5 Things To Know About Halo Infinite’s Multiplayer Preview

Halo Infinite releases this year and we learned a lot from the first multiplayer tech test. Join Persia as she breaks down bots, limited-time 4v4 Slayer PvP, guns, and important things you should know so far. For starters, there are a bunch of quality of life changes to the gameplay and the way you will interact with the map. There is a revamped mini-map that may give some veteran Halo players pause, as the mini-map behaves differently than in previous games. There is also a new ping system allowing you to mark buildings, place waypoints, and target opponents. Your teammates will even have their Spartans make automatic AI callouts so you can still be in the know without actually needing to hop on comms!

The tech preview had 3 maps, and we go into detail on what those maps looked like as well as how they were set up. Maps will have random power weapons that rotate with each match, so there is extra variety keeping the rotation fresh as you replay certain maps. Abilities are also back with franchise staples like the Overshield, but plenty of new abilities make their debut too! The drop shield is an interesting utility allowing you to give yourself some advantageous cover for firefights temporarily. Meanwhile, the grapple hook is a game-changer letting you quickly traverse the terrain despite its limited use.

Lastly, we go deep into a few of the many weapons at your disposal, including all-new weapons like the Commando tactical rifle, and the Skewer. Be sure to let us know in the comments which weapons you’re most excited to get your hands on! Halo Infinite is slated for a Holiday 2021 release for Xbox One, Xbox Series S|X, and PC. Be sure to subscribe to GameSpot as we bring you everything you need to know about Halo Infinite, from gameplay to guides and features!

Naked Singularity Review

Naked Singularity hits theaters on Aug. 6 and will be available On Demand on Aug. 13.

The best thing to say about Naked Singularity is that it’s further proof that John Boyega is one of Hollywood’s most capable leading men. His assured performance manages to save this thinly conceived crime drama from outright tedium, keeping us rooting for a better movie to take hold around it even once it becomes clear that will never happen.

Adapting Sergio de la Pava’s novel of the same name, It screenwriter Chase Palmer, in his directorial debut, attempts to spin a genre movie out of an intriguing metaphor. De la Pava’s novel draws a profound comparison between the unforgiving convictions dealt by the American criminal justice system and the crushing gravitational pull of a black hole, questioning what lies beyond a collapsing abyss that nothing can escape from. Palmer’s adaptation doesn’t only fall short of exploring that concept, but also largely abandons the endeavor of even trying to.

Boyega stars as Casi, a frumpy, overworked New York public defender who is hitting a breaking point in his young career. The only idealist working in his courthouse, Casi finds himself frustrated by his inability to save clients from harsh convictions within an underfunded, overcrowded bureaucracy.

Naked Singularity is at its best during this opening stretch. The action is driven by a wry humor, sticking with Casi as he rolls with the punches. At the same time, it doesn’t minimize the terrible nature of Casi’s clients’ situations. Boyega’s performance is key to maintaining the layered tone of this first act. From dry retorts to defeated pleas, he carries an exhaustion that gives us an idea of how often his good intentions are thwarted by unfair roadblocks.

The argument being made in these scenes is that the criminal justice system is a merciless, life-ruining machine. Naked Singularity begins to stumble once it tries to move on from that thesis. Fed up with his limits as a public defender, Casi finds himself involved in a heist that draws in his impulsive pal at the courthouse (It alum Bill Skarsgård), a former client who’s sick of the life she’s been dealt (Olivia Cooke), and her Tinder hook-up from hell (Ed Skrein).

While the small cast of characters isn’t a drawback on its own, Naked Singularity might have been able to develop its social criticism more if it had a more panoramic scope or an attention to neighborhood texture. Though Casi finds himself stumbling into a rough-and-tumble world of mean cops and shady characters, the movie doesn’t have many ideas of what to do with its New York setting other than giving Cooke’s character a Bay Ridge accent.

Instead, Naked Singularity sticks to its thin archetypes, attempting to reinvent itself as a crime thriller and falling flat on its face. Each complication in the plot plays more as an arbitrary escalation than a genuine threat to the main characters. Other than the indelible image of Boyega wielding a katana, Palmer doesn’t seem to have a strong idea of how to make the heist’s logistics or Casi’s moral dilemma remotely exciting.

Naked Singularity sticks to its thin archetypes.

Naked Singularity also makes an attempt to incorporate its titular cosmic event, but those gestures to the supernatural really just play as an afterthought. Tim Blake Nelson plays a crank named Angus who will occasionally pop in to spit some stoner philosophy about astrophysics. While these scenes seem intended to tilt the movie’s sense of reality into something more uncertain and auspicious, they come across as extraneous in the long run. None of the occasional visual anomalies — a glitching electronic sign, a brief instance of levitation — make an impression either, seeming more like obligations to the promises of the title. A more adventurous film wouldn’t skirt around a gonzo, thoughtful use of science-fiction imagery.

Worst of all, Naked Singularity commits the cardinal sin of leaving its story off where a more interesting movie is about to begin. While it makes a moral stance against the American criminal justice system, it doesn’t have the imagination to keep following Casi’s intention to combat it. Instead, the film concocts a dull series of familiar crime movie trappings to keep its protagonist busy. Naked Singularity loses its claim to social criticism in the shuffle, leaving things off on a note of unearned, phony optimism.

Vivo Review

Vivo is now streaming on Netflix.

From the moment it starts, Vivo wants to pull you in with the kind of aesthetics we’ve come to expect from Disney/Pixar — photorealistic backgrounds and production design, and the same clay-like character designs the studio has churned out for the past decade or so — before unveiling a bold, striking, and at times experimental animated musical with a powerful message. Vivo unfortunately loses the beat about halfway through, but it’s still a solid showing in Sony Pictures Animation’s post-Into the Spider-Verse renaissance. Plus, fans of Lin-Manuel Miranda’s music will still get enough catchy songs to keep them busy until his next project.

But most importantly, Vivo is absolutely gorgeous. Right out of the gate, director Kirk DeMicco (The Croods) and his team of animators bring the vibrant colors of Havana, Cuba, to life in a way that’s similar to the beauty of Makoto Shinkai’s Your Name. This is in no small part due to visual consultant Roger Deakins, who gives Vivo a blend of photorealistic lighting and cinematography in the same way he did with the How to Train Your Dragon trilogy. The result is an exhilarating opening number full of life and personality. Breathtaking production design and more cartoonish characters collide with Miranda’s guajira-meets-hip-hop lyrics and composer Alex Lacamoire’s dazzling melody. As the camera dances around the titular kinkajou and his human friend Andrés (Juan de Marcos), circling around them and simulating a grandiose Broadway stage production, Vivo fully captures our attention for what’s to come.

The plot is simple enough: Vivo sets off on his own to deliver a special song Andrés wrote for his first musical partner/love, Marta Sandoval (music legend Gloria Estefan), who is preparing for her final concert in Miami. Vivo hitches a ride with Andrés’ rebellious, purple-haired niece Gabi (standout performer Ynairaly Simo), and the two embark on a wild adventure. Simo’s Gabi completely steals the show the moment she shows up on screen, and that’s reflected in the visuals, too, as she disrupts Vivo’s quiet island life with her own modern one. Vivo’s warm color palette is quickly taken over by Gabi’s neon-lit punk-lite pastel aesthetic. Simo’s vocal performance, meanwhile, breathes enough life and personality into the character to elevate her beyond the archetypes of the young girl animated protagonists that came before her. Her song, “My Own Drum,” is a percussion-heavy hip-hop grrrl anthem that, much like Spider-Man: Into the Spider-Verse and The Mitchells vs the Machines, uses eclectic animation and 2D art styles to drive home Gabi’s unruly energy.

And that’s really the best thing about the film: seeing a team of animators pull from various art and animation styles to give each musical number its own distinct look. While Vivo’s musical scenes are founded in the present, reflecting his desire for things to stay exactly as they are, Gabi’s take a wild turn, coming in with stuffed animals that turn into giant Thanksgiving Day parade-style balloons while the ghosts of her dead pets turn into a marching band. All the while, the Andrés-centric ballads are visually influenced by Cuban album covers and travel posters from the ’50s and ’60s, with the Art Deco giving the sequences a spirited touch of nostalgia to match Andrés’ ruminations about past opportunities and lost loves.

For a while, Vivo tries to tell a poignant story of grief and the precious march of time, with a message of taking chances as they come instead of waiting for the right time. Likewise, Gabi also hides a grief-stricken vulnerability behind her outgoing, tough girl personality, as the multigenerational Afro-Cuban family tries to deal with grief each in their own way. Sadly, the movie quickly pivots away from the emotional part of the story in favor of a kid-friendly adventure that plays things safe. The script, by DeMicco and In the Heights writer Quiara Alegría Hudes, comes to an almost complete halt once the action moves to the Everglades for a detour that takes up a big part of the runtime for no discernible reason. We are introduced to more characters like two dull spoonbills (voiced by Brian Tyree Henry and Nicole Byer, who get an equally dull love song), an unnecessary villainous anaconda played by Michael Rooker, and a trio of eco-conscious girl scouts that are just here to stall the plot and kill the momentum.

Vivo doesn’t offer much that we haven’t seen in animated musicals for the past 30 years, with a paper-thin story that becomes tolerable thanks to a parade of catchy songs infused with Latin rhythms (though some are definitely better than others). Its saving grace is in the visuals, which distinguishes this adventure from Disney’s assembly line of animated musicals with a myriad of styles and lively designs that continues to cement Sony Pictures Animation as the most exciting studio to watch for American animated movies.

Its saving grace is in the visuals.

Deadpool 3: Ryan Reynolds Gives An Update On How The Movie Is Shaping Up

Ryan Reynolds has provided an update on Deadpool 3, commenting on the possibility that cameras will start rolling next year. Speaking to Collider, Reynolds said the project is in active development and is in “pretty good shape,” but he couldn’t be specific on the chance that production will actually begin in 2022.

“The percentage chance? I don’t know. I couldn’t assign a percentage to that. I’d say it’s 50/50 maybe? We’re really actively developing it and getting it into pretty good shape,” he said. “What the hell month is it? August? Oh next year? Probably pretty damn good. I’d say 70%.”

Now Playing: Free Guy – Official Trailer

Deadpool 3’s script is being written by Lizzie Molyneux-Loeglin and Wendy Molyneux, who wrote for Bob’s Burgers previously. While Reynolds couldn’t say for sure if Deadpool 3 will begin filming next year, he praised the writing team and said it’s been fun working with them.

“It’s something that is just a daily process. Writing is kind of like that, you’ve gotta allot time to do it and walk away, and I’m working with the Molyneuxs on it; it’s been great,” he said. “They’re incredibly talented and so, so smart. They so understand that world and know how to zig when everyone’s expecting a zag, so it’s been a lot of fun.”

Deadpool 1 and 2 were released by 20th Century Fox, a movie studio that has since been purchased by Disney. There were questions about whether or not the family friendly Disney would keep making R-rated Deadpool movies, but Disney chief Bob Iger would later confirm on an earnings call that Disney would “continue in that business” in the future.

“We do believe there is room for the Fox properties to exist without significant Disney influence over the nature of the content, meaning that we see that there is certainly popularity amongst Marvel fans for the R-rated Deadpool films, as a for instance,” Iger said. “We’re going to continue in that business, and there might be room for more of that.”

While we’ll have to wait a while for Deadpool 3, Reynolds recently reprised the role in a promo for his new movie Free Guy, which comes to theaters on August 13.

Stranger Things Season 4 Premieres in 2022, First Glimpses of Footage Revealed

Stranger Things Season 4 is set to premiere in 2022, but in the meantime, the Netflix-based science fiction horror series has offered fans a first glimpse of what’s going on this time round in the upside-down.

A tweet from the official Stranger Things Twitter account has announced that the show will return for Season 4 in 2022. A short trailer accompanies the tweet which gives fans a sneak preview of what to expect in the upcoming season.

The trailer itself features the return of Eleven, Mike, Dustin, Will, and Lucas as well as a number of other cast members. Within the thirty-second teaser, fans are treated to a short clip of Milly Bobby Brown’s character sporting bangs as she’s held back by men in suits alongside a number of other short insights. The words “something’s coming,” can be heard, followed by “it is almost here.”

Despite Season 4’s plot currently being shrouded in mystery, Netflix previously released another teaser trailer for the show back in May which appears to suggest that the upcoming episodes will delve deeper into Eleven’s backstory. IGN reported on the trailer at the time of release, in which we see various children being experimented upon in what looks to be Hawkins National Laboratory.

The children in the trailer can be seen wearing hospital gowns the same as those depicted during Season 1 of the show before finally cutting to a shot of a door marked 11 and the words “Eleven, are you listening?”. The newest teaser trailer for the show features the same door in its opening shot which only adds to the speculation that we’ll learn more about Eleven’s past next year.

Netflix also confirmed that the show’s fourth season will add a number of new cast members. The company announced back in June that the show will add four new cast members. Amybeth McNulty (Vickie), Myles Truitt (Patrick), Regina Ting Chen (Ms. Kelly) and, Grace Van Dien (Chrissy) will all join the show’s talented roster. The new teaser trailer appears to briefly show Van Dien’s character performing a cheerleading routine in a blink-or-you’ll-miss-it snippet around the twenty-five-second mark.

For more on Stranger Things, you can check out our dedicated IGN page for a range of the show’s latest news.

Jared Moore is a freelance writer for IGN. You can follow him on Twitter where he is currently trying to figure out how to create upside-down writing.

Stranger Things Season 4 Releasing In 2022, New Teaser Trailer Out Now

Stranger Things Season 4 will debut on Netflix in 2022, the streaming network has announced, though it did not share a specific date. While we have to wait until sometime next year to watch the fourth season, Netflix put out a new teaser trailer that heralds the events to come.

The video starts with footage from Seasons 1-3 before displaying what appears to be footage from Season 4. This comes after Netflix released a trailer that focused specifically on David Harbour’s Hopper character and what he’s been up to since we saw him last.

Stranger Things director Shawn Levy recently spoke about why Season 4 is taking so long to come out, and it comes down to the pandemic and the team’s bigger creative ambitions.

“It is a kind of perfect storm combination of COVID shutdown, slower pace of filming in COVID protocols and health protocols, which are necessary, and coincidentally we chose Season 4 to be by far–and I mean, by far, far, far–the most ambitious of the seasons,” he said.

Winona Ryder, Finn Wolfhard, Millie Bobby Brown, Gaten Matarazzo, Caleb McLaughlin, Noah Schnapp, Sadie Sink, Natalia Dyer, Charlie Heaton, and Joe Keery are all returning for Season 4, while there are plenty of newcomers, too.

Dead Space Remake Could Be Out At The End of 2022 – Report

A few weeks ago, EA Motive announced its remake of Dead Space, with the team reimagining the first game in the series for PS5, Xbox Series X|S, and PC. Although the tease was brief, it seems that Dead Space might be just over a year away from release.

According to GamesBeat, who have spoken to some members of the EA Motive team, the current plan is for Dead Space to launch at the end of 2022. This would put the game in EA’s 2023 fiscal year (April 2022 – March 2023), which means we might only get confirmation of a release window early in 2022. GamesBeat notes that this release window isn’t set in stone and is of course based on estimates that can change at any point.

The report also suggests that more of the project will be shown off before the end of the year, although the scope of what this might be is still up in the air. There aren’t many events left in the calendar year for big demos, but Geoff Keighley’s Game Awards in December are generally packed with gameplay reveals and trailers. If Dead Space was to make a splash before the end of the year, that would be an appropriate stage.

EA Motive has detailed its plans for this remake, saying that it plans to revive the Visceral Games series by reintroducing players to its universe. This remake will incorporate elements from the first and second game in the series, aiming for a single, cohesive camera cut throughout similar to Dead Space 2 and, more recently, God of War. The story will stick to the events of the first game, but EA Motive says it will cut elements that “don’t work”.

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Chronicle Sequel in the Works With a Female Lead

A Chronicle sequel is in the works at 20th Century Studios, with a female-led story that picks up a decade after the events of the original film.

Speaking to Forbes, producer John Davis reflected on his catalogue of work, citing 2012’s Chronicle as “one of the most financially successful movies” in his stable. He then confirmed that a sequel to the original sci-fi thriller is in development and that the plot will revolve around a cast of female characters, starring as the “next generation” of power-possessors.

“We’re working on Chronicle 2 right now, and I think it’s going to be great,” Davis revealed. “It’s going to give us a chance to tell the story in a different way. We’re going to tell it from the female point of view. It will have been ten years since the event happened in Seattle, and a lot of it’s going to deal with fake news and real news and cover-ups.

“More interestingly, it’s the next generation getting these powers that are corruptive,” he added, further elaborating on the plot for the sequel. “These are young women just finishing college, they are empowered, and this is their journey. I mean, what a new and interesting story you can tell there.”

The original movie was released in 2012 and starred Dane DeHaan, Michael B. Jordan, and Alex Russell as three high school students who developed uncanny powers beyond their understanding. The trio attempted to control their abilities and use them to their advantage, but their lives started to spin out of control and their darker sides started to take over.

Chronicle grossed $126.6 million worldwide, against a budget of $12 million. Davis noted that the movie then had “a huge afterlife in syndication,” which further elevated its success and opened the door for a potential sequel. Fox tapped Max Landis to write a script for Chronicle 2 in 2012, but he later dropped off the project as Fox was not happy with the script.

Adele Ankers is a freelance writer for IGN. Follow her on Twitter.

Matt Damon Turned Down “A Bunch Of Money” For Bourne Game Because He Didn’t Want It To Be An FPS

Matt Damon has spoken about turning down “a bunch of money” to work on The Bourne Conspiracy video game because he wanted it to be more than a first-person shooter.

Appearing on Hot Ones, Damon was asked to confirm if it’s true that he declined to be in the game because he wanted it to be more like 1993 game Myst. It is true, and that’s why his voice and likeness was not used in the game, which was released in 2008.

“I just didn’t want to do just a first-person shooter,” he said. “They offered me a bunch of money. But I was like, ‘If you could make it more … a little more thought had to go into it. Like Myst.’ I love that game. So I was like, ‘More like Myst.’ They were like, ‘No,’ and just went and made it without me [laughs].”

Damon reportedly told The Boston Globe that he “lobbied hard” to make The Bourne Conspiracy game more like Myst, which is a puzzle game.

The Bourne Conspiracy game was developed by High Moon Studios. Developer Meelad Sadat told MTV News that the company never sat down with Damon, though an offer was extended to him for his involvement. After Damon declined, High Moon “decided to move away from celebrity involvement and take our Bourne into an original direction.”

Jeffrey Pierce voiced Jason Bourne in the game; he went on to voice Tommy in The Last of Us series.

As for the Bourne movie series, the last movie in the series was 2016’s Jason Bourne. Whether not the series continues with a sixth installment remains to be seen.

Damon’s latest movie is Stillwater, in which he plays an oil rig worker who goes to France to help save his daughter (Abigail Breslin). It’s directed by Spotlight’s Tom McCarthy and is in theaters now.

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Ryan Reynolds Says There’s a ‘70% Chance’ of Deadpool 3 Starting Production Next Year

Ryan Reynolds says there’s a ‘70% chance’ of Deadpool 3 starting production next year.

Speaking to Collider during a press day for the star’s upcoming film Free Guy, Reynolds spoke about the foul-mouthed superhero’s third outing. Hesitant to put a time frame on a start date for production, he said, “The percentage chance? I don’t know. I couldn’t assign a percentage to that. I’d say it’s 50/50 maybe? We’re really actively developing it and getting it into pretty good shape. What the hell month is it? August? Oh, next year? Probably pretty damn good. I’d say 70%.”

Elsewhere in the interview, Reynolds offered an update on the film’s writing process. “It’s something that is just a daily process. Writing is kind of like that, you’ve gotta allot time to do it and walk away, and I’m working with the Molyneuxs on it, it’s been great. They’re incredibly talented and so, so smart.” Bob’s Burger and Great North writers Lizzie Molyneux-Logelin and Wendy Molyneux were brought on as writers for Deadpool 3 in November.

The actor was full of praise for the Molyneux sisters, who sound like they have taken well to their new project: “They so understand that world and know how to zig when everyone’s expecting a zag, so it’s been a lot of fun.” he said. Deadpool’s unique style was a welcome addition to the superhero genre but it will be interesting to see how the writing team looks to improve this further to keep Deadpool 3 feeling fresh this time round.

The third installment will be particularl interesting given that Marvel Studios boss Kevin Feige confirmed that Deadpool 3 will become part of the MCU – which could offer unique opportunities for cameo characters within the film. Despite the lack of R-rated movies in the franchise, Feige confirmed that Marvel Studios won’t be looking to curb Deadpool’s signature style. “It will be rated R and we are working on a script right now,” said Feige back in January.

In other Deadpool news, the Merc with a Mouth has been front and center in the marketing world recently. The superhero featured in his “first” MCU crossover as he sat down with Korg from Thor: Ragnarok to promote Reynolds’ latest film, Free Guy. As it turns out, Reynolds’ marketing pitches didn’t stop there. IGN recently reported that the actor floated the idea of a Deadpool and Bambi crossover to Disney in which the superhero would have sat down to interrogate the hunter who killed Bambi’s mother. Spoilers, it’s not what you think – or actually, maybe it’s exactly what you think.

Jared Moore is a freelance writer for IGN. You can follow him on Twitter.