The UK’s Most Watched Drama in 2018 Is Coming to Netflix

BBC One’s new hit drama, Bodyguard, ended its first season with impressive viewing numbers that the network hasn’t seen since 2008. So far, Bodyguard is the UK’s most watched drama in 2018. American audiences will be able to see what all the fuss is about on Netflix on October 24.

According to BBC News, Bodyguard reached a peak audience of 11 million viewers during its Season 1 finale. The outlet goes on to say that the series had “the biggest overnight drama figure since 10.5 million saw Downton Abbey’s series two finale in November 2011.” Only Doctor Who’s Christmas special had more viewers in 2008, with 11.7 million. For a closer look at the series, click through the gallery below:

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Death Stranding: Kojima Brings Down the House at TGS 2018

A special guest on Sony’s stage brought a fitting climax to Tokyo Game Show 2018. Toward the end of the last day of the show, Hideo Kojima appeared on the PlayStation stage to talk about his highly anticipated game Death Stranding.

If anything, the stage event was a reminder that Kojima is just as much of a phenomenon in his home country as in the West. Literally thousands of fans gathered in front of the PlayStation stage, stretching all the way to the back of the cavernous venue, and roared with delight at every new announcement and a new minute-long trailer.

This was by far and away the largest gathering of the four-day event. Appropriately, the first comment Kojima made when appearing on stage was “I can’t believe how many people came!”

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No Yakuza Characters Will Appear in Project Judge, Yakuza Studio Head Confirms

News from IGN Japan’s Tokyo Game Show livestream further complicates the questions of whether Project Judge is a Yakuza game or not: While both titles are set within a shared universe, the new game will not feature any characters from Yakuza.

The newest game by SEGA’s Yakuza team was announced earlier this month as a “completely different” experience, yet is based partly on the Yakuza engine. And while it is set in Kamurocho, the fictional Tokyo district from the Yakuza games, studio head and project lead Toshihiro Nagoshi told us that we will not be encountering any familiar faces as we explore the neon-lit streets as new protagonist Takayuki Yagami.

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Attack on Titan Episode 47 Review

Warning: Spoilers for the episode follow.

Stepping off a bit of the intense action we’ve seen in the last few episodes, “Friends” puts on the brakes to develop one of its more mysterious characters in this season–Kenny Ackermann. It’s great to see a continued emphasis on character development, but this episode isn’t this season’s strongest example.

At the end of Episode 46 we saw Kenny on his last leg of life. In a moment, he could turn that all around, but this week’s episode instead dives back into the past to explore his relationships with the Reiss’s, Levi, and his motivations. Namely, the way he views power.

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How It: Chapter 2’s Time Jump Will Work

Stephen King’s It became one of the most successful horror movies of all time last year. It also happens to be one of the best Stephen King adaptations to date. Fortunately, the filmmakers left the door wide open for a sequel. It only adapted half of the original novel. The other half will be explored in It: Chapter 2, currently scheduled for release in September 2019.

If you’re not familiar with the source material, you might be wondering why there’s still so much ground left to cover and why so many of the major roles are being recast. Read on to find out how Chapter 2 builds on the foundation of the first film and why the battle with Pennywise isn’t done yet. Full spoilers follow from the first film and mild spoilers from the book!

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Telltale Had “No Choice” After A Financing Deal Fell Through

Telltale co-founder Dan Connors has explained one of the reasons why the beloved adventure game studio is effectively closing down. Speaking to Variety, Connors said Telltale was close to securing another round of financing, but after it fell through, the company had “no choice but to stop production.”

“The company was working diligently to close a round of financing,” he explained. “Unfortunately, when the last potential financial backer abruptly pulled out, we were left in a position where we had no choice but to stop production. Sadly, everyone was so focused on doing what was required to keep the company going that when the last potential partner backed out, there were no other options.”

Telltale’s publicly disclosed financiers include venture capital firms IDG Ventures and Granite Ventures, as well as the Hunger Games movie studio Lionsgate Entertainment, whose CEO, Jon Feltheimer, sits on Telltale’s board of directors. It’s not clear if the financier that backed out was one of these outfits or any number or a different company. Multiple sources told Variety that Lionsgate was potentially the company that backed out of a new financing deal.

According to the report, Lionsgate told the board of directors last week that it would stop financing Telltale so it could focus on its core business in the movie space. One employee who was present when management announced the layoffs told Variety that Lionsgate was mentioned as one of the reasons for the move.

Lionsgate invested in Telltale back in 2015, with reports claiming the film company put $40 million into Telltale to work on game and TV show collaborations. As part of this investment, Feltheimer joined Telltale’s board of directors.

Former Telltale CEO Kevin Bruner said one of the reasons he left the company was due to his clashing with the board of directors about the company’s future. Former Electronic Arts CEO John Riccitiello is also on Telltale’s board of directors. Telltale’s current CEO, Pete Hawley, comes from Zynga, while three other top managers at Telltale are former Zynga higher-ups.

Connors told Variety that running a business comes with a number of serious risks and challenges. “The process of building something that has meaning and touches people is the most fulfilling thing a creative person can do,” he said. “But beware if you want to build a business: it is a perilous trip.”

Telltale announced a “majority studio closure” on Friday, resulting in 225 of the company’s 250 people losing their jobs. Following that announcement, Telltale announced that it had found multiple potential partners to help finish and release The Walking Dead: The Final Season. Telltale staffers were reportedly fired without severance pay, so many fans and commenters are taking issue Telltale potentially finishing the series–and making revenue from it–without paying the let-go staffers any severance.

In other news, Netflix has announced that it is evaluating its options for how it can finish the Stranger Things game that Telltale was working on.

For its part, Telltale says it will have more announcements to make regarding the fate of its numerous franchises in the weeks ahead. The company has not filed for bankruptcy, and it remains open with around 25 people still on staff.

NBC’s Manifest: Series Premiere Review

This is a spoiler-free review of the series premiere of NBC’s Manifest.

NBC’s new fall drama Manifest has been drawing comparisons to ABC’s Lost ever since the concept was announced; the show revolves around a plane full of missing people, and recurring numbers of great significance, with its slow-burn mystery set to unfold over the course of multiple seasons (if it lasts that long – always a crapshoot in today’s TV landscape).

Seemingly trying to combine the high-concept procedural elements of NBC’s recent hits Blindspot and The Blacklist with the familial drama of This Is Us, Manifest feels similar to a lot of other shows without quite nailing its own identity, at least in the series premiere.

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Stranger Things Game Telltale Worked On Could Move To A New Partner

When Telltale Games announced a “majority studio closure” last week, it meant that the studio’s upcoming games–including its title based on Netflix’s big hit Stranger Things–were left in question. It looks like the Stranger Things game may live on with another developer.

In a statement to Polygon, Netflix said it is “in the process of evaluating other options for bringing the Stranger Things universe to life in an interactive medium.”

That’s all that Netflix had to say on the matter, though the company added that it was “saddened” over the news of Telltale’s majority closure. “They developed many great games in the past and left an indelible mark in the industry,” Netflix said.

Some purported footage of Telltale’s Stranger Things game emerged online recently. The leaked footage shows off main character Will and a particularly spooky encounter with the Demogorgon. You can watch the footage here on PCGamesN.

Netflix is also working on bringing Minecraft: Story Mode to Netflix, and those plans are “still moving forward as planned” amid the sad and shocking news about Telltale.

In other news about Telltale, the company announced today that it has found multiple potential partners that it may work with to complete and release the remaining episodes of The Walking Dead: The Final Season.

Telltale’s “majority studio closure” was announced on Friday, and it resulted in 225 of the studio’s 250 people losing their jobs. The employees reportedly received no severance pay.

Magnum P.I. Series Premiere Review

Warning: Spoilers for the Magnum P.I. Series Premiere follow…

The original long-running Magnum P.I. series, which ran from ’80 to ’88, is known for a handful of things. First and foremost, it transformed Tom Selleck into a bonafide TV star (which he was even able to parlay into a few headlining movie roles) and, aside from the unique Hawaiian backdrop, it was Selleck’s charm that kept viewers coming back for weekly capers. Add to the mix John Hillerman’s Higgins – Thomas Magnum’s snooty, feisty foil – and the series was able to cruise comfortably as a breezy “case of the week” procedural for many years.

Decades later, CBS still builds shows using the same blueprint that TV adopted back in “the day.” Drawing in an older demographic for its stable, stalwart lineup of “murder’s the real star” mysteries, the network uses a time-honored regimented recipe for casual, lightly serialized (though mostly not) crook-buster shows, using tried and true tropes and cliches to present viewers with purposefully unchallenging storytelling.

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