Bugsnax, the weird first-person adventure about an island full of half-bug-half-snack creatures, is launching on November 12 on PS5, PS4, and PC (via the Epic Games Store). Chicago-based studio Young Horse also revealed the cast of voice actors who will be playing some of the strange Bugsnax and Grumpus characters.
The cast includes a number of notable names including Yuri Lowenthal who played Spider-Man in the recent Insomniac-developed adventure, Overwatch’s Soldier 76 voice actor Fred Tatasciore, and the blue hedgehog himself, Sonic voice actor Roger Craig Smith. Young Horse was able to record dialogue for the game with all actors present before the pandemic. Here’s a complete list of all the actors voicing various Grumpus characters:
Wambus Troubleham – Fred Tatasciore (Overwatch)
Wiggle Bigglebottom – Kenna Ramsey (Background Vocals – David Foster’s live band)
Chandlo Funkbun – Yuri Lowenthal (Spider-Man PS4)
Filbo Fiddlepie – Max Mittelman (Saitama in One-Punch man)
Gramble Gigglefunny – Sam Riegel (Critical Role)
Shelda Smellywag – Debra Wilson (Jedi: Fallen Order)
Floofty Fizzlebean – Casey Mongillo (Evangelion)
Eggabell Batternugget – Fryda Wolff (Loba in Apex Legends)
Beffica Winklesnoot – Cassandra Lee Morris (Persona 5)
Snorpy Fizzlebean – Roger Craig Smith (Sonic the Hedgehog)
Cromdo Face – Rick Zieff (Terminator 3)
Clumby Clumbernut – Barbara Goodson (Rita Repulsa)
Elizabert Megafig- Helen Sadler (Battlefront)
Triffany Lottablog- Haviland Stillwell (Devil May Cry 5)
Bugsnax is a first-person adventure where you’ll be observing and documenting over 100 different types of snack-like creatures. While you will have to figure out how they behave and what areas of the island they occupy, there is also a mystery waiting in the games’s setting: Snaktooth Island.
Players take the role of a journalist invited to the island by a friend named Megafig, who has mysteriously disappeared. As teased near the end of the reveal trailer, not everything is as whimsical as it seems on the island, and it’s up to you to uncover its less-savory aspects. Many fans have started to hope that Bugsnax is some sort of horror game hidden underneath the surreal charm shown off in Bugsnax trailers. You can read all about it in our new Bugsnax preview.
Bugsnax made waves online after debuting at the PlayStation 5 reveal event back in June, with many players enamored by the game’s odd style and concept. Young Horse also released an incredibly catchy theme song, sung by Kero Kero Bonito, after the initial reveal. Bugsnax preorders are now live, with a discount available on PC.
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Three more games have joined the Xbox Game Pass subscription service. You can download them now, completing the full slate of games we know about for early October.
As previously announced, the service has added the racer Forza Motorsport 7, the Xbox 360 Double Fine game Brutal Legend, and the retro tactical RPG Ikenfell. Brutal Legend is the one game only available on Xbox One through its 360 backwards compatibility. The other two are also available on PC, with Forza playable through the game streaming on Android devices as well.
Microsoft hasn’t detailed the rest of the slate for October, though it usually splits a month into two announcements.
Several games are set to leave Game Pass next week as well. You can check that list below, and play them while you get a chance. If you want to keep them, you can purchase them now with a discount if you’re a Game Pass subscriber.
The appearance of Final Fantasy XVI during last month’s PlayStation 5 showcase might have come as a surprise, especially considering how much in-game footage was shown off of the new mainline entry. It seems progress on the project is potentially much further than you might expect, too, with Square Enix saying basic development has completed.
In a new recruitment page for Final Fantasy XVI, Square Enix mentions that basic development and scenario production for the sequel have wrapped up, with the team now seeking recruits to ramp up large-scale resources and specific set-pieces.
“We have already completed basic development and scenario production, and are continuing to create large-scale resources and build boss battles while expanding our various development tools,” the page reads. “Also, most of our staff are carrying out their work remotely.”
With no real standardized way of talking about game development, it’s difficult to determine exactly what “basic development” means in the context of Square Enix’s process. What can be concluded is that the basic outline of what Final Fantasy XVI will become has been settled, letting the development team presumably focus on all the details to bring that vision to life in the months to come.
Final Fantasy XVI will launch exclusively on PlayStation 5, with a timed-exclusivity deal between Sony and Square Enix. The reveal trailer initially mentioned PC as a release platform too, before it was removed shortly after. This is similar to the deal with this year’s Final Fantasy VII Remake, which will apparently come to other platforms once the deal has expired.
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One key new feature introduced in the beta is a ping system, which sounds a lot like the ping system first introduced in Respawn’s Apex Legends. The ping system is a way of pointing out important points on the map, and indicating to other players where enemies, loot, and other things are. It’s a good way to communicate without needing to use voice chat.
The ping button will be mapped to the left D-Pad button on controllers, and Z on keyboards, but it can be remapped. You’re able to ping enemy Scorestreakers, too, including spy planes. This will make it easier for players to communicate with one another, even if they don’t like to chat.
This will also be the first game in the Black Ops series on consoles to feature a field of view (FOV) slider. This lets you adjust the settings to dictate how wide or narrow your view is, and although you might face frame rate or graphical issues by increasing the width too much, you can recreate the settings available to PC players, which will be good for cross-play. It’s not common for console games to have features like this, but it could become more common as more games allow for cross-play.
Call of Duty: Black Ops Cold War will release on November 13 for PC, PS5, Xbox Series X, PS4, and Xbox One. You can figure out which version is for you with GameSpot’s preorder guide.
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Hyrule Warriors: Age of Calamity has been shown off in a new Nintendo Treehouse presentation, which revealed some new details about the game and its characters. The video, embedded below, shows off the game’s map and some of its characters. But there’s another BOTW mechanic in the game that you might have missed–hidden Koroks.
Koroks, the stealthy little plant-faced friends from Breath of the Wild, will be scattered all over Age of Calamity, too. You’ll be able to hunt down and identify them when you’re not distracted by hordes of Moblins, although you’ll likely need to be extremely observant to find them all.
It’s unclear what rewards you’ll get for tracking them down, but the pinwheel in the gif above should be familiar to anyone who spend time in BOTW hunting for these folks.
Hilariously, finding all 900 Korok Seeds in Breath of the Wild awarded you with a golden pile of poop. It served no in-game purpose, beyond being a badge of honor. You’ll get a bonus weapon if you played BOTW on Switch.
Hyrule Warriors: Age of Calamity is a Switch exclusive, and it’ll launch on November 20. Check out GameSpot’s preorder guide ahead of release.
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IGN serves a global audience, so with The Show screening at the Sitges Film Festival, we are publishing our review from Kristy Puchko who watched the movie via a digital screener. Read more on IGN’s policy on movie reviews in light of COVID-19 here. IGN strongly encourages anyone considering going to a movie theater during the COVID-19 pandemic to check their local public health and safety guidelines before buying a ticket.
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English comics author Alan Moore has brought us Watchmen, V for Vendetta, From Hell, and Batman: The Killing Joke, all of which have resulted in dark film adaptations. Now, the man behind twisted tales of seething vigilantes, eccentric killers, and obsessive detectives gives us The Show, which offers such a dizzying mystery that you might feel your brain is melting. Whether that’s a good thing – your mileage may vary.
Written by Moore, The Show begins by pitching us cold into the mission of a mysterious man (Tom Burke) in search of a vicious jewelry thief (Darrell D’Silva). The peculiar protagonist gives various names: Bob Mitchum, Steve Lipman, and Fletcher Dennis. He alternately claims to be an antique dealer, a concerned sibling, and a detective in search of a dangerous criminal. His identity is just the first mystery introduced here. Those that follow will include an inconvenient death, a curious coma dream, a long-dead comedy duo, and a decades-old cold case. With a razor-sharp intellect and an instinct for how to handle colorful characters, our hero — who we’ll call Dennis for ease — makes short work of uncovering one stirring secret after another. Yet he underestimates the deeply rooted strangeness of the little English town into which he’s stumbled.
The investigation at the core of Moore’s screenplay is fascinating, yet feels like a tool to allow for exploration of the phantasmagorical playground that is his Northampton netherworld. It is a place overflowing with outrageous characters, quirky locations, and sinister secrets. Seeking the silver-haired thief, Dennis comes across a stud drug dealer (Sheila Atim) who uses voodoo as a marketing tool, a flamboyant front-man (Eric Lampaert) who wears a Hitler mustache on stage, an erotic-asphyxiation enthusiastic (Siobhan Hewlett) with a ravenous need to make sense of mystery, and a pair of pint-sized private eyes (Oaklee Pendergast and Ethan Rouse) who crack cases before bedtime and demand payment in energy drinks.
Around them, Northampton is a visual feast of blight, back alleys, and bonkers billboards. A cramped library brandishes a sign that reads, “That’ll lern yer…” A car’s bumper sticker proclaims, “I break for poignant moments,” and an ad on the side of a building boasts in big bold letters: “Escapism: more fun than a box of spiders!” Director Mitch Jenkins, who previously collaborated with Moore on the 2014 prequel Show Pieces, runs with the surreal tone of this story, offering a production design that bleeds with violent hues and is so rich in details you might wish the plot would slow down so you could sit and take it all in. Every inch of the frame seems relentlessly stuffed with details, like Terry Gilliam’s neon-colored dystopian drama The Zero Theorem. In both, the overwhelming visual clutter is part of the message, a bombastic criticism of a world gone mad.
The Show packs in visual flourishes with an oddball subplot about a masked superhero alongside a mystery of murder, mayhem, and the damned. Likewise, it is stuffed with dialogue. Moore’s script delivers an all-you-can-eat buffet of half-snatched conversations, from cab drivers, bar patrons, landlords, and hospital staff. As Dennis seeks answers, he’s caught up in musings on everything from near-death experiences, vampire names, and veganism, to the connection between art and magic.
Bringing this weird world to life is a cast that gamely embraces the dreamlike vision Moore and Jenkins establish in script and style. With an expressive eye and otherwise restrained expression, Burke plays a detective that feels like a mix between Humphrey Bogart and art-house Robert Pattinson. Centered around such an enigmatic figure, the movie feels a bit emotionally anemic. However, Hewlett arises as his Girl Friday, offering the rapid-fire delivery of a fast-talking dame with a vulnerable dose of understandable bewilderment.
Christopher Fairbank pops up to spit F-bombs and savage villainy with a dark relish, while Atim offers an eerie cool and smoky sensuality as the high priestess of the party drug scene. Young Pendergast score laughs as his child-detective narrates aloud as if in a black-and-white noir, “He was as inconspicuous as a werewolf at a christening.” Then, as icing on a cake of too-muchness, Moore himself appears as a literally moon-faced menace, who speaks in riddles and occasionally croons.
Sega creative producer Yosuke Okunari has suggested that the next micro console could be a Dreamcast Mini.
As reported by Siliconera, Okunari spoke to Famitsu magazine about the future of the mini-console range and suggested that Sega – among other things – is considering a mini version of the cult 1999 console.
“I think for the next one, we may go with a concept close to the Mega Drive Mini,” Okunari explains. “If I have to say some names, it could be an SG-1000 Mini or a Dreamcast Mini.”
Okunari also mentioned that Sega is considering “projects that nobody has imagined” for the next micro-console, and added that “the project scope will be much bigger as we gaze upon the world” as the company moves forward with the micro-console range. This suggests that the next devices could launch in the west as well as Japan.
The palm-sized Game Gear Micro was announced back in June of 2020 and launched in Japan on October 6. Four colourways of the mini console were available, each with a separate selection of classic games such as Gunstar Heroes and Sonic the Hedgehog.
We reviewed the Sega Mega Drive Mini last year, scoring it a 9 and calling it “as close to perfect as any retro all-in-one mini-console has come so far.” If it does end up becoming a reality, hopefully, the Dreamcast Mini can follow in its footsteps!
Actress Allison Williams is back with Blumhouse to star in and executive produce its upcoming tech horror movie M3GAN, the company announced today.
According to Deadline, the movie has Williams playing Gemma, a roboticist at a toy company.
“She uses artificial intelligence to develop M3GAN, a life-like doll programmed to be a kid’s greatest companion and a parent’s greatest ally. After unexpectedly gaining custody of her orphaned niece, Gemma enlists the help of the M3GAN prototype – a decision that has unimaginable consequences,” according to the report.
The movie puts together a crew of horror alum. Gerard Johnstone (Housebound) will direct, while Akela Cooper (Malignant, Luke Cage) is providing the script. The original story concept comes from horror director James Wan (The Conjuring), who will produce the film alongside Jason Blum. Other producers include Michael Clear (from Wan’s production company Atomic Monster), Judson Scott, and Blumhouse’s Ryan Turek, who will executive produce.
Williams’ last Blumhouse joint, Get Out, raked in $255 million at the worldwide box office along with an Academy Award for best screenplay for writer/director Jordan Peele, as well as a number of other nominations and awards. Williams most recently appeared in the Netflix thriller Perfection, as well as Netflix’s A Series of Unfortunate Events.
Blumhouse has not yet set a release window for M3GAN
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With next-gen consoles only a few weeks away, FIFA 21 feels like a swan song for the current generation of sports games. It ostensibly wraps up an era that was defined by the increasing prevalence of microtransactions and the game modes designed around them, and FIFA 21 is no different in this regard. Ultimate Team is still front and center as the main draw for many players, but this year’s game is also the most robust version of FIFA in series history. Volta Football has been expanded after debuting last year, Career Mode has finally received some much-needed new additions, and there are even new ways to play Ultimate Team. None of this is revelatory–and that remains true on the pitch, where subtle attacking changes make for a more dynamic game of football–but each of these aspects sets FIFA up for the future while also ensuring that this year’s game is still worth playing.
The latest gameplay changes aren’t immediately obvious when you step onto the pitch for the first time, mainly because FIFA 21 isn’t trying to reinvent the wheel. Instead, new features in attack supplement the strong foundations of last year’s game, with player responsiveness and passing also undergoing slight tweaks. There’s an immediacy to everything you do that makes performing sweeping attacking moves a joy to execute. Passing has been sharpened up, with fewer instances of the ball missing your intended target. Through balls are also more effective when playing a runner in behind the defensive line, with well-timed and incisive passes managing to find the feet of onrushing attackers at a more consistent rate. Even heading has returned after its metaphorical absence in FIFA 20 on accord of how useless it was, with aerially strong players able to power crosses into the back of the net with increased frequency.
These gameplay tweaks improve upon the core pillars of FIFA 21’s on-pitch action, while marquee new features, such as Agile Dribbling, elevate its creativity and attacking dynamism. This new dribbling technique gives you greater control when faced with an eager defender by enhancing the speed and responsiveness of your player’s footwork. It’s designed to help you retain possession and create space in tight one-on-one situations, emulating the play of diminutive playmakers and fleet-footed wingers. Players who excel in these moments like Lionel Messi and Bernardo Silva are more adept at using Agile Dribbling than others, utilizing sharp changes of direction and a delicate touch to escape the clutches of aggressive defenders. It can be a powerful tool at the feet of the sport’s best dribblers, but there’s also a palpable learning curve that applies to using it successfully and consistently. Once you do get the hang of it, however, there are few better feelings in FIFA 21 than being able to lure an opponent in close before shifting the ball past their outstretched leg and exploding past their hapless frame into open space.
This increased degree of control is evident throughout FIFA 21’s other new on-pitch additions as well. You’ve always been able to instruct teammates to make off-the-ball runs, but these forward sprints were always static, with players only able to burst up the pitch in a straight line. This ability still exists in FIFA 21, only now you also have the option to choose which direction they run in. This is incredibly useful for moving your teammates into dangerous positions to receive a pass, or to drag defenders out of position and create space for yourself. Player lock is another function of this ability, allowing you to temporarily maintain control of a player after passing the ball to a teammate. This lets you move into pockets of space on the pitch or run beyond the defensive line before instructing the AI to pass the ball back to you. It can be a tad risky leaving possession at the feet of the AI, but your teammates are generally good enough at keeping the ball, so long as you don’t force them to maintain possession for too long.
Speaking of the AI, Positioning Personality is another new feature that’s designed to allow world-class players to stand out with their use of intelligent movement and penchant for finding space. This essentially heightens the importance of the positional awareness attribute, creating a gap between the best and the rest when it comes to the way certain players move across the pitch. Top forwards, for instance, are less likely to be called offside, able to hold their runs and penetrate the backline at just the right moment. Hardworking wingers, meanwhile, will track back to help their fullback, showing up lazier wingers who neglect their defensive responsibilities in favor of staying further up the pitch. Other players will find pockets of space between the lines to kickstart attacks, while the top defenders are able to close down passing lanes and read danger more effectively than their average counterparts.
Defending hasn’t been completely neglected in FIFA 21, although the vast majority of new additions are geared towards infusing the attacking side of the game with more control, creativity, and dynamism. Positioning Personality helps if you’ve got a player like Virgil van Dijk on your team, or a midfield destroyer who excels at tracking runs into the box and intercepting passes. The art of defending hasn’t changed all that much from FIFA 20, however, especially when playing against others online. The tried and trusted strategy of maintaining control over a defensive midfielder is still the best course of action, lest you attempt a tackle with one of your center backs and leave acres of space in behind for the opposition to exploit.
Tackles are slightly more consistent at winning back possession, but with the deluge of options available to attacking players, FIFA 21 still promotes caution on defense. A reimagined player collision system creates smoother interactions across the pitch, so at least you don’t have to worry about conceding because your entire defense and goalkeeper fell over each other. Players now have the wherewithal to jump over fallen players. Blocking shots has also become more pronounced, allowing you to focus on staying in front of the opposition instead of risking a potentially catastrophic tackle. Despite these changes, there’s still a large skill gap associated with defending. It’s only a small sample size, but low scoring games are currently a rarity online, with most games quickly turning into eight-goal thrillers. If you’re looking for high octane attacking football and plenty of goals, FIFA 21 certainly delivers, but it’s easy to feel outmatched when defending.
Fortunately, you don’t have to go it alone. Ultimate Team has remained almost unchanged from last year’s game, but co-op is a welcome new addition. You’re now able to team up with friends and earn weekly progress in both Division Rivals and Squad Battles. There are also new co-op specific objectives that feed into FIFA’s version of the battle pass, rewarding you and your friends for playing together. Even if you don’t play Ultimate Team, co-op gives you the opportunity to engage with it in a potentially less frustrating environment.
As for other game modes, Volta Football has been expanded since first appearing in FIFA 20. This unique mode is essentially a more grounded version of FIFA Street, ditching the massive stadiums for small pitches and a focus on skill moves. The Debut is a brief story mode found within Volta, acting as an introduction to FIFA 21’s brand of street football. There are cutscenes and the smallest semblance of a narrative, but finding any substance is more difficult than packing Cristiano Ronaldo in Ultimate Team. It’s worth playing just to unlock cosmetic items and a star player at the end, but there are more enjoyable ways to engage with Volta.
Featured Battles are a notable new addition, repurposing Ultimate Team’s Squad Battles with a street football twist. By playing and defeating AI-controlled squads, you’ll accumulate points towards unlocking matches against special weekly teams with unique rewards. The first week, for instance, gives you the chance to earn a Liverpool kit and PSG star Kylian Mbappe. The latter is obviously more exciting as you’re able to insert him into your Volta Team. Hopefully more star players will be added each week to give you a compelling reason to keep coming back to Featured Battles. It’s just a shame you can only play one star at a time, because who doesn’t want to recreate a modern version of that iconic Nike commercial from 2002?
FIFA 21’s new gameplay features also improve upon Volta’s flashy football. Agile Dribbling functions as a relatively simple way to perform skill moves, while the new blocking system makes defending more rewarding. There’s an increased variety to Volta this year, too, with multiple figurations of matches, whether it’s 5v5, 3v3, walls, no walls, rush goalkeeper, and so on. You’ll go from playing within the confines of a concrete pitch in a public park in London to performing in front of fans in an official indoor arena in Berlin. The size of the pitch alters the way you play, as skill moves become less of a necessity when there’s space to pass to your teammates. Walls add a new dimension as well, giving you the ability to ricochet passes off their flat surfaces, while the size of the teams forces you to adapt your strategy. FIFA 21 fleshes out Volta in meaningful ways, turning it into an enjoyable side dish that will hopefully become a staple of the series’ suite of game modes.
Career mode has been around longer than any other mode, but it’s also faced the most criticism for a lack of changes and improvements in recent years. FIFA 20 moved the needle with the introduction of a shallow morale mechanic and overhauled pre- and post-match interviews, but FIFA 21 takes it a step further by adding a raft of new features. The first of these is a Football Manager-esque Interactive Match Sim that gives you control over the outcome of each match, even if you don’t play it yourself. You can sim any match and watch 2D dots play it out at an accelerated pace. There are contextual prompts that let you jump in and take control of key moments like free kicks and penalties, or you can opt to jump in and out at any time. If you decide to sim the entire match, you can still make informed tactical changes since match data reveals your player’s fitness levels and performance rating, so you can still impact the final score even if you can’t be bothered to play Stoke in a cup game on a wet and windy Wednesday night yourself.
Player development has been overhauled with a revamped growth system that lets you change the position of youngsters in your academy to fulfill team needs. When it comes to the first team, training has also been reworked, giving you the option to set up group training sessions that can improve specific player attributes before a game, such as your striker’s ability to finish big chances. There’s a new match sharpness attribute that determines how likely players are to perform in the most crucial moments of a match. You’ll want to schedule each training session in order to balance your player’s sharpness, fitness, and morale, but you’ll still inevitably have some decisions to make come match day when it’s time to pick your starting-11. This makes Career mode more involved than before, forcing you to manage your players on a weekly basis and ensure your best are ready to play.
Unfortunately, the training minigames you need to play each week just aren’t very fun, particularly once they begin to repeat. It doesn’t take long before you’re tempted to sim each one, but even this is a bit of a slog as you’re forced to mash your way through multiple menus each match week. The UI is similarly sluggish elsewhere, with one menu required to scout a player, and a completely separate one needed to bid for them. That’s a lot of unnecessary navigation for two aspects of football management that are intertwined. Buying players is still a needless grind as well, as you watch the same few unskippable cutscenes over and over again with all of the important information appearing in between via BioWare-esque dialogue wheels.
Career mode is still a mixed bag, then, but it’s reassuring that EA has made some additional moves to try and freshen it up. If you do grow tired of simming through training sessions and managing sharpness, FIFA 21 is still chock full of other stuff to do, whether you want to head to the streets of Paris to show off your skills, hop into Ultimate Team with a friend, or play through a season on Pro Clubs. This is a substantial package that’s propped up by exciting gameplay that puts the onus squarely on attacking football. There are moments of frustration on defense when the balance doesn’t feel quite right, but then you’ll go down the other end and score a Puskás Award contender that makes you forget why you were mad in the first place.
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In this video, Persia talks about a since-deleted blurb from a French PlayStation Blog post that mentions a trophy tracking system coming to the PS5 along with additional updates coming to the PS4 this week. This means you’ll now know your exact progress for individual trophies for compatible PS5 games. Other trophy system changes include an update to icons and the level cap being upped to 999. Current trophy levels will scale to a comparable level after the update and will not impact any trophies you’ve already earned.
Persia also talks about Microsoft poking fun at Sony after its teardown video, because you’ll have to do a bit of adjusting to turn the console on its side. A cheeky tweet from Xbox showed how you can simply rotate the Series X onto its side because of its box shape.
Lastly, Persia talks about some of the Exotic weapons and gear that were revealed for Destiny 2: Beyond Light. The Cloudstrike, Lament, Dawn Chorus, and Icefall Mantel are just a few of the new items featured, and they all have their own special effects that benefit their respective classes.
This is your Save State for Wednesday, October 7th.