Titanfall 2 Speedrunner Claims New Gauntlet Record Of 11 Seconds

Like most games with a dedicated fanbase, Titanfall 2 is no stranger to seeing players attempt to break one of its more challenging records. Early in the game, players are taken through a virtual tutorial that ends with a final run through a gauntlet of enemies, putting the various skills they’ve been taught to use. During the recent free weekend for the game, one player by the handle of Cash_Mayo broke the Gauntlet record with a blistering pace of 11.10 seconds.

If it looks like magic or the use of a noclip cheat code, what’s happening above is actually the use of Titanfall 2’s wall-running abilities being combined with grenades to provide an extra-explosive boost to speed. Yes, that’s right, Cash_Mayo was blowing up their legs in an effort to shave time off the previous speedrun record. Cleverly, Cash_Mayo also took advantage of the space between Gauntlet runs to start at full speed, surging to the new lap record in the process.

Titanfall 2 has enjoyed a surge in popularity lately thanks to its free weekend, proving that there is still an audience for developer Respawn’s series of mechs and pilots. While the studio has confirmed that plans for a new Titanfall game will have to take a backseat as it continues to grow its successful battle royale Apex Legends and works on an original IP, Respawn hasn’t written the franchise off entirely.

Whatever the future does hold in store for Titanfall, it’d be worth releasing the game at a time when it isn’t caught in the middle of two of the biggest action game franchises on the planet.

Now Playing: Titanfall 2’s 2021 Comeback

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Venom 2: Let There Be Carnage Trailer Introduces Woody Harrelson’s Character

The first trailer for Venom: Let There Be Carnage has arrived, and it focuses mainly on the new villain, Cletus Kasady/Carnage, who is played by Woody Harrelson. We also see more of Tom Hardy as Eddie Brock/Venom, and he’s still struggling with his powers.

Set to the song “One is the Loneliest Number,” the trailer shows Carnage writing a letter to Eddie from his holding cell. He says the two are more similar than people might believe. In one fateful scene, Carnage is being given a dose of something when all hell breaks loose and he is set free. A lot of action and chaos ensues. You can watch the new trailer below.

In addition to Hardy and Harrelson, Let There Be Carnage brings back Michelle Williams as Eddie Brock’s girlfriend, while Naomie Harris joins the cast as Shriek. She is briefly seen in the new trailer, too. The cast also includes Reid Scott and Stephen Graham.

Let There Be Carnage hits theaters on September 24. It’s directed by Andy Serkis, who played Gollum in The Lord of the Rings series before becoming a director.

2018’s Venom was not a critical darling, but it made more than $850 million worldwide to finish as the seventh highest-grossing movie of the year. It made more than $100 million more than other popular films that year like Deadpool 2 and Ant-Man and the Wasp.

Venom: Let There Be Carnage – Exclusive Trailer Breakdown with Director Andy Serkis

The long wait for a new Venom movie is almost over. Venom: Let There Be Carnage is opening only in theaters later this year, and IGN has teamed up with director Andy Serkis to exclusively break down the first official trailer for the hotly anticipated sequel.

Check out the video in the player above or embedded below, and then read on to read the highlights from Serkis’ director’s commentary.

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Eddie and Venom’s Dysfunctional Relationship

Right away, the trailer makes it clear Eddie Brock (Tom Hardy) and his “other” are having a difficult time cohabitating the same body. Eddie is trying to put his life back together and rebuild his career as a journalist. But the symbiote only cares about playing the role of Lethal Protector — beating up evildoers and satisfying its bottomless hunger.

“They are now what is, in effect, the Odd Couple stage of their relationship,” Serkis says. “They’ve been together for… a year and a half, say, since the last story. And they’re figuring out how to be with each other. And it’s like living with this maniac toddler. Eddie is really struggling. He can’t concentrate. He’s trying to get on with work. And he, of course, only thinks about himself anyway, on the whole.”

Serkis continues, “So having this other being in a small space in his little flat, it’s like looking into kind of a weird, screwed-up mirror version of himself. And Venom of course feels trapped, because he can’t leave Eddie’s body unless he has his permission. And when they go out, the deal is – you live in my body, you live by my rules. And we’re under threat. We’re in a dangerous position here. We’ve got to keep quiet. And nobody must know because of all the things that happened in the last story, if people find out and get a grip of what’s going on then we’ll both be hauled into Area 51 and examined.”

In other words, as much as the sequel is about the long-awaited showdown between Tom Hardy’s Venom and Woody Harrelson’s Carnage, it’s clear Eddie will continue to be his own worst enemy.

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Cletus Kasady’s Eddie Brock Obsession

The first Venom movie introduced Harrelson’s Cletus Kasady via a post-credits scene, with the incarcerated Cletus promising: “When I get outta here, and I will, there’s gonna be carnage.”

That scene implied some sort of existing relationship or connection between the two characters, and the trailer for the sequel shows Cletus has developed quite an interest in Eddie during the months in between movies. In fact, he seems to almost be the Hannibal Lecter to Eddie’s Clarice Starling.

Serkis makes it clear Cletus is drawn to Eddie because he senses a kindred spirit. Eddie, meanwhile, sees this relationship as an opportunity to dig into Kasady’s twisted past and uncover the burial sites of his missing murder victims are buried, thereby reigniting his own journalism career.

“They both had strange upbringings with strange relationships with their parents and their families. And there’s an inherent loneliness that they both recognize in each other,” Serkis says. “Cletus actually reaches out and will only speak to Eddie Brock. That’s at the beginning of the story, we learned that he’s the only one he’ll speak to. And the cops, therefore, want Eddie to go in and investigate and try and discover where some of the bodies, some of the many bodies of Cletus’s victims are.”

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“He’s on a mission,” Serkis adds. “But also, he’s self-serving in only the way that Eddie can be. He wants to get in there and maybe he can make a story, get back to what he wants to do most, which is writing and the written word and being a journalist. So this sets up really the confrontation, or the false relationship, that Eddie sort of pretends to have with Cletus, in order to get information out of it.”

As the trailer shows, Cletus’ madness is reflected through the strange, intricate drawings lining the walls of his cell. Those drawings may or may not have a special significance to the plot, but they definitely offer insight into the terrifying mind of Cletus Kasady.

“Cletus has an extraordinary child-like but vivid imagination and mind, and he expresses himself by drawing,” Serkis says. “His cell is completely covered with these really bizarre markings and expressions. It’s like his anger and frustration and his sadness and his desperation and his loneliness.”

Finally, for fans curious about the drastic change in Cletus’ hairstyle between movies, Serkis indicated the change is meant to reflect the passage of time and the evolution of Cletus’ mental state.

“We wanted to give a sense that he’s been in there for some time and that he’s gone through various changes. … so that we could really [see] what’s going on with the darkness of the character.”

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How Does Shriek Fit In?

While Carnage is clearly the central villain of this story, the sequel is also introducing Naomie Harris’ character Francis Barriston (aka Shriek). In the Marvel comics, Shriek is both a partner and lover to Carnage. While Serkis is keeping mum on whether or not the two will be romantically intertwined in the movie, he reveals she directly ties into the movie’s emphasis on troubled characters with abusive parents.

“She’s a damaged soul and she really has suffered in her childhood,but there is a real vulnerability about her, and she’s in a lot of pain… She’s been living in isolation for years, years and years,” Serkis says. “With all of these characters, what’s so beautifully drawn about them is that they’re multi-faceted, they’re totally truthful and believable, and yet … She’s dangerous too and I think she has her own sense of fairness and being just, and I think when that line is crossed, then you see a very, very dangerous, dark side to her, and that’s what we wanted to do with the character.”

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Serkis does confirm the sequel will explore the tension between Eddie and his ex-girlfriend Anne Weying (played again by Michelle Williams). At this point, Anne is still in a relationship with Reid Scott’s character, Dr. Dan Lewis, but Serkis teases the old spark may still be there.

“She’s kind of made a decision in her life, ‘I’ve got to move on. I can’t be with this person. He’s totally unreliable. He’s not truthful. He’s a ride, and I’ve enjoyed this wild kind of character that I’ve been with, but he’s not for me. At the end of the day, I’ve got to find someone who I can trust, who I can move on and be with and form a reasonable partnership with him, just not be thrown around all the time by this craziness.’”

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Bringing Carnage to Live-Action

It wouldn’t be much of a superhero movie if the main villain remained powerless and behind bars the entire time. The trailer makes it clear Cletus will cheat death during his attempted execution, somehow bonding with a piece of the symbiote and becoming Carnage.

“This character was so much fun to work on in design and to take [from] the comic world,” Serkis says. “It was wonderful having the opportunity to take this character that’s never been seen before on screen, as much as you do get to know him in our story and to really play with the physicality, how he moves, how he extrudes his tentacles.”

In the comics, the symbiotes grow progressively stronger with each new host, meaning Carnage is usually far too powerful for either Spider-Man or Venom to handle alone. But Serkis explains that his movie seeks to reflect the differences between Venom and Carnage. Cletus may not be the physical heavy-hitter Eddie is, but his deranged personality opens up a whole new world of abilities, including some fans have never seen before.

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“He can turn to mist. He can turn to all manner of tendrils. He can take different forms. He can weaponize, he can do all of these different things,” Serkis says. “With all symbiotes, they reflect the person who is their host. So the darkness of Carnage, the playfulness, the wit, the strangeness. Cletus has a real intelligence and… a real sense of humor, and we wanted to reflect that in the symbiote that is linked to him.”

Given Serkis’ history with motion-capture performances (playing Gollum in the Lord of the Rings movies, Caesar in the Planet of the Apes reboot series, etc.), it should come as no surprise he brought that experience to bear on his first directorial assignment. Serkis tells IGN a great deal of attention was paid to the way these characters move on-screen and highlighting the physical differences between Venom and Carnage.

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“Venom is… pretty straightforward in a way. He’s like a quarterback. He’s very grounded, very physically sort of heavy, and like a quarterback where brute force is very much his thing. Whereas Carnage, in the same way that Cletus is manipulative psychologically and physically, he can take your energy and completely shift it for you. So we wanted the whole movement style to be very idiosyncratic and off-kilter and strange, and you just can’t pin him down. It would be like trying to have a fight with an octopus basically.”

Serkis adds, “Also, what we were able to do, which was amazing, was to go and work with dancers and actors on a performance capture stage, and then see things come to life and then use little bits and practice, just trying stuff out. It was a really exciting period of building the movie actually was Carnage movement tests. That was a really exciting part of it.”

Venom: Let There Be Carnage opens only in theaters on September 24 in the US, September 15 in the UK, and September 16 in Australia. For more on the sequel, find out whether Venom: Let There Be Carnage takes place in the MCU, learn about Carnage’s new powers, get our two cents on why Venom doesn’t need Spider-Man and check out the new Venom 2 poster.

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Venom: Let There Be Carnage Gets Its First Poster

Venom: Let There Be Carnage has shown off its toothy first poster, alongside the release of its debut trailer.

The poster (below), shows a view of Venom – wrapped in red tendrils – from within Carnage’s mouth. It’s fair to say there are a lot of symbiote teeth on show here, and gives us a hint at the coming clash between the two classic characters.

Venom: Let There Be Carnage poster. (Source: Sony)
Venom: Let There Be Carnage poster. (Source: Sony)

And don’t fret if this poster doesn’t give you the look at Woody Harrelson’s take on Carnage that you might have hoped for – we get a full view of the murderous symbiote in the first trailer for Venom 2, which you can also watch below.

If that’s not enough Venom: Let There Be Carnage information for you, we’ve also got an exclusive trailer breakdown from director Andy Serkis. Check out that video for a closer look at all the Easter Eggs and references in the trailer, not to mention Serkis’ take on the relationships between symbiotes and their hosts – as well as the introduction of Naomie Harris’ Shriek. You can check out the highlights of that breakdown in our wrap-up.

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After a delay, Venom: Let There Be Carnage will be released in US theaters on September 24 (or September 15 in the UK, and September 16 in Australia).

Tom Hardy, Michelle Williams, and Woody Harrelson reprise their roles as Eddie Brock, Anne Weying, and Cletus Kasady, while Naomie Harris plays the villainous Shriek for the first time.

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Joe Skrebels is IGN’s Executive Editor of News. Follow him on Twitter. Have a tip for us? Want to discuss a possible story? Please send an email to [email protected].

Resident Evil Village Used a Giant, Grumpy Stand-In for Lady Dimitrescu’s Performance Capture

The actor behind Lady Dimitrescu has revealed more about the motion capture process that brought the character to life – including a big, grumpy pole that was used to simulate her 9’6″ eyeline in real life.

Lady Dimitrescu actress Maggie Robertson has been delighting fans during Resident Evil Village’s launch weekend by responding to fan art and complementing cosplays of the popular character, as well as providing a behind-the-scenes look at the game.

In one post Robertson revealed “the grumpy stand-in,” a giant pole with a soft head marked with a frowny face. According to Robertson, this was used during performance capture to “mark Lady D’s actual size and eye lines” while on set.

Lady Dimitrescu became an internet sensation before Village’s release, not least because of her huge height – but it’s easy to forget that in the age of AAA performance capture, that then causes potential trouble for real-life actors trying to simulate talking to a fictional, towering vampire lady. Capcom’s lo-fi solution is a neat (and funny) way to get around the issue – and I now want modders to get to work on a grumpy stand-in model for the actual game.

Robertson also shared another video that shows previsualizations and motion capture footage from some key scenes in the game, including when Lady Dimitrescu tastes Ethan’s blood and throws her dressing table in a fit of rage.

“I’m beyond grateful for how welcoming the entire Resident Evil community has been. Floored by all the love & support you all have given me over these past few days,” Robertson said on Twitter. “Keep spreading all of that love around in the name of House Dimitrescu!” We spoke extensively to Capcom about the creation of Lady Dimitrescu, and how they reacted to her sudden popularity. I wonder how they’ve reacted to her being modded into a Thomas the Tank Engine hybrid

In other Resident Evil Village news, here are 17 brilliant little details, and a cut fan favourite character who could have made it into the game in a very unexpected costume. We scored it an 8 in our review, calling it a “genuinely engrossing and increasingly combat-heavy continuation of the Ethan Winters story.”

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Jordan Oloman is a freelance writer for IGN. Follow him on Twitter.

Final Fantasy 7: The First Soldier to Get a Closed Beta in June 2021

Final Fantasy 7: The First Soldier is getting a Closed Beta Test in June 2021 that will give those with Android devices a chance to try out the upcoming battle royale mobile game.

The Final Fantasy 7: The First Soldier Closed Beta Test will take place from June 1 – June 7, and the registration period for those interested is currently underway. Those with a 64-bit Android device with Android 7.1 or newer and at least 3GB of available memory can sign up here until May 27, 2021.

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This test will only be for those in the US and Canada, and game data and progress will not be transferred over to the full game when it launches later this year. However, Square Enix will let you stream the game should you be accepted into the Beta.

Final Fantasy 7: The First Soldier was announced alongside Final Fantasy 7: Ever Crisis – a “chapter-structured single player game covering the whole of the FFVII timeline – including the events of the original game and the FFVII compilation titles.”

This battle royale game takes place in Midgar 30 years before Final Fantasy 7. It looks to feature gunplay, close quarters combat, abilities, Summons like Ifrit, bosses like the Guard Scorpion, and much more.

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While there is no further release window other than 2021, those hoping to jump back into the world of FF7 will be able to do so on June 10 with the launch of Final Fantasy 7 Remake Intergrade for PS5.

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Have a tip for us? Want to discuss a possible story? Please send an email to [email protected].

Adam Bankhurst is a news writer for IGN. You can follow him on Twitter @AdamBankhurst and on Twitch.

Remnant: From the Ashes to Get a Free Next-Gen Upgrade This Week

Remnant: From the Ashes will be receiving a free next-gen upgrade for PS5 and Xbox Series X/S on May 13, 2021.

Announced on Remnant: From the Ashes’ Twitter, this next-gen upgrade will allow for the game to run at 4K/30 FPS or 1080p/60 FPS on both PS5 and Xbox Series X. On Xbox Series S, just the framerate will be improved as the console is only capable of outputting resolution of up to 1440p.

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As an added bonus, cross-play is being added between Xbox and Windows 10 Store players.

Remnant: From the Ashes is a third-person survival action shooter that is set in a post-apocalyptic world overrun by monstrous creatures. In our review, we said that it “is a co-op action-RPG that’s punishing and grotesque, but exciting and beautiful all at the same time. Despite the occasional difficulty spikes and slightly disappointing gear system, the thrill of finally beating a boss that’s had your number for hours is unmatched.”

Remnant: From the Ashes was part of March 2021’s PlayStation Plus games and was available until early April. If you missed it on PlayStation, it is currently available on Xbox Game Pass.

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For more, check out where Remnant: From the Ashes landed on our list of the best Soulslike games.

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Have a tip for us? Want to discuss a possible story? Please send an email to [email protected].

Adam Bankhurst is a news writer for IGN. You can follow him on Twitter @AdamBankhurst and on Twitch.

Call of Duty: Warzone May Soon Add Rambo and Die Hard’s John McClane

Alongside Verdansk ’84, Call of Duty: Warzone looks to be continuing the celebration of the 1980s as it is teasing the arrival of both John Rambo and Die Hard’s John McLane.

A few days ago, the Call of Duty Twitter account asked if anyone knew “SURVIVORJOHN#1009062?” Their #WarzoneReport is pretty impressive as it shows they have 552 kills, and infinite K/D ratio, 0 deaths, 5 games played, 5 wins, and 7 hours played.

Screenshot_2021-05-10 Call of Duty on TwitterBy doing a bit of digging into the history of Rambo, you will find that there have been five Rambo films (5 games played and 5 wins) – which all have a combined runtime of 7.8 hours (7 hours payed) – and Rambo has not yet died in his films (0 deaths) and has killed, according to Fandom.com, exactly 552 people (552 kills).

John McClane’s tease is a bit more involved, as there is a brand new website – NakatomiDuctCleaning.com – that hints at his arrival.

On Twitter, Call of Duty said “Air ducts are a complicated network of danger. If yours are in need of repair, call the best business at Nakatomi Duct Cleaning.”

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For those unaware, Nakatomi Corporation was where McClane’s estranged wife worked. Upon reaching Nakatomi Plaza, the events of Die Hard kick off and McClane eventually finds his way into the aforementioned air ducts, hence the name.

The Nakatomi Duct Cleaning website features more nods to McClane, including “Say Yippee Ki Yay to Dust” and a Schedule An Appointment button that automatically tries to send an e-mail to [email protected].

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For more on Warzone, check out where it ranks on our list of the 10 best battle royales and all the details on Verdansk ’84.

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Have a tip for us? Want to discuss a possible story? Please send an email to [email protected].

Adam Bankhurst is a news writer for IGN. You can follow him on Twitter @AdamBankhurst and on Twitch.

The Conjuring: The Devil Made Me Do It – Opening Scene Breakdown

This article contains SPOILERS for the opening sequence of The Conjuring: The Devil Made Me Do It.

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The first shots of The Conjuring: The Devil Made Me Do It, images of wreckage inside the Glatzel family’s home, evoke starting at the end of a different movie. This was fully the intention of director Michael Chaves, who hosted a virtual event for the press to screen the film’s opening scene. “We’ve seen the Warrens go on these adventures before. There’s the expectation that they’re gonna face a demon and they’re gonna exorcise that demon by the end of the movie. From the very beginning, we were like, let’s just turn that whole idea on its head, let’s start with the thing that you think the movie’s gonna end with, and then have it go horribly wrong.”

Chaves is referencing the exorcism of young David Glatzel, which the real Ed and Lorraine Warren assisted on in 1981. In the film, the Warrens, the Glatzel family, and Arne Johnson, the boyfriend of David’s sister Debbie, come to the end of a prayer and Ed suggests taking a break. Everyone’s clearly exhausted, with Ed noting to Lorraine that he “can’t remember one quite like this.” Luckily, the Catholic Church has approved an exorcism for David and the Warrens’ old friend Father Gordon is en route to perform it. Arne brings David upstairs to rest in bed, admiring the kid’s bravery and promising that he won’t let anything happen to him. Sure, Arne…

Father Gordon arrives as Arne is leaving David’s bedroom, in a shot that pays homage to both The Exorcist and Psycho. It’s an unabashed wink to horror fans, but one that Chaves decided was in the spirit of the Conjuring movies. “Without a doubt, a shameless Exorcist reference there, also putting the figure in the window was another shameless nod to Psycho, seeing Mother in the window. When we screened it, I was on the verge of cutting it out. I was like, ‘it’s too on the nose, you’re just shamelessly stealing from the greatest movie of all time.’ But I kept it and I was glad I did because when we started screening it, people loved it, they loved being able to see those references and make those connections. The Conjuring movies are always these love letters to horror movies. You look at the first one, you can see so much of The Changeling in it, other horror movies as well. I think it does that with great love.”

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The Psycho thread continues as David awakens to thrashing noises at his bedroom door. He flees into the bathroom, hides in the tub, and looks up to see an inhuman hand gripping the curtain rail. Oh, David, you’re never safe in the bathroom. Blood explodes out of the showerhead, sending David into hysterics. Julian Hilliard’s grounded performance as David is a huge boon to the horror of the movie’s first eleven minutes, which should come as no surprise given the young actor’s great turns in The Haunting of Hill House, Color Out of Space, and WandaVision just to name a few. “Julian is amazing. He’s a superstar,” Chaves said. “He came incredibly prepared and he’s a really smart young kid. He really knows the script just as well as any of the adult actors, and also understands it. It’s not just knowing your lines, knowing when you’re gonna make a demonic scream or something, it’s really understanding the material. Someone asked ‘what is it like directing kids?’ It’s very easy if you get the right one, I think that was the biggest thing with Julian. I really lucked out with that little guy.”

The adults downstairs hear the commotion in the bathroom and rush to David’s aid, but when they get there, it appears that David’s gone… until his shadow comes into view and he rushes his dad with a knife. Ed manages to pull David away and Father Gordon suggests driving him to the church to perform the exorcism. But the massive slash marks David leaves on the wall as Ed carries him downstairs make it clear: the exorcism needs to happen here and now. Ed gets David onto the dining room table and Lorraine begins to pray over him. The demonic activity sends plates flying and debris swirling into the air, knocking Drew the camera guy’s (another Conjuring cameo) camera over in front of the TV, creating an endless funhouse hallway on the screen. This image seems like it will recur later in the movie, based on the trailer.

As Lorraine prays, she’s blasted by psychic flashes of occult ritual and imagery. These images hint at the role of one of the film’s antagonists, The Occultist (Eugenie Bondurant), who was revealed in the trailer (the same trailer in which Lorraine suggests the Glatzel family may have been cursed). Chaves was reluctant to go into much detail on what role, if any, The Occultist has in David’s possession, but did say the film positions her as a shadow version of Lorraine.

“The idea is that Lorraine is the ultimate receiver. There’s that moment [in the opening scene] of the camera falling over and looking into the TV. Growing up with a camcorder, that was something I would endlessly entertain myself with, pointing a direct feed into the TV, that endless loop of a signal into a receiver. The idea of a really powerful receiver and a really powerful broadcaster was one of the ideas in [The Devil Made Me Do It]: what happens when Lorraine meets her match? What happens when she meets someone who is just as powerful and talented as her? An ‘anti-Lorraine.’ So she has to face that. We play with a lot of mirrors in the movie. Lorraine has the ‘anti-Lorraine’, that dark devil there. Arne and Debbie Glatzel, their relationship kind of mirrors the Warrens’ relationship, and we can see the Warrens at a certain stage in their life, and then this young couple kind of at the beginning of their relationship. There’s also another situation/character in the story which kind of mirrors what the Warrens have with their artifact room. The idea’s to flip things on its head, to see the darker side. What happens when the Warrens get it wrong?” A more evil version of the Warrens’ artifact room sounds like an absolute disaster waiting to happen, but Chaves didn’t say more about what to expect from that.

Julian Hilliard as David Glatzel in New Line Cinema’s horror film The Conjuring: The Devil Made Me Do It. (Photo: Warner Bros.)
Julian Hilliard as David Glatzel in New Line Cinema’s horror film The Conjuring: The Devil Made Me Do It. (Photo: Warner Bros.)

In the footage’s most visceral moment, the demon contorts David’s body into horrific, painful configurations, the pretzel-like quality of which is pretty gruesome. Chaves revealed this moment was brought to life with the help of 12-year-old contortionist Emerald Wulf, who appeared on America’s Got Talent last year. “That’s all in-camera and it’s not sped up at all,” said Chaves. “We did have CG in that we did face replacement, but there is no wire work, that’s all her just doing it. What’s crazy is that’s at speed. The plan was she was gonna do this slow rise up and we did a couple takes like that, and then I was asked Emerald ‘can you do that any different?’ And she was like ‘I could do a really fast version’ and she did it and you could just hear [the crew] trying to like keep their lunch in because it was just so unnerving. And Patrick [Wilson] and Vera [Farmiga]’s honest reaction [is in] there when they’re looking at her.”

It’s at this point that Arne confronts the demon, calling it a coward and telling it to leave David alone. As Ed admonishes Arne for speaking to the demon, David leaps onto Ed’s chest and, in a voice not his own, growls “I’ll stop your heart, old man!” Sure enough, Ed begins to suffer a heart attack and collapses onto the floor. Arne ignores Ed’s advice, grabs David, and bargains with the demon: “leave him alone and take me.” That’s a deal the demon seems willing to accept. David stabilizes and Arne’s eyes gloss over as the entity enters his body. Ed sees all this happen, but his seizing heart keeps him from saying anything in the moment. At this point, the image freezes (in grand Conjuring opening scene fashion) and on-screen text sets up the fallout of this exorcism about to be explored, promising the events that follow “led Ed and Lorraine to the most sinister discovery of their career.”

The Conjuring: The Devil Made Me Do It’s first eleven minutes make it clear that the characters involved in this botched exorcism will face major repercussions, physically and spiritually. “The Warrens kind of have to realign what their assumptions are. I think that’s always important when you’re dealing with faith. Sometimes you have to question the things that you first assume. They go into [the exorcism], they make an assumption of what they’re dealing with, then they’re proven wrong and they have to face those consequences. Ed really did have a heart attack in the ‘80s and it was debilitating, it left him in a wheelchair for a period of time and that’s something that you’ll see.”

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But it wasn’t the Warrens, the Glatzels, or Arne Johnson who paid the dearest price in this case. Unlike other Conjuring films up to this point, the alleged possession that took place had fatal results for a man, Johnson’s landlord, Alan Bono, who was murdered by Johnson in the days after David’s exorcism. The trial that followed, in which Johnson became the first person in American history to claim demonic possession as a defense in court, serves as the main plot of The Devil Made Me Do. Chaves spoke at length about how acutely aware he is of the sensitive nature of the film’s story but hopes that aligning it with the beliefs of those involved is enough to keep the film’s moral head above water. “Honestly, when I got the script, as excited to do this movie as I was, I was also conflicted by the fact that there’s a real victim, there’s a man who lost his life and we’re not even telling it from that point of view, we’re telling it from the point of view of the man who claimed to be possessed, the man who took his life, the murderer,” Chaves said.

“That was something from the very beginning I [hoped to get] right and I hope I tell that story fairly because I don’t think you can downplay that at all. You can look up [the trial] on Wikipedia and you can see how [it] turned out, what actually happened to [Johnson]. He never denied murdering [his landlord] and justice ultimately was served. He went to jail and he served his time and that was also one of the things that I definitely wanted to show in the film, that wherever you stand on this, whatever your belief is, our courts worked, our system worked, and justice was served,” Chaves said.

“But ultimately, this is a Conjuring film, the story of the Warrens and their experience and their journey. They believe this happened, they believed in Arne Johnson so much, they put their careers on the line, went to trial, and testified for him. So [Conjuring films] are always stories about faith. Usually, they’re stories about our faith in God or the characters’ faith in God, and in [The Devil Made Me Do It], I think it’s much more about the faith we put in other people. Just like [Johnson’s] girlfriend at the time, Debbie Glatzel, who is the sister to David Glatzel, she was there and she testified on his behalf and she married him in jail, she stayed with him her entire life, she believed him, she stuck by him. When I was looking at this, I have struggled to decide what I believe, what actually happened, but what I decided is my belief needs to take a backseat to their story, and ultimately, it’s the story of their faith and the faith they put in each other.”

(L-R) Patrick Wilson, director Michael Chaves, and Vera Farmiga on the set of The Conjuring: The Devil Made Me Do It. (Photo: Warner Bros.)
(L-R) Patrick Wilson, director Michael Chaves, and Vera Farmiga on the set of The Conjuring: The Devil Made Me Do It. (Photo: Warner Bros.)

The Conjuring: The Devil Made Me Do It premieres on HBO Max and in theaters on June 4, 2021.