Captain America’s Ending Ruins Avengers: Endgame

Avengers: Endgame made good on its name and delivered a ton of endings–and most of them were actually great, if tragic, satisfying conclusions to a decade of work. One of them, however, was not.

And it very nearly ruined the entire movie.

Consider this your spoiler warning.

Steve Rogers finished out his tenure as a main line MCU hero by not only wielding Mjolnir and surviving a truly brutal beating by Thanos, he also (apparently) volunteered to be the person to deliver the Infinity Stones back to their respective points in the timeline. You know, to avoid all the branched timelines that the Ancient One warned Bruce Banner about with the help of their handy cosmic infographic. Steve does this completely alone for some reason, which also doesn’t make a lot of sense, but we’ll let that slide for right now.

The real problem is that Steve doesn’t actually succeed at his mission. He gives the Stones back, sure, and returns the Mjolnir he’s been using to Asgard, apparently, but then he decides to take a detour and go live a full life with Peggy Carter somewhere in the past. This results in him showing back up in the present not by taking the quantum portal, but by walking (or maybe he took an Uber? Who knows) to a bench about 50 feet to the left of the portal, returning as an old man who has lived an entire life in the blink of the audience’s eye.

We even get a little flashback of Steve finally sharing his dance with Peggy back in the ’40s (or maybe the ’50s, after the war) in what is obviously intended to be a very romantic, fulfilling coda to his story.

Or, maybe it would be, if it worked at all either in terms of Steve’s thematic arc throughout his MCU tenure or by the rules that Endgame itself established.

Getting Technical With Time Travel

Let’s take a look at Endgame’s time travel logic first. As explicitly stated, by Endgame’s own rules, you cannot change the present, you can only create new timelines–i.e. If the Infinity Stones weren’t placed back in the exact places in the exact moments they were taken from, the MCU would be dealing with a bunch of branching timelines where various characters and entire movies either couldn’t exist or would be completely doomed. A few of those branched timelines definitely still exist–an alternate 2014 where Thanos brought his forces to Earth years earlier than he originally did, an alternate 2011 where Loki escaped with the Tesseract after the end of Avengers 1, and so on–but the ones that were taken care of, were handled by Steve. That was his mission.

But in the process of closing off all the potential branches, Steve apparently made a new one. Or, rather, he should have made a new one, but somehow didn’t. Steve changed his own past, and the past of Peggy Carter, by being present for those 70 years he originally spent frozen and marrying her–which, for whatever reason, allowed him to still exist as an old man in the main timeline he left–our present.

If Steve had actually created a branched timeline, he wouldn’t have been an old man in our present. His reformed existence in the past should have changed events to the point that the movie’s present day would be different not only for Steve but for everyone. We’d be seeing a different timeline all together.

In the interest of mitigating the confusion here (and make no mistake–this is confusing as hell) let’s break it down. There are two potential possibilities.

Possibility 1 is that Steve did create an alternate timeline that we just never got to see where he and Peggy were married, possibly went off and were superheroes together, stopped HYDRA from infiltrating SHIELD, rescued Bucky, prevented Howard Stark’s assassination, and negated the need for the Avengers entirely. In the process, he erased the entire life that he knew Peggy had without him, including her husband and the kids she had while he was in the ice. Poof, gone.

Then, happy and old, Steve miraculously jumped back to our timeline unassisted, which ought to be impossible, and for no real reason, just in time to pass the shield on to Sam. Seriously, why would he bother coming back at all if he was so confident that the present day world didn’t need him anymore? Why leave the timeline he made, especially if it really were so much better? What incentive does he have to go through the trouble?

What About Option 2?

Possibility 2 is that Steve did not create a branched timeline by going back, just lived his life as quietly as possible through the post-war years. That would make him complicit in the knowledge of all the horrific things happening to the people he loves during those years. This would also mean, in order for the timeline not to be fundamentally broken, that our version of Steve would have always been married to Peggy, even if he didn’t know it until this exact moment. This not only contradicts the entirety of the Agent Carter TV show and various parts of the MCU up to now (like Steve’s meeting with dying Peggy after he dethaws), it also means that Steve would be Sharon Carter’s uncle–and, uh, that’s pretty gross, even if he didn’t know it at the time.

Even discounting the potential for unwitting incest, there are some other major problems here. Remember when Steve said when he sees a situation headed south, he can’t turn his back? Remember how Steve’s entire origin story revolves around his inability to sit back and let a conflict run its course without him? How he doesn’t like bullies no matter where they’re from? How he literally submitted himself to a potentially lethal science experiment rather than not fight in a war? How he jumped into German occupied territory without an army backing him up just on the off chance that there was something he could do to help his friend? How he can “do this all day?” Started a war to clear the name of his ex-assassin bestie? Still acted as a hero even while he was an international fugitive?

In what world does Steve Rogers, even a beaten down and jaded Steve Rogers, just sit on his hands and let the future deal with its own problems?

The answer should be none of them.

And none of this is even touching the fact that the people who returned from the Snap were very literally dropped into a future when no time had passed for them at all–the miniature version of Steve’s experience waking up from the ice back in 2011. But apparently he’s totally fine with just bailing on a world experiencing a level of trauma that he is uniquely handled to help them through.

“He’s earned the right to be selfish!” You say? Sure. If anyone deserves a vacation, it’s Steve–but that doesn’t mean he’s going to take one. We’ve spent the last 8 years learning the ins and outs of this character in the movies, and the last 7 decades learning about him in the comics. Letting things just happen is fundamentally not something he’d do. It’s just not. He could retire, pass the shield over to Sam, and take a major step back, but there’s no way Steve is ever just going to give up the fight altogether–and this has literally happened in the comics. Steve’s even been an old man, but he still doesn’t stop participating in superheroic world. It’s simply not in his nature to quit–that would be like Tony suddenly deciding not to be an engineer just for the hell of it.

But say the goofy, esoteric time travel logic doesn’t matter to you either way–there’s still an issue. It has less to do with the mechanics and more to do with Steve’s place within the MCU’s meta-narrative.

Let’s Ignore The Time Travel All Together

For a second, let’s just pretend that we don’t have almost 100 years of comics to look at and focus exclusively on the 60-some hours of film we’ve been given. Thematically, Steve is a guy who has lost a lot in these movies. Arguably, that’s his most defining quality–he went into the ice 70 years ago, and he thinks a different guy came out–his words, not mine. The motif of being unable to go home again is repeated poignantly again and again and again–and through all of that, through everything, Steve has learned how to keep going. And that’s a good thing–or at least, it was a good thing. By moving on, Steve was actually doing exactly what Peggy Carter had hoped for him (“the world has changed, and none of us can go back. All we can do is our best, and sometimes, the best that we can do, is to start over.”)

Sure, there are a few beats in Endgame specifically where it looks like he’s finally hit his breaking point (“some people move on, but not us”), but that only means he’s been beaten down, not taken out. Hell, he even manages to summon up the force of will in the 11th hour to be worthy of wielding Mjolnir, making him only the third character and only mortal in the MCU to do so. That’s nothing to scoff at.

Steve may be defined by loss, but the power of his character comes from turning that loss into strength. Sure, he’s a super soldier, he’s fast and strong and can take a major beating, but his actual superpower is his indomitable will. If there’s one thing you can count on in the world, it’s that Captain America is not going to give up, even when things are at their absolute worst.

Except for when he does, apparently. Giving Steve a temporal get-out-of-jail-free card may seem like a good idea on the surface, but at the end of the day all it does is recant his entire journey. What’s the point of emphasizing the perpetual motion machine that is Steve Rogers–the constant assurance that no matter how dark things get, no matter how much you lose, you can still move forward–if the ultimate reward is getting to do the exact thing he was told he couldn’t do; that he spent his life and five movies moving beyond?

Which is to say nothing about the completely squandered pay off for every moment of his solo trilogy. Remember how important his “I’m with you till the end of the line” refrain was with Bucky Barnes? Hopefully you do–there’s officially licensed merch with that line printed on it. Fans got it tattooed on their bodies. It comes up a lot, and for good reason. It wasn’t exactly subtle as far as big symbolic gestures are concerned and it was a major part of not one, not two, but three individual movies. Funny how now it’s more like “I’m with you until the exact moment I decide I don’t want to stick around anymore.” Funnier still how that line, maybe the most memorable Captain America line of the entire MCU next to “I can do this all day”–another thing that was, apparently, not true–doesn’t get a single shout out or call back in a movie that is about 90% shout outs and call backs to memorable MCU moments.

It’s cheap, not romantic, and a needlessly dull edge to an otherwise powerful arc. The lesson that ought to be about processing grief and turning toward the future became a carelessly handwaved wink-nod at returning to the past, at which point Steve’s journey is no longer about the process of recovery, it’s a message about working really hard until you’re miraculously presented with a magic bullet to make all your hard work and effort no longer matter.

Which, frankly, sucks.

And, really, none of this is even touching on the fact that Steve and Peggy’s soul mate level connection was fostered over the course of, what, like a week back in 1945? Maybe he should have gotten over it. She definitely did. There was a whole TV show about it.

They both deserved so much better.

Madden 20 Reveal Trailer – Face of the Franchise ft. Patrick Mahomes

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Best Mortal Kombat 11 References and Callbacks

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Shaft Meets Method Man in This Exclusive Photo

The release of Avengers: Endgame kicks off 2019’s summer movie season. This year, we’re foregoing a traditional summer movie preview — a single list-style film preview — in favor of a month-long series of IGN First summer movie spotlights, featuring exclusive video debuts, image reveals, interviews and more.

IGN First is IGN’s editorially-driven month-long spotlight of exclusives around upcoming film titles that both our audience — and our staff — are excited about. We’ll be rolling out exclusives on some of the most exciting new movies opening between the beginning of May until the end of August, so make sure to check back for even more exclusives throughout April.

Today, we have the exclusive new photo from Shaft, the next chapter in the franchise. Samuel L. Jackson reprises his title role as the cat that won’t cop out when there’s danger all about.

Continue reading…

Gotham Series Finale Review

Warning: Full spoilers for the Gotham series finale follow…

While Gotham’s endgame might not have been everything we hoped for, it’s still light years beyond what many thought we’d get as a wrap up back when the series first started. With both Batman and the Joker tied up as off-limit properties, fans wondered if it would all end with Bruce simply heading off to foreign lands to train, or if we’d get the Smallville treatment and only see the cape and cowl in the final frames, with only a basic hint of Batman lingering in the musty air.

All in all, we still only got a “hint” of the Caped Crusader. So some fans wound up being half-right, overall. But “The Beginning…” ultimately worked because of the 10-year time jump and the show’s willingness to ditch actors David Mazouz and Camren Bicondova – the former appearing at the top of the episode as Bruce (then relegated to providing the altered voice for Batman) and the latter being recast completely. Which is a swap-out that lands well because of the striking resemblance between Bicondova and replacement Lili Simmons (Banshee, The Purge TV series).

Continue reading…

Avengers: Endgame SPOILER Review – The MCU Comes Full Circle

After 21 movies, 11 franchises, 11 years, and one horrific snap, it’s finally come to this: the Avengers: Endgame is upon us. The movie is in theaters, and if you’re still waiting to see it, you can check out our spoiler-free review to get a sense of whether the culmination of the entire Marvel Cinematic Universe is successful. But if you’ve seen the movie and you’re ready for more, you’re in luck–Chastity and Ryan are here with the full-tilt, spoiler-laden discussion of Endgame you need in the video above.

You’ve been warned: this video contains major spoilers!

There’s a lot to digest from Endgame’s intense three-hour runtime. We talk all the way through the plot and about the movie’s big cast of characters, many of whom are seeing the completion of character arcs begun almost 10 years ago.

We’re also working through the very best moments, most impactful moment of Endgame, tallying up our favorite Easter eggs (of which there are a ridiculous number), and looking at how Endgame it compares to the rest of the MCU films–both as a movie on its own, and on the conclusion of the Infinity Saga. And finally, we’ll take a look at what the future of the Marvel Cinematic Universe looks like now that the final Avengers movie is here.

BlizzCon 2019 Dates And Ticket Details Announced; Prices Are Going Up

BlizzCon 2019 now has dates. The World of Warcraft and Overwatch developer’s annual gaming show will be held November 1-2 at the Anaheim Convention Center.

Tickets go on sale in two waves, the first of which commences on Saturday, May 4. The second wave will become available on May 8. In previous years, ticket-buyers received a goody bag, but this year, everyone gets to choose a special collectible statue.

The choices include either a human footman or orc grunt; these are meant to celebrate the 25th anniversary of the Warcraft franchise. You can see the two statues below. The statues will be available for everyone to buy in the future as well.

No Caption Provided

Like in past years, BlizzCon 2019 is expected to feature gaming, esports, cosplay, camaraderie, and the latest Blizzard Entertainment news.” There will be developer panels, esports contests, and more. There will also be a new “BlizzCon Pregame Festivities” event that’s held outside the convention center the day before the show starts. This is described as a “casual get-together,” and there is also a Darkmoon Faire event taking place on Thursday.

Blizzard is changing up how ticketing works for BlizzCon 2019 and charging more. There are three options this year: the BlizzCon Pass ($230 USD), the BlizzCon Portal Pass ($550 USD), and the BlizzCon Benefit Dinner Pass ($750 USD). In 2018, it cost $200 to get in.

The BlizzCon Pass gets you in the door and access to the Pregame Festivities event, in addition to the statue and in-game goodies. The BlizzCon Portal Pass, meanwhile, includes a number of extras to justify the $550 price tag. That ticket includes everything mentioned above, as well as access to the Darkmoon Faire at the Night at the Faire event taking place the day before BlizzCon starts, as well as a number of “convenience-related extras.” These include first access into the show hall, preferred parking, separate lines, access to a dedicated lounge where people can hang out and chat with Blizzard developers.

As for the $750 USD Benefit Dinner Pass, this is the ultimate package that gets you into a charity dinner event the night before BlizzCon where you can meet and speak with developers, artists, and other Blizzard people, along with all of the perks mentioned above. Proceeds from the dinner go to the CHOC Children’s charity.

To to BlizzCon’s website here to get all the important details about tickets.

Probably the biggest news from last year’s BlizzCon was the reveal of Diablo Immortal, a new mobile game. Many were hoping to see Diablo 4, but it didn’t happen, and fans voiced their concerns.

Avengers: Endgame Introduces The MCU’s First Openly Queer Character

The Marvel Cinematic Universe doesn’t have the best track record when it comes to representing minorities. All but three of the franchise’s 22 films have been focused primarily on straight, white men–and the three that aren’t only came in the last two years. It’s not a spectacular ratio when you really break it down. Avengers: Endgame didn’t exactly tip the scales in favor of diversifying the line up in any meaningful way, but it did include the big screen MCU’s first-ever openly queer character.

Sure, the character was an unnamed cameo by co-director Joe Russo, but, look, we’re going to take the win we can get, even if it’s a really embarrassingly thin one.

And in terms of including any level of queer representation, Russo’s cameo was actually handled pretty well for as minimal as it was. Here’s how it went down: Captain America is moonlighting as a grief counselor running a therapy group for snap survivors. In group, Russo’s character explains that he went on a date–a big step–and that it went pretty well, except for when he started crying, and when his date, a man, started crying too. The trauma of the Snap is obviously not something people are adjusting to easily, even five years later.

Steve offers up some kind-hearted advice, and tells everyone that it’s best to focus on the things that are positive about their situation and they need to work on moving on. It’s all over in about five minutes, but it’s an exceedingly normal five minutes devoid of any real stereotyping or poorly handled tropes.

In an interview with Deadline, Russo spoke to their motivations and intentions in including the scene. “It was important to us as we did four of these films, we wanted a gay character somewhere in them. We felt it was important that one of us play him, to ensure the integrity and show it is so important to the filmmakers that one of us is representing that. It is a perfect time, because one of the things that is compelling about the Marvel Universe moving forward is its focus on diversity.”

The sentiment is nice, to be sure, and appreciated. But it’s important to look at this moment in context of not only Endgame, but the entire cinematic universe. This is not a monumental victory–all things considered, it’s a tiny drop in a very, very large ocean. That isn’t to say it doesn’t matter, but it’s ultimately a tiny scrap being tossed the way of queer fans and what may or may not be an empty promise for movies to come.

For all the MCU has lacked genuine representative queer relationships in the past, there has been no shortage of subtextual coding–everything from the wildly popular assumed romance between Steve Rogers and Bucky Barnes to the extremely loosely implied past love life of Valkyrie during Thor: Ragnarok’s flashback sequence. By the same token, there have also been characters that are explicitly queer in the source material–Valkyrie again, members of the Dora Milaje that served as Okoye’s inspiration, Loki, and Korg, to name a few–who have been transported into the live-action universe, only to have their sexualities and identities written around or outright erased. All of which is to say that the MCU has had a bunch of opportunities to start including non-heterosexual characters into the mix and blatantly chosen not to do so. That’s not something that can be undone or corrected by a blink-and-you-miss-it cameo.

But we’ve got to start somewhere right? Hopefully Marvel Studios will deliver on Russo’s promise, and hopefully future representation will be more than a tiny, inconsequential Easter Egg.

Epic Store Will Stop Going After Exclusives If Steam Makes A Big Change

Epic Games CEO Tim Sweeney has laid out an ultimatum in regards to securing further exclusive titles for the Epic Games Store. If Valve offers a revenue share for developers on Steam that matches Epic’s, Sweeney tweeted out, then the Epic Games Store will stop signing exclusivity agreements that keep games off of Steam.

“If Steam committed to a permanent 88% revenue share for all developers and publishers without major strings attached, Epic would hastily organize a retreat from exclusives (while honoring our partner commitments) and consider putting our own games on Steam,” Sweeney wrote. “Such a move would be a glorious moment in the history of PC gaming, and would have a sweeping impact on other platforms for generations to come.”

The Epic Games Store has made a habit of securing major triple-A and high-profile indie games away from Steam. The Souls-like game Ashen was one of the first to leave Steam for an exclusive offering on Epic, but it was followed by more prominent titles like Metro Exodus and Borderlands 3. Ubisoft has entered into a partnership with the Epic Games Store and moved most of its PC releases over from Steam to Epic, starting with The Division 2 and extending to Anno 1800 as well.

There’s been plenty of discontent for the Epic Games Store, especially when games that have been sold on Steam are moved to Epic during the pre-order phase. In most cases, this has caused outrage on Twitter and Reddit, as well as Steam users review bombing games that have sequels launching on Epic. Both Metro 2033 and Metro: Last Light were hit hard in the aftermath of Metro Exodus’ move to Epic. The same happened to Borderlands, Borderlands 2, and Borderlands: The Pre-Sequel after the reveal that Borderlands 3 would be launching on the Epic Games Store.

Steam users’ harsh reactions to games leaving Steam for Epic and Valve’s slow response on some of the review bombings have rubbed some developers the wrong way. “Ironically, that this misuse is possible and that Steam has no interest in correcting this misuse makes me kind of happy about 2K’s decision and makes me want to reconsider Gearbox Publishing’s current posture on the platform,” Gearbox studio head Randy Pitchford wrote.

Apex Legends Season 2 Includes Map Changes And New Character; Details Before E3

Respawn will share the first concrete details of Apex Legends Season 2 at the EA Play event taking place just before E3 in June. A statement from the company acknowledges some of the shortcomings of this first season battle pass and goes on to tease some of the new content that will be coming, including the first changes to the map.

“We’ve seen all the feedback on Season 1 and look forward to showing you the improvements we’re making,” the studio said in a note on the EA blog. “For Season 2 you can expect a Battle Pass with more meaningful content, the introduction of a new Legend, the debut of a new weapon… and you didn’t expect Kings Canyon to stay the same forever, did you?”

The seasonal roadmap also said that Season 2 would begin in June, so there likely won’t be much time between the announcement and the update. The roadmap had also suggested new characters, items, and weapons would roll out in addition to each season’s battle pass. But Respawn hasn’t spoken much about changing the map–something that’s been a big part of Fortnite’s seasonal updates, with major new areas and elements being introduced in lieu of an entirely new map (as we’ve seen in PUBG).

This is part of the studio’s new commitment, as stated in the blog, to “provide more visibility into the future.” That doesn’t mean we’ll hear about everything, they warn, but it’s attempting to be more transparent and put out “fewer surprise drops.”

Also along those lines, it explained the current studio slate and how it’s prioritizing its projects. Respawn is currently split into two teams working on Apex Legends and Star Wars: Jedi Fallen Order. But to keep from stretching itself too thin, the studio is pushing back its plans for future Titanfall games. This would seem to suggest that it’s no longer planning to put out multiple games this year.

A recent report claimed that Fortnite, Apex’s chief competitor which offers weekly content drops along with larger seasonal changes, has developed a culture of crunch because of the sheer workload of such frequent updates. Without mentioning Fortnite by name, Respawn CEO Vince Zampella said that Apex will stick with seasonal drops, referencing “quality of life for the team.”

EA won’t be holding a traditional press conference again this year, but will be holding its EA Play event the week prior. Check out our full roundup of all the press conferences scheduled for this year’s event.