Aquaman’s Opening Weekend Compared to Other DCEU Movies

The King of the Seven Seas is also now the king of the box office. Aquaman, the latest entry in the shared DC Movie universe, opened in North American theaters with $67.4 million ($72.7 million total including Thursday night previews). Internationally, the James Wan-directed film has amassed $415.5 million in the last few weeks since opening in China.

Still, Aquaman had the lowest opening weekend of any DC universe entry yet. The character, who had largely been treated as a pop culture punchline, had a lot to prove in this solo outing. The film reportedly carried a production budget between $160-200 million (not including marketing costs, which could be nearly as much), so Aquaman will still need to perform strongly in the weeks ahead if it’s going to be profitable.

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Eddie Makuch’s Most Anticipated Game of 2019: Ancestors The Humankind Odyssey

Ancestors: The Humankind Odyssey is the next game from Assassin’s Creed creator Patrice Desilets. The ambitious concept–playing as hominids through different periods of ancestral time–caught my attention right away, and after seeing it in action for the first time at The Game Awards, I’m even more intrigued. A single-player, third-person exploration survival game, your journey in Ancestors begins as a hominid in Neogene Africa some 10 million years ago.

Over time, you grow and literally evolve to the Australopithecus popularly known as Lucy. On your way to becoming Lucy, you’ll learn new skills and abilities as you take the form of the next subspecies of hominid that would eventually become the human form of today. It is quite an ambitious concept to say the least.

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Based on early footage, you’ll be clambering through the jungle and swinging through trees, escaping predators, gathering resources, and essentially trying to survive and live another day. It looks like no other game I’ve played before, and the novelty and ambition of the concept has me eager to see and learn more.

It’s too soon to say how it all works out in practice, but it’s exciting to think about where the chapters after that will go in the future. I can imagine playing as other hominid species such as Homo Erectus and Homo Neanderthalensis, among others.

Another interesting element of Ancestors: The Humankind Odyssey is how it will be released. Like the Life Is Strange series, the title is episodic in nature. Volume 1: Before Us is due out in 2019, and it takes place in Africa 10 million years ago and spanning up until 1 million years ago. Future instalments will focus on different periods of human evolution.

Ancestors: The Humankind Odyssey is the first game from Desilets’ studio, Panache Digital Games in Montreal, which was formed back in 2014 after Desilet’s rocky breakup with Ubisoft.

The game’s first chapter is set to launch sometime in 2019, though there is no word on when the subsequent releases will follow. Ancestors: The Humankind Odyssey will be published by Grand Theft Auto and Red Dead Redemption parent company Take-Two Interactive’s independent games label, Private Division. It is coming to PC, Xbox One, and PlayStation 4, and right now is planned as a digital-only release.

Jess McDonell’s Most Anticipated Game of 2019: The Outer Worlds

With 2019 right around the corner, we’ve polled GameSpot’s staff to find out what games they are looking forward to most in the new year. To be eligible, a game must simply have a release date currently planned for 2019. Of course, we all know nothing is set in stone; there’s always a chance some games could slip into 2020. When you’re done reading this entry, follow along with all of our other end-of-the-year coverage collected in our Best of 2018 hub.

Obsidian Entertainment have proved time and time again that they craft excellent single player RPGs. Their next project is The Outer Worlds which is being created by Tim Cain and Leonard Boyarsky, known for their work on Fallout 1 and Fallout 2.

The first-person action RPG will arrive on PC, PS4, and Xbox One and is set in a future where megacorporations are colonizing and terraforming new planets. It kicks off with the player character exiting cryosleep on a colony ship only to find that the ships other inhabitants have yet to awaken. The Outer Worlds will include the management of NPC factions as well as a story that changes direction based on player choices. Right now it looks and sounds like a mish-mash of Fallout, Star Wars: Knights of the Old Republic, and Mass Effect, and I am very on board.

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There appears to be a large focus on vibrant characters and environments, coupled with a great sense of humor. It’s wonderful to see a hardcore RPG that’s comfortable with not taking itself too seriously and I’m hopeful that this sense of humor is threaded through the entire game. While your player character is voiceless, you will meet and recruit companions who have their own missions and motivations. You’ll be able to elect dialogue choices when you engage with NPCs in the open world and your companions will change their opinion of you based on your actions.

Combat appears to be fairly similar to what you’d find in the 3D Fallout games. It includes a kind of bullet time ability where you get extra time to aim your shot, but the feature doesn’t replicate the targeting of specific body parts like VATS. The roleplaying elements will include a variety of social, technical, and combat skills, so it looks like there will be plenty of opportunity to shape your character in the way you want to. As is the case in other Obsidian RPGs, you’ll be able to leverage the skills of your party to accommodate for or bolster your own.

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The Outer Worlds will arrive sometime next year and is being published by Private Division, a subsidiary of Take Two Interactive. Despite Microsoft’s acquisition of Obsidian last month, it appears that the Xbox publisher are not currently involved in the development of The Outer Worlds, but how that will affect the game down the line remains to be seen. There’s plenty more details to be mined from the gameplay footage and various interviews released so far, but The Outer Worlds is particularly exciting for fans who felt let down by Fallout 76 this year. With a fleshed out party system, a focus on single-player, and plenty of NPCs to interact with and take quests from, The Outer Worlds could be the perfect antithesis to 76.

Jordan Ramee’s Most Anticipated Game Of 2019: Digimon Survive

My introduction to anime was 1999’s Digimon Adventure, so the franchise’s story about humans and digital monsters working together and becoming stronger has always held a soft spot in my heart. Back in the day, one of my favorite aspects of the show was that the stories matured with subsequent seasons, allowing the anime to continuously appeal to its audience as they grew up.

This pattern finally peaked with Digimon Data Squad, where most characters are 18 or older, before the series refocused on a new generation of children with more kid-centric material in Fusion and App Monsters. This trend, however, has not translated over to the Digimon games, which have mostly been designed to appeal to the franchise’s younger audience.

Digimon Survive could finally break that trend though, and that has me so excited. One of the few advantages the Digimon anime has over the Pokemon one is its willingness to embrace more adult material and age its characters; it’s been frustrating to see that element mostly absent in the games. Survive is the first Digimon game to seemingly lean into that element by focusing on a group of teens and implementing a choice system with heavy consequences–even the death of major characters.

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Admittedly, Survive doesn’t need a more adult story to be good, but Tamers and Frontier are so well regarded for their willingness to approach that type of content. In both series, problems aren’t resolved in one episode with someone learning to be brave or trust their friends, but instead slowly chipped away at through the continued growth of the entire group. Tamers’ Jeri learning to cope with depression and Frontier’s Zoe overcoming her crippling self-doubt as a result of cultural ostracization are satisfying to watch because both instances showcase the protagonists’ grit. Sometimes life is just hard and you need more than the power of friendship to persevere through it. I want to see those types of stories in Digimon again, and I’m hopeful that Survive provides that.

So far, the only definitive details we have about Digimon Survive are that it tells the story of three teenagers accidentally stumbling into an unknown world. You control Takuma Momozuka, who’s partnered with Agumon. Takuma’s companions, Minoru Hinata and Aoi Shibuya, are partnered with Falcomon and Labramon respectfully. Aoi is older than the two boys, and is quiet and hardworking. Her partner is rather direct and outspoken in comparison. Minoru is the group’s irresponsible jokester, and often tries to talk his way out of a fight. His partner balances him out by being level-headed. Together, the six work together to find a way for the humans to return to their world. Trailers and images seem to imply the group will encounter other humans on their adventure.

Some of Digimon Survive plays out as a visual novel, with the ending dependent on what dialogue options and actions you choose. The rest of the game is a turn-based strategy RPG. In combat, you’ll move your team of Digimon across a battlefield and determine what type of action they take against enemies, with the ability to digivolve or warp digivolve dependent on the characters’ bonds with one another.

Digimon Survive is scheduled to release for Xbox One, PS4, PC, and Switch in 2019.

The Best RPGs Of 2018 By Review Score