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The first trailer for the Disney+ show WandaVision premiered Sunday during the 72nd Emmy Awards. The video did not show a release date for the show, but speculation online suggested it might debut on October 30, the same day as The Mandalorian Season 2.

However, we have now confirmed with Disney that this is not the case. WandaVision is slated to premiere in 2020, but the date will not be October 30, a spokesperson told us.

Other reports circulating suggest that WandaVision will debut on the streaming service in December, which seems more likely.

Elizabeth Olsen (Wanda) and Paul Bettany (Vision) return to play their characters in the series, which is the first new Marvel TV show for Disney+. The show’s official description states that WandaVision will “blend of classic television and the Marvel Cinematic Universe.”

Wanda and Vision are superheroes living idealized suburban lives, but, as you might have guessed, not everything is what it seems. Check out the first trailer here.

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Will Smith might not be doing much acting during the COVID-19 pandemic, but now he’s found a new gig–he’s signed up as an Airbnb host for guests who want to stay in the iconic Fresh Prince Of Bel-Air mansion. Sadly the mansion won’t be a long-term accommodation option on the booking site, but some fans are about to have an amazing stay, as reported by TMZ.

The Airbnb collab was created as a celebration of the 30th anniversary of the Fresh Prince of Bel-Air, the show that launched Will Smith’s career. While Smith doesn’t actually own the mansion, he’s teamed up with the people who do to offer a stay in a private wing of the house on Airbnb. The house was used for exterior shots for the show, while interiors were shot on studio sets.

“Ready for the freshest staycation ever?” the Airbnb listing reads. “If this place looks familiar that’s because it’s just as fly as it was when I first rolled up the driveway. I’m back. And this time, I’m handing you the keys so you’ll have my wing of the mansion all to yourself – but my sneaker collection is off limits, aight?”

The stays were offered as single nights only, for $30 a pop. All of them have now been redeemed, with no vacancies listed on the Airbnb page (though it can’t hurt to check again, right?). Due to COVID-19, no travelling was allowed for this stay–it was only opened to residents of LA County.

Airbnb will be making a one-time donation to the Boys & Girls Clubs of Philadelphia to mark the event.

If you missed out on staying in the Fresh Prince mansion, there’s still more in store for fans of the show in 2020. Will Smith recently teased a reunion episode that was filmed earlier in September, due to air around Thanksgiving. Smith is also collaborating on Bel-Air, a series reboot of the Fresh Prince based on a YouTube video.

While this year’s Emmy Awards were held remotely to protect the safety of those attending, the producers also decided to have a little fun with it, sending people out to deliver awards in Emmy-branded tuxedo hazmat suits. These suited helpers weren’t just sent to the winners, however–nominees who didn’t take a prize home had to watch their trophy literally walk away.

In a move that seems almost too cruel, some Emmy nominees had to watch fake Emmys being taken away from them after losing to another nominee. A video of this process was shared by Ramy Youssef, after losing in the lead actor in a comedy series category to Schitt’s Creek’s Eugene Levy.

Another video shows the cast of Insecure collected together, watching as another hazmat-suited person walks away with the award they didn’t win.

Other videos from the awards night show people in these same outfits delivering Emmys to their actual winners, including one person who was sent all the way to Canada to deliver an astounding seven trophies to the Schitt’s Creek cast and crew.

With winners scattered across the world, there wasn’t a suited staff member at every Emmy nominee’s house, however–Watchmen’s Emmy-winning writer Damon Lindelof revealed that he believed they had lost the category as he couldn’t see a hazmat-suited person anywhere near his house.

Check out the full list of winners from the 2020 Emmys here.

The wide release of Tenet into US cinemas has been looked to as a test case for whether cinemas can resume some level of normal business amid the COVID-19 pandemic, and in its third weekend, things aren’t looking so good. The LA Times reports that the film earned $4.7 million over the September 18-20 weekend, and while this is only a 26% drop, the film is still underperforming domestically–especially with no major releases planned for the rest of the month.

These numbers can partly be attributed to the fact that cinemas in California and New York largely remain closed–80% across California have not reopened yet–but they’re still lower than Warner Bros., and cinema chains, were likely expecting. The film has made a disappointing $36.1 million in the US so far, despite getting off to what was viewed as a strong start.

The film’s underperformance is likely the reason why Wonder Woman 1984, also from Warner Bros., has been pushed back until December.

Internationally, the picture is slightly brighter–the film has made $239 million, according to Box Office Mojo–but the $200 million film will likely not recoup its costs in theatres after marketing is factored in. Internationally, Tenet is the fifth highest grossing film of the year so far, behind Doolittle ($245.6 million).

This has created an issue for many cinema chains around the country–after reopening for Tenet, they now find themselves underperforming while also needing to pay for the costs of keeping a cinema open.

The next major cinema release for 2020 is Death on the Nile, coming October 23. Marvel’s Black Widow is scheduled for a November 6 release, but a delay is expected.

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New Releases highlights some of the hottest games launching each week, and this one is home to the much-anticipated Mafia: Definitive Edition. That’s not the only re-release we’re getting either, thanks to RollerCoaster Tycoon 3: Complete Edition. The action continues with Serious Sam 4 and Going Under, plus the console release of Rebel Galaxy Outlaw.

Rebel Galaxy Outlaw — September 22

Available on: PS4, Xbox One, PC, Switch

Now that its Epic Games Store exclusivity is over, Rebel Galaxy Outlaw is headed to PS4, Xbox One, Switch, and Steam this week. This space combat game sees pilot Juno sitting down with all sorts of aliens. Carry out jobs for them, and you’ll be able to pay for sweet new weapons and gear for your ship.

More Rebel Galaxy Outlaw Coverage:

Serious Sam 4 — September 24

Available on: PC, Stadia

Despite the numbering in the name, this is actually a prequel to the Serious Sam series, with Sam defending earth from alien invaders. You’ll be facing tons of enemies on screen at once, from giant tentacled monsters to headless screaming men. You can take them down with a variety of weapons, from the classic cannon to a new auto shotgun.

More Serious Sam Coverage:

Going Under — September 24

Available on: PS4, Xbox One, PC, Switch

Going Under is startup culture plus dungeon crawling. Yes, really–you’re an unpaid intern sent into the sprawling dungeon beneath your company to battle bad guys and bosses. Expect to come across a bunch of modern-day tech tropes, like dating apps and cryptocurrencies as you explore.

More Going Under Coverage:

RollerCoaster Tycoon 3: Complete Edition — September 24

Available on: PC, Switch

If you’re unfamiliar with the RollerCoaster Tycoon series, it lets you design your own theme park, letting you get your hands on everything from concession prices to ride design. Of course, you can ride all the sick coasters and other attractions too. Complete Edition includes the original 2004 game and its two expansions, which add waterpark and safari options.

More RollerCoaster Tycoon 3: Complete Edition Coverage:

Mafia: Definitive Edition — September 25

Available on: PS4, Xbox One, PC

Mafia: Definitive Edition isn’t just a remaster–the game has been totally remade from the ground up. It also has new story content, so those of you who played the original back in the day are still in for some surprises. Definitive Edition can also be experienced in 4K if you’ve got the hardware for it.

More Mafia: Definitive Edition Coverage:

Next week, New Releases will start covering the biggest games coming in October. The new month start off with a triple threat of Super Mario Bros. 35, Crash Bandicoot 4: It’s About Time, and Star Wars: Squadrons.

The beloved Christmas comedy Elf was a gigantic success at the box office and it remains a hit around the holidays. But a sequel was never made. Actor James Caan, who starred in the film as the father of Will Ferrell’s Buddy the elf has now explained why that may be.

Caan said on Cleveland’s 92.3 The Fan (via TooFab) that plans were in place for a sequel, but it fell apart due in part to a reported clash between Ferrell and director Jon Favreau.

“We were gonna do it. And I thought, ‘Oh my god, I finally got a franchise movie, I can make some money,'” Caan explained. “The director and Will didn’t get along very well. Will wanted to do it … and he didn’t want that director, and he had it in his contract. It was one of those things. It’s too bad.”

Caan also elaborated about how he became attached to the movie in the first place. He is better known for his more serious roles in The Godfather and Misery, and he was initially skeptical when Ferrell called him about joining Elf. He bluntly said to Ferrell, “I am not doing a picture called Elf.”

However, Caan came around after the producers agreed to change the name on his scripts to Elk instead of Elf. In the end, Caan said it was great fun working on Elf, and with Ferrell in particular.

Favreau, who would go on to direct Iron Man and kick off the MCU in 2008, was not originally attached to direct Elf, and he didn’t like the sound of it from the start. For the film’s 10th anniversary in 2013, Favreau told Rolling Stone that he “wasn’t particularly interested” in the movie after reading the script, which was “much darker” than what was eventually shot.

After he re-wrote the script, Elf became a PG movie where it was previously envisioned as a PG-13 film. “He was a darker character in the script I had read originally. The character became a bit more innocent, and the world became more of a pastiche of the Rankin/Bass films. The studio [New Line] read it and agreed to make it, and that’s when I was brought on to direct,” Favreau said.

Elf was Ferrell’s first solo movie after leaving Saturday Night Live. The movie also starred Zooey Deschanel, Edward Asner, Peter Dinklage, Bob Newhart, and Mary Steenburgen.

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