or underpowered on a mission where failure is not allowed–a condition that isn’t explained beforehand–you’re forced to choose between trying to progress through impossible odds or restarting your campaign entirely. This mode is made to be replayable, but given the relatively slow pace of progress, a forced restart is a hard pill to swallow.

Thankfully, the game’s superb multiplayer makes up for this. While single player AI is a good challenge, nothing quite beats the feeling of out-thinking a human opponent, and there’s far more pressure to plan out your movements with total precision. Multiplayer is also built intuitively into the UI, allowing you to request opponents with a single mouse click or move between multiple games you have going on at the same time. The load time between each game is short, so if one opponent is taking their time, you can always run along and start a new game with someone else, mitigating any frustration at being made to wait while someone plots out their next move.

It’s hard not to be drawn in by Frozen Synapse 2’s style, but it’s even harder to pull away once the game’s combat gets its hooks in you.

There are six different modes to choose from, each with a light (enemies are always visible) and a dark variant (enemies are invisible unless they’re within your unit’s line of sight). While there’s the standard deathmatch mode called Extermination, other modes are much more interesting. In Hostage, one squad attempts to hold the hostages placed in a square in the middle of the map while another moves in to free them. Charge sees the battlefield laid out like a football pitch; both players bet how far they think they can get their squad to the other side of the field, and the winning punter gets the chance to prove themselves while the other defends. No matter the game mode, every multiplayer encounter is fantastically suspenseful, with a palpable air of uncertainty surrounding the few seconds prior to your plan’s outcome being played back.

It’s hard not to be drawn in by Frozen Synapse 2’s style, but it’s even harder to pull away once the game’s combat gets its hooks in you. While the single-player mode ambles through both high and low points, the multiplayer remains a steadfastly enjoyable experience. The anticipation as squads approach in preparation for battle is both thrilling and nerve-wracking, and the ability to switch between multiplayer games on the fly makes tracking multiple games elegantly simple. Technical hiccups aside, Frozen Synapse 2’s incredible style and strong tactical combat make it wonderfully gratifying.

Dying Light‘s battle royale-style mode, Bad Blood, is now available on PC. The standalone “brutal royale” game, as developer Techland bills it, has launched on Steam Early Access, and you can jump in now by purchasing the $20 Founder’s Pack.

Along with access to the game, the Founder’s Pack includes a handful of exclusive content, such as three Legendary weapon skins, one Legendary mask, and 1,000 Blood Bucks–Bad Blood’s in-game currency. The pack also comes with the Founder’s Pass, which will grant players three exclusive Legendary skins over the next three months.

Unlike a typical battle royale game, Dying Light: Bad Blood incorporates PvP and PvE elements into the series’ brand of survival horror. The game drops 12 players into a city swarming with zombies. You’ll need to go about the map scavenging for weapons, eliminating other players, destroying zombie hives, and using Dying Light’s signature fast-paced parkour tricks to survive.

On top of gathering weapons and other resources, you’ll also need to collect blood samples from the infected. These are the most vital items to acquire, as they’re tied to Bad Blood’s victory condition. You’ll need to gather enough samples to secure a seat on the evac chopper and safely evacuate the map. However, only one player will be able to board the helicopter, so you’ll need to race against all the other players to be the first to collect samples and escape.

Techland hasn’t announced a full release date for Dying Light: Bad Blood, but the game is coming to PC and consoles. The developer says the game will transition to free-to-play when it leaves Early Access. For more footage of the game, check out our hands-on session with it at Gamescom last month.

Apple’s big annual event to reveal new iPhones took place on Wednesday, and as expected, the company announced an array of new products coming in the near future. Apple led the event with the Apple Watch Series 4, a gorgeous-looking new version of its smartwatch. It followed that with a trio of new phones, the iPhone XS, XS Max, and XR.

Below, we’re rounding up the essential information on all of the big announcements from the event. Surprisingly, there was nothing about new AirPods or the AirPower wireless charging mat; today’s keynote dealt almost exclusively with new iPhones and Apple Watch, although we did get a release date for MacOS Mojave (September 24) and some brief talk about the HomePod.

Apple Watch Series 4

A wide variety of new watch faces were showcased, including one that could feature as many as eight complications. There is also expanded support for third-party apps on the watch face; we saw how the MLB At Bat app could show the box score for a baseball game, for instance. Apple also highlighted the watches’ louder speakers and other improvements, as well as new health-related features such as the ability to detect when the wearer falls down (triggering new options for altering emergency services or contacts).

Series 4 watches release on September 21 and will be priced at $399 or $499 for the cellular version.

iPhone XS

Next during the keynote was the new iPhones. First up was the iPhone XS–pronounced “ten ess”–that serves as the follow-up to last year’s pricier iPhone X. It features an edge-to-edge screen with curved sides, coming in three finishes: gold, silver, and space gray. It features a 5.8-inch screen when measured diagonally; despite being greater than the iPhone 8 Plus’s screen size, it’s actually a smaller overall phone.

The XS screen is a Super Retina OLED display featuring a 2436×1125 resolution with many of the expected features, like True Tone and HDR10 support. The phone offers Face ID, improved speakers, better CPU and GPUs, and more. It also boasts improved cameras on the front and back, which the company spent a great deal of time showcasing. The battery lasts up to 30 minutes longer than that of the iPhone X.

Pre-orders begin on September 14, with an iPhone XS release date set for September 21. It starts at $999 and comes in 64 GB, 256 GB, and 512 GB sizes.

iPhone XS Max

Alongside the iPhone XS is the XS Max. This is the new name for what’s previously been known as the Plus model–it’s essentially a larger XS. It has a 6.5-inch OLED display with a 2688×1242 resolution. And again, despite a much larger screen than the 5.5-inch iPhone 8 Plus, it’s roughly the same size as that phone. The battery life offers up to 90 minutes more than the iPhone X.

Similar to the XS, its release date is set for September 21, while pre-orders begin on September 14. The sizes are the same–64 GB, 256 GB, 512 GB–and it starts at $1099.

The Elder Scrolls: Blades

While not a new announcement, Bethesda’s The Elder Scrolls: Blades was featured during the keynote. Todd Howard came on stage to showcase the game and what the iPhone XS’s new A12 chip makes possible in terms of visual effects. He also reaffirmed Blades’ release date is set for sometime this fall; it’s available for pre-order now.

iPhone XR

Alongside the iPhone XS and XS Max, which are Apple’s high-end devices, the company is also introducing another new phone, the iPhone XR. This is said to offer an iPhone X-style experience (there’s no home button, for instance), but it’s equipped with an LCD screen, rather than the fancier OLED displayed offered on the XS and XS Max. The 6.1-inch display–with what’s called Liquid Retina tech–does still extend to the edges, though.

The camera has the same tech as that of the XS and XS Max, even offering Portrait mode, but with only one camera rather than two; it’s equipped with the A12 Bionic chip; and the battery life compared with the iPhone 8 Plus can last 90 minutes longer.

XR pre-orders begin on October 19, with a release date on October 26. It starts at $749, making it cheaper than the iPhone 8 Plus.

Apple Keynote 2018 News