The Acolyte: Star Wars Mystery Thriller Series Sparks Darth Plagueis Theories

The Acolyte, Leslye Headland’s mysterious new Star Wars series, has sparked some theories about Darth Plagueis and the Sith Order.

During the Disney Investor Day presentation on Thursday, Lucasfilm boss Kathleen Kennedy shared a few details about Leslye Headland’s upcoming Star Wars project, The Acolyte. While plot specifics were not given for the female-centric Disney+ series, Kennedy revealed that the “mystery thriller” focuses on the “shadowy secrets and emergent dark side powers in the final days of the High Republic era.”

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The High Republic era, which is going to be explored further in Lucasfilm’s multi-pronged publishing initiative, takes place hundreds of years before the Skywalker saga. The Acolyte is set in the “final days” of this era, so fans have been speculating over which characters might make an appearance in the new series, with some even wondering whether we could see a live-action debut from Darth Plagueis.

As noted by Den of Geek, Plageuis was born sometime between 147 and 120 BBY in the classic Legends continuity, making him at least 20 years old during this era, which ended in 100 BBY. Even though it’s unclear how this matches up with Disney canon, fans expressed their excitement over the prospect of seeing more of Plagueis’ origins and the rumblings of the Sith leading into the prequels.

By definition, an acolyte is a person who “assists a member of the clergy in a liturgical service by performing minor duties,” which could refer to the Jedi or those who possess the “emergent dark side powers.” Whether that’s Plagueis or the Sith remains to be seen, but we do know that there are plenty of other challenges and enemies present during this period, including the Drengir and the Nihil.

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The opening crawl for the upcoming High Republic publishing initiative provided fans with an early insight into the state of the galaxy during this era. The text teased a time of peace, hope, and prosperity in a “magnificent renaissance” that becomes endangered by a “frightening new adversary” who threatens to disrupt the harmony of the Jedi heroes.

If you want to learn more about this largely unexplored period, read our explainer about Star Wars’ ever-growing mythos. Or, if you want to find out more about some of the other projects that were discussed at the Disney Investor Day presentation, check out our complete round-up of every movie and TV show announced at the event.

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Adele Ankers is a Freelance Entertainment Journalist. You can reach her on Twitter.

Call Of Duty: Black Ops Cold War Is Already The US’s Best-Selling Game Of 2020

In less than a month on the market, Call of Duty: Black Ops Cold War has already outsold every other game during 2020 in the United States. That’s according to the NPD Group, which has released its monthly report for November and confirmed the ongoing dominance of CoD.

This marks the 13th year in a row where a new Call of Duty game was the top-selling game in its launch month, according to NPD. It’s news that has long since ceased being a surprise. The launch of PS5 and Xbox Series X|S didn’t impact this trend, with Cold War coming out as the top-selling game on PlayStation and Xbox platforms for both November and the year overall. Call of Duty: Modern Warfare and Animal Crossing: New Horizons stand as the second and third top-selling games for the year through November.

Coming in at the #2 spot on NPD’s list of best-selling games in November was Assassin’s Creed Valhalla, which is now the year’s #7 best-selling game. It was a particularly big launch for Valhalla–which, like Cold War, released on next-gen platforms alongside current-gen ones and PC–attracting higher sales in its launch month than any AC game dating back to 2012’s Assassin’s Creed III.

The #3 seller in November was Spider-Man: Miles Morales, the cross-gen, standalone Spider-Man game. It was actually the second best seller on PlayStation platforms during the month, outselling Valhalla.

It’s worth noting that NPD’s charts accounts do include digital sales, but only from publishers that opt to share that data. That means Nintendo games, for instance, don’t factor in digital sales on these charts, though Hyrule Warriors: Age of Calamity, Switch’s big release in November, did still make it to #6. (Take-Two also no longer shares digital sales, which may explain GTA V’s recent absence from these charts.) Additionally, games are ranked on dollar sales, rather than the number of units they sold.

The NPD report also revealed that PS5 set a new record for a console’s launch month in the US. Perhaps due to supply constraints–it’s very tough to buy a PS5 or Xbox Series X|S even a month later–Switch still emerged as the month’s top-selling console, a record it’s held for 24 months in a row.

Read on for a look at the full list of top sellers in November and 2020 overall. These charts cover November 1-28, meaning they lack a few days from the end of the month–making CoD’s surge to the top of the 2020 charts all the more impressive. The game is set to be integrated with CoD: Warzone next week.

All Platforms (November 2020)

November 2020 Top 20 Games (Physical and Full Game Digital from the Nintendo eShop, PlayStation, Steam, and Xbox platforms for publishers in the Digital Leader Panel) ranked on dollar sales

  1. Call of Duty: Black Ops: Cold War
  2. Assassin’s Creed: Valhalla
  3. Marvel’s Spider-Man: Miles Morales
  4. Madden NFL 21
  5. NBA 2K21*
  6. Hyrule Warriors: Age of Calamity*
  7. Watch Dogs: Legion
  8. Animal Crossing: New Horizons
  9. FIFA 21
  10. Demon’s Souls
  11. Mario Kart 8: Deluxe*
  12. Super Mario 3D All-Stars*
  13. Just Dance 2021
  14. New Super Mario Bros. U Deluxe*
  15. Luigi’s Mansion 3*
  16. Mario Kart Live: Home Circuit
  17. Super Smash Bros. Ultimate*
  18. Marvel’s Avengers
  19. Mortal Kombat 11
  20. Ghost of Tsushima

* Digital sales not included

All Platforms (2020 Through November)

Year-to-Date Ending November 2020 Top 10 Games (Physical and Full Game Digital from the Nintendo eShop, PlayStation, Steam, and Xbox platforms for publishers in the Digital Leader Panel) ranked on dollar sales

  1. Call of Duty: Black Ops: Cold War
  2. Call of Duty: Modern Warfare
  3. Animal Crossing: New Horizons*
  4. Madden NFL 21
  5. The Last of Us: Part II
  6. Ghost of Tsushima
  7. Assassin’s Creed: Valhalla
  8. Final Fantasy VII: Remake
  9. Marvel’s Avengers
  10. Super Mario 3D All-Stars*

* Digital sales not included

Nintendo Platforms

November 2020 Top 10 Games (Physical and Full Game Digital for publishers in the Digital Leader Panel) ranked on dollar sales

  1. Hyrule Warriors: Age of Calamity*
  2. Animal Crossing: New Horizons*
  3. Mario Kart 8: Deluxe*
  4. Super Mario 3D All-Stars*
  5. New Super Mario Bros. U Deluxe*
  6. Just Dance 2021
  7. Luigi’s Mansion 3*
  8. Mario Kart Live: Home Circuit
  9. Super Smash Bros. Ultimate*
  10. The Legend of Zelda: Breath of the Wild*

* Digital sales not included

PlayStation Platforms

November 2020 Top 10 Games (Physical and Full Game Digital for publishers in the Digital Leader Panel) ranked on dollar sales

  1. Call of Duty: Black Ops: Cold War
  2. Marvel’s Spider-Man: Miles Morales
  3. Assassin’s Creed: Valhalla
  4. Madden NFL 21
  5. Demon’s Souls
  6. NBA 2K21*
  7. FIFA 21
  8. Watch Dogs: Legion
  9. Ghost of Tsushima
  10. Sackboy: A Big Adventure

* Digital sales not included

Xbox Platforms

November 2020 Top 10 Games (Physical and Full Game Digital for publishers in the Digital Leader Panel) ranked on dollar sales

  1. Call of Duty: Black Ops: Cold War
  2. Assassin’s Creed: Valhalla
  3. Madden NFL 21
  4. Watch Dogs: Legion
  5. NBA 2K21*
  6. FIFA 21
  7. Marvel’s Avengers
  8. Call of Duty: Modern Warfare
  9. Star Wars: Squadrons
  10. NHL 21

* Digital sales not included

Now Playing: Call of Duty: Warzone and Cold War Season 1 Trailer | Game Awards 2020

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PS5 Had The Biggest Launch Month In US History

PlayStation 5 and Xbox Series X|S console sales helped set a new record for video game hardware sales according to industry-tracking firm The NPD Group. Most notably, Sony’s PS5 achieved the highest launch month sales of a console in US history, topping the previous record help by PS4.

“Consumers spent a November record $1.4 billion on new video game hardware, an increase of 58% when versus a year ago,” NPD analyst Mat Piscatella explained. “Growth was driven by the launches of the PlayStation 5 and Xbox Series consoles. Year-to-date hardware spending reached $4 billion, 34% higher than a year ago.”

The top-selling next-gen console of the month was the PS5, although both systems would likely have sold even more units if supply had been able to meet demand. The PS5 achieved the highest launch month for both unit and dollar sales for a video game hardware platform in US history, shattering the November 2013 record that had been held by the PS4.

Sony’s DualSense controller also made a big impression on the market, achieving “the highest launch month unit and dollar sales for a gamepad in U.S. history,” according to Piscatella. Nintendo’s Switch console still performed extremely well in November, outselling the PS5 and becoming the best-selling hardware platform in units sold for a record 24 consecutive months. It’s worth noting though that the Nintendo Switch retails for $300 and the Switch Lite will cost you $200, which resulted in the PS5 still generating more overall revenue with its $500 console model and the $400 PS5 Digital Edition.

Software sales also made substantial gains, as well as jumping up 32% when compared to last year thanks to the combination of highly-anticipated games on current and next-gen consoles.

Call of Duty: Black Ops: Cold War is the best-selling game of its release month for the 13th consecutive year, Assassin’s Creed: Valhalla was the second best-selling game of November as it earned the highest launch month sales for an Assassin’s Creed franchise title since 2012’s Assassin’s Creed III, and Marvel’s Spider-Man: Miles Morales took third place on the November charts.

Now Playing: PlayStation 5 Video Review

Call Of Duty: Black Ops Cold War Offering More Freebies Now

Call of Duty: Black Ops Cold War has been getting content updates at a regular pace since launch, but if you need a little extra tempting to jump back into the fray, the game is also offering some free extras simply for logging on.

A Call of Duty tweet announced that logging on to the game anytime between now and 11 PM PT on December 15 will net you two bundles: the Field Research bundle and the Certified bundle. The Field Research bundle gets you a “Scorch” Park skin, Excavator SMG Blueprint, and Abyssal Discovery calling card, while the Certified bundle nets you a “Barrio” Garcia skin, Ground Patrol assault rifle blueprint, an Epic reticle, and Epic weapon charm.

The announcement came just hours before the game’s appearance at The Game Awards, which revealed the Rebirth map for Warzone and showed some of the content coming to Season 1 when it starts on December 16.

Call of Duty: Black Ops Cold War also had a strong showing in the NPD sales figures. As usual for a Call of Duty game, it topped the US sales charts on the month of release. But besides that, it also became to the top-seller of 2020 altogether.

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IGN UK Podcast #569: The Alternative Film & TV Awards 2020

Yes, there were 500 game announcements along with all the new movies and shows Disney unveiled this week. We’ll be getting to those early next week in a bonus episode along with our Cyberpunk 2077 impressions. For now, it’s time for Cardy, Matt and Dale to reveal the winners of the IGN UK Alternative TV and Film Awards 2020. Please enjoy.

Remember, if you want to get in touch with the podcast, please do: [email protected].

IGN UK Podcast #569: The Alternative Film & TV Awards 2020

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For more next-gen coverage, make sure to check out our Xbox Series X review as well as our PS5 review.

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Destiny 2’s Dawning Event Begins on December 15

Winter has come to Destiny 2, as its annual Dawning event will kick off from December 15 and run until January 5. Like previous Dawning adventures, new seasonal weapons and armor will be made available, allowing you to dress your Guardians up in snazzy festive gear before you head out to slay gods.

Eva Levante will also return, having last been seen during Destiny 2’s Halloween event, the Festival of the Lost. Levante has a new recipe for sweets to offer you, the ingredients of which can be obtained from participating in missions, completing bounties, and taking part in Destiny 2’s other activities.

You’ll also earn Dawning Spirit by completing objectives and activities, which will unlock more gear for your Guardian. This Dawning Spirit will also be tied to the Destiny 2 community, and the more Spirit that Guardians generate, the better the rewards that Eva will hand out to everyone.

Rebels without a Claus.
Rebels without a Claus.

Gallery

A new Exotic ship and Ghost shells can also be unlocked, as well three optional engine effects, a transmat effect, and an animated shader that is unique to the ship.

If you’re on PS5 or Xbox Series X/S and you’re looking to try out Destiny 2, now is a good time to hop into Bungie’s massive sandbox. The game just got a huge update that makes it look and feel like a next-gen experience, while the recent release of the Beyond Light expansion has created the perfect winter playground in which to take part in Dawning activities.

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Hocus Pocus 2 Is Finally Happening, Will Debut On Disney+

Some movies are instant box office hits, and others take time to find their audience. Disney’s comedy Hocus Pocus was not a big success when it hit theaters back in 1993 but has gained a huge cult following over the years and is a key movie to watch at Halloween. A sequel has been in development for a while, and it’s now been confirmed that the film is happening.

The announcement of the Hocus Pocus sequel arrived during a Disney investor presentation this week. Admittedly, further details are very thin on the ground, but we know it will debut on the studio’s streaming platform Disney+, and Adam Shankman will direct. Shankman’s previous credits include the movies Rock of Ages and The Wedding Planner and TV shows such as Glee and Modern Family. He also has an extensive background in dance choreography and was a regular judge on the reality show So You Think You Can Dance.

There’s no word yet on whether original stars Bette Midler, Sarah Jessica Parker, and Kathy Najimy will all definitely return as the spell-casting Sanderson Sisters. However, all three actors have previously expressed an interest in reprising their iconic roles. Midler recently told People, “We’re trying to see who’s available and who’s still out there and still working and who can come back.” In October, the three stars reunited for an online Hocus Pocus event.

The original Hocus Pocus was released in July 1993. It focused on three witch sisters from Salem who are resurrected 300 years later and discover–to their horror–that Halloween is celebrated as a joyous holiday. It was directed by Kenny Ortega, who later made the High School Musical films and, like Shankman, worked extensively as a choreographer.

Hocus Pocus isn’t the only much-loved nostalgic favorite getting resurrected for Disney+. A sequel show to the 1988 fantasy movie Willow is due in 2022, and will start shooting in the UK in March. There’s also loads of new Star Wars and Marvel shows on the way too, including Ashoka and Secret Invasion.

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The Mandalorian: Season 2, Episode 7 Review

This review contains spoilers for The Mandalorian Season 2, episode 7, titled “Chapter 15 – The Believer.” Here’s our Mandalorian Season 2, episode 6 review to refresh your memory of where we left off. For more from the Star Wars small-screen universe, learn about two newly-announced Mandalorian spinoff TV shows, Ahsoka, and Rangers of the New Republic; get a first look at Rogue One prequel series Andor, read about how Hayden Christensen will return in the Obi-Wan Kenobi TV show, and get the first details on Leslye Headland’s mysterious dark side-tinged thriller The Acolyte.

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On the surface, “The Believer” seems designed to be a table-setter for The Mandalorian’s Season 2 finale – a stepping stone that gets all the pieces in place for the showdown between Mando and Moff Gideon. But while the episode ostensibly spends much of its story moving pieces around the board, it also excels at the worldbuilding that has become one of the show’s hallmarks. It doesn’t quite have the action spectacle or nostalgia factor of episodes 3, 5, and 6, but in the confident hands of returning director Rick Famuyiwa, who helmed Season 1’s “The Prisoner,” Chapter 15 still provides some meaty character development for Din Djarin and his reluctant ally Mayfeld (Bill Burr).

Watch the first trailer for Star Wars: The Bad Batch:

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Ever since Mando encountered Bo-Katan and her band of Mandalorians in “The Heiress,” we’ve been seeing subtle signs that our hero is reevaluating his devotion to the strict rules instilled in him by his adopted Death Watch clan – having lifted his helmet in front of Grogu earlier this season to drink. He’s already proven that he’ll do pretty much anything to protect Baby Yoda at this point in the series, so it’s no surprise that he’s willing to compromise his beliefs to rescue the child when necessary, but given that he was ready to die back in the Season 1 finale rather than allow a droid to take his helmet off, it’s still a satisfying and well-earned progression to see him remove it in a room full of Imperials.

Pedro Pascal plays the moment beautifully, fully embodying Din’s discomfort and awkwardness at being so exposed after years of hiding behind that impenetrable armor, even when it seems like the most normal thing in the world to everyone around him. As much as the costume and helmet have become an iconic part of the character, and Pascal and the stunt performers have done a spectacular job of imbuing Mando’s physical presence with nuance despite the armor, I can’t help but hope Din becomes comfortable enough to show his face a little more freely in Season 3, if only because we’re missing out on so much expressiveness from Pascal’s performance under the helmet.

Famuyiwa’s script finds other clever ways to illustrate that Mando’s out of his element here – we see just how much he relies on his beskar steel when his trooper armor shatters under the pirates’ attack, forcing him to be a little more creative as he’s swarmed by enemies – naturally, though, he adapts impressively to the challenge.

While Mando’s figuring out which lines he’s willing to cross, Famuyiwa also finds time to further develop Mayfeld, who – along with the other members of his mercenary team – came across as a little one-note back in Chapter 6. Here, freed of the jailbreak gimmick, Burr gets to sink his teeth into Mayfeld’s obvious PTSD from his time as an Imperial sharpshooter, dimensionalizing a member of the Empire in a way other live-action Star Wars projects just haven’t had time for. (He still plays things a bit too broad for my tastes, but without Natalia Tena’s hissing Xi’an opposite him, it’s a little less egregious.)

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Famuyiwa does a deft job of juxtaposing Mando and Mayfeld’s triumphant delivery of the rhydonium to the Imperial base with the kind of visuals usually reserved for Rebel X-wing pilots returning after a successful mission, and it’s surprisingly jarring to be relieved by the sight of TIE fighters showing up to save our heroes from a gun battle for once.

There’s not quite enough time spent with the other Imps at the refinery to fully humanize them or get a sense of what they’re fighting for – not in the same way that the Clone Wars managed to muddy the waters between the Republic, the Jedi, and the Separatists – but Mayfeld’s takedown of the callous Valin Hess is satisfying enough. It is a little disturbing in context, though, when you stop to realize that the pirates who are sabotaging the Empire’s rhydonium deliveries are really the good guys in this situation, and yet Mando doesn’t hesitate to mow down anyone between him and the kid. Any parent would likely do the same, but while the show is examining the lines our characters are and aren’t willing to cross, it would’ve been nice to spend a beat on the morality of that choice and its potential ramifications.

The show once again sneaks in another deep cut easter egg this week by referencing Operation: Cinder from Star Wars Battlefront II and the Shattered Empire comics – a contingency plan the Emperor designed to clean the slate following his death and rebuild the Empire in secret, using climate-disrupting satellites to devastate targeted planets like Burnin Konn, destroying civilians, Rebels, and Imperials alike. “What they really want is first order,” indeed.

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Considering Mayfeld’s sharpshooting skills, it’s surprising that Mando and Cara Dune don’t at least ask him to join them in the fight against Moff Gideon (although given how vehemently he refused to track Gideon at first, he’d likely have said no) but after how impressed Cara was at his aim, we’ll probably see Mayfeld pop back up in the newly announced Rangers of the New Republic spinoff at some point.

This is also the first episode of the series that doesn’t feature Baby Yoda at all, although we’re not given much time to miss him, between the show’s lively twist on the western train robbery theme, Mando and Mayfeld’s snarky refinery break-in, Cara and Fennec Shand’s eagle-eyed team-up, and Boba Fett hanging out in Slave I being a stone-cold badass. It’s rad to see Boba’s armor with a fresh coat of paint, and even more thrilling to see the Slave I deploying a seismic charge to take out two TIE fighters in a neat callback to Jango Fett’s run-in with Obi-Wan in Attack of the Clones. (That vwommmm sound is still chill-inducing after all these years.)

And while it’s a little on the nose, Mando’s Taken-esque holo-warning to Gideon is immensely satisfying, with our hero ominously using the Moff’s Season 1 words against him with one key difference – calling Grogu “he” rather than “it.” You mess with papa mudhorn, you get the… well, you know.

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Mass Effect: Multiple Members of Original Trilogy Dev Team Back for New Sequel

Multiple members of the teams that worked on the original Mass Effect Trilogy have returned to BioWare and are working on the new installment in the series officially announced last night at The Game Awards.

On Twitter, Mass Effect Project Director Mike Gamble singled out narrative designer Dusty Everman (Mass Effect 1, 2, 3, Andromeda) and Parrish Ley (Mass Effect 1, 2, 3) as two of those who had left BioWare, and returned to work on the new Mass Effect project.

Gamble adds that “there are more” ex-Bioware developers returning for the new game, and explains “We’ve heard what Mass Effect means to you.” While they’ve remained at BioWare, Gamble also points out that original Mass Effect art director Derek Watts, and programmer/designer Brenon Holmes are part of the new team.

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After the less well-received Mass Effect: Andromeda, and departure of BioWare general manager and Mass Effect director Casey Hudson, the future of Mass Effect could have been seen to be moving in something of an unknown direction, with a new team in place. Gamble appears to be attempting to counter that assumption by showing the direct line between teams on the much-loved original trilogy and new game.

That’s held up somewhat by the appearance of the Mass Effect Trilogy’s Liara T’Soni in the teaser trailer for the new game. BioWare has already stated that the next Mass Effect game will have a “veteran team”.

Mass Effect was one of many, many new announcements last night – here’s everything announced and revealed at The Game Awards 2020.

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Joe Skrebels is IGN’s Executive Editor of News. Follow him on Twitter. Have a tip for us? Want to discuss a possible story? Please send an email to [email protected].

Willow Disney+ Sequel Show Gets 2022 Release Date, Starts Production Soon

There were a lot of new Disney+ shows announced during this week’s Disney investor presentation, and while much of the focus was on Star Wars and Marvel, we did learn a bit more about some other highly anticipated projects. One of these was the upcoming Willow series.

Willow is set to be a sequel to Ron Howard and George Lucas’s much-loved 1988 fantasy movie of the same title. Lucasfilm boss Kathleen Kennedy spoke about the series and revealed when and where it will start shooting.

“This series will be set decades after Ron Howard’s 1988 movie, continuing the spirit of adventure, heroics, and humor of the original film,” Kennedy said. “We’re delighted that Wawick Davis will be returning in the role of the great sorcerer Willow Ufgood. We have a wonderful creative team at the helm. John Chu, director of the groundbreaking film Crazy Rich Asians, will be directing the pilot. Willow begins shooting next March in Wales and will debut on Disney+ in 2022.”

Last month, other members of the cast were revealed. Ellie Bamber (Nocturnal Animals), Cailee Spaeny (The Craft: Legacy), and Erin Kellyman (Solo: A Star Wars Story) will play three main roles, although details about their characters have not been revealed yet.

The showrunners for the Willow series will be Jonathan Kasdan, who co-wrote Solo, and Wendy Mericle, who was co-showrunner on The CW’s Arrow. Howard will act as executive producer. In October, he stated that the show wouldn’t be a “nostalgic throw-back [but] a creative lean-forward.”

The movie also starred Val Kilmer and Joanne Whalley, and focused on a quest to save a baby from an evil queen. Discussions of a potential follow-up go back as far as 2005, when Lucas expressed an interest in making a Willow show. In 2018, Howard stated that there had been discussions about making a sequel.

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