Here’s How Jumanji: The Next Level Pulled Off Its Most Ridiculous Scene

The time has come. Jumanji: The Next Level is now available on digital release, allowing you to relive the antics of Dr. Bravestone (Dwayne Johnson), Ruby Roundhouse (Karen Gillan), and the rest of the Jumanji gang in the sequel to the 2017 film. The physical release of the film on DVD, Blu-ray, and 4K comes March 17.

Whether you plan on picking up the digital copy now or a physical version when it’s released, there is a plethora of special features you’ll be able to get your hands on, including the featurette below that looks at one of the most over-the-top and utterly ridiculous scenes in the film.

Early on in Jumanji 2, Bravestone and his cohorts end up on the run from, of all things, an army of wild ostriches. The scene includes some wild dune buggy action throughout a desert that oftentimes looks unreal. However, as writer/director Jake Kasdan explained, that’s simply not the case.

“That scene has a tremendous amount of real stuff in it,” he said. “They’re real people, they’re really in the desert, they’re really racing those cars around. And I think that it has that visceral reality to it that you can only get by going out there and racing cars around.”

Of course, it’s not Johnson and the rest of his cast driving over the dunes. These scenes were filmed in California, while the cast was shooting the rest of the movie in Hawaii. The only solution was to ship dune buggies and a massive rig to flip them around over to where production was being held. The end result is some very fun footage in the clip above, showing the cast tumbling around and flipping upside down in front of a blue screen, which was then inserted into the desert footage.

This is just a small example of the extra footage you can see on the home release of Jumanji: The Next Level. Take a look at the breakdown of what featurettes are included in the various versions below.

Blu-ray/Digital release:

  • Gag Reel
  • Rhys Darby Wants To Jingle
  • Body Swapping: Snapping Into Character
  • Back Together: Reuniting the Cast
  • Level Up: Making Jumanji: The Next Level
  • Scene Breakdown: Ostrich Chase
  • Scene Breakdown: Mandrill Bridges
  • Awkwafina: Cat Burglar
  • NPC Confessions: Jurgen The Brutal
  • Grow Up
  • Telenovela
  • VFX Pre-Vis: Zeppelin Battle
  • VFX Pre-Vis: Ostrich Chase
  • AR Game

DVD release:

  • Body Swapping: Snapping Into Character
  • Back Together: Reuniting the Cast
  • Level Up: Making Jumanji: The Next Level

Jumanji: The Next Level is available digitally now. It hits Blu-ray, 4K HDR and DVD on March 17.

Now Playing: Jumanji 2 Exclusive: Creating The Movie’s Most Ridiculous Scene

How Pixar’s Onward Tells Studio’s Most Personal Story Yet

When a new Pixar movie arrives in theaters, chances are you’re going to see it expecting to be devastated. Whether it’s the life-long journey of a group of toys in the Toy Story franchise, the decimation of Earth at the hands of humans in Wall-E, or an old man finding new life in Up, Pixar tends to find a way to entertain mass audiences with colorful and exciting adventures, while also addressing emotionally complex issues that many will face throughout their lifetime.

That’s a trend that continues in the studio’s newest release, Onward. The film stars Tom Holland and Chris Pratt as a pair of brothers on a magical quest through their fantasy-inspired world. In this particular corner of the Pixar universe, magic once existed but has been largely forgotten by most. Now, the world is populated by elves, minotaurs, unicorns, and a long list of other fantasy characters just trying to get by in a largely modern world. That’s just the place-setting for the film, though. At its core, Onward is about life after losing a parent.

In the film, Holland’s Ian–a teen elf–has no memories of his father, who died when he was a baby. Meanwhile, Pratt’s character–Ian’s older brother Barley–has a few fond memories of his dad he hangs onto for dear life. Then, one day, they realize there’s a magical way to bring him back for a 24-hour period. It’s this possibility that drives their adventure, the opportunity to see their dad once more–or for Ian, for the first time.

It’s a story that hits incredibly close to home for director Dan Scanlon, who admitted the tale is inspired by his own life. “Much like the characters in the movie, my father passed away when I was about a year old and my brother was three,” he explained during a press conference for the film. “So as you can imagine, we don’t remember him at all. But we always wondered who he was and how we were like him. And I think that question became the seed of Onward.”

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Speaking briefly at a press screening of the movie, Scanlon revealed that he and his brother didn’t even have memories of what their dad’s voice sounded like. “We’d seen home movies but, for those of you my age, everything wasn’t constantly videotaped back in those days. So what we had didn’t have sound. So my brother and I didn’t hear our father speak and didn’t think we ever would.”

That all changed when Scanlon’s aunt and uncle sent them a cassette tape, recorded shortly before his parents were married in 1970. “For my brother and I, who were teenagers at the time, this was like magic. This was amazing for us,” the director said.

On the tape, their dad only utters the words “hi” and “goodbye.” However, as Scanlon noted, “It was a really wonderful thing for us.” What’s more, it sparked the idea that led to Onward. In the film, Ian and Barley also have a recording of their father’s voice. It’s one Ian has memorized to the point of being able to pretend he’s having a conversation with it. Going one step further, though, the brothers also accidentally conjure up their dad’s legs, which sets them on the adventure to figure out how to conjure the rest.

“We needed a way in which this father could come back to life, you know? That was really the reason behind the magic,” Scanlon said during the press conference. “We could have done a version where–and even considered one where–the boys were scientists who build a machine that brought dad back. Magic just felt more romanticized.”

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Ultimately, it’s a very human story set against a fantastic backdrop. When you lose a parent, you’d do almost anything for one more day with them. For his part, Scanlon would want nothing more than “spending a day just talking and just walking around and also letting them know what a phenomenal job my mother did raising us and how she gave us everything we could have ever wanted.”

While that’s not a possibility, there is a bigger message the director hopes viewers take away from Onward, and it’s told in the story between the two brothers. While they both long for their dad, ultimately they have each other and their mother.

“I think it’s a film about support and the people that go above and beyond in our lives to help us become the people we are today,” he said. “And so it’s absolutely about walking out of that theater and thinking, ‘Who are those people in my life?’ And they don’t necessarily have to be family members, a lot of times their friends or teachers. And I would go one step further: How can you be that for someone else?”

Onward hits theaters on March 6.

Now Playing: Disney Pixar’s Onward – Official Trailer

Bloodstained’s $5 Million Stretch Goal Has Been Canceled

Bloodstained: Ritual of the Night will no longer be getting a new rougelike mode, despite being a reward for a stretch goal that was met during the project’s initial Kickstarter funding run.

In an update on the Kickstarter page Jason Ryan, senior community manager at publisher 505 Games, explained explained that the mode was simply not possible anymore due to due to incompatibility with some of Bloodstained’s coding. “Unfortunately, the code that was created early in the game’s development is not currently compatible with this type of gameplay (especially a procedurally generated castle),” writes Ryan. “Due to this, we regret to announce that we will not be developing Roguelike as part of the project’s planned stretch goals.”

Instead of a roguelike mode, Bloodstained will be getting a Randomizer that attempts to bridge the gap by introducing some elements that would’ve been included. This mode will change up the locations of items, randomize where save points and warp rooms are, and change which boss ultimately ends the game. Up to eight parameters can be edited before starting a new campaign to create a unique run, which can then be shared with other players via a generated seed that can be used to spin up custom games.

This new mode will be included in the upcoming Zangetsu patch, which will also introduce a new main character to play as. Although it was previously thought to also include another mode called Boss Revenge, 505 Games has stated that this was previously communicated in error and that this content will ship at a later date.

Although it is disappointing that backers are missing out on a promised feature, this spiritual sequel to Symphony of the Night still has a lot to offer. In our 8/10 review for Bloodstained: Ritual of the Night, critic Steve Watts praised its smart design, saying, “With more flexible combat and level design that always beckons to check just one more room, Bloodstained shows that a modern Metroidvania can stand alongside its predecessors as an equal.”

Now Playing: Bloodstained: Ritual of the Night – Gameplay On Nintendo Switch

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7 Big Questions About Doctor Who’s Game-Changing Finale

Full spoilers follow for the Doctor Who Season 12 finale, “The Timeless Children.”

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After the world saw the Doctor Who Series 12 finale, “The Timeless Children” – in which we learned a great deal we never knew before about the truth behind the development of the Time Lord power of regeneration on Gallifrey, and the related mystery of the Timeless Child (AKA, the Doctor) – Internet fandom went predictably, gloriously mad. Out of all of that craziness, we thought we’d focus on a number of continuity-related questions that have been coming up again and again, as fans try to reconcile these new facts about the formative years of the Time Lords with everything else we’ve ever seen in the show’s 57-year history. We also thought we’d try to provide answers to those questions – if not definitive ones, at least possible theories that might help to smooth over the rough edges. It’s early days yet, of course, and we’re all still reeling from the wonderful insanity of that game-changing episode, but we hope that this might help to process some of it. After all, we’re all in this together.

Without further ado, here are seven of the most frequently asked questions right now about how the information in “The Timeless Children” does or does not match with what went before, as well as some issues of plot and character, and our suggested theories!

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Doctor Who Finale: Questions, Answers and Theories

1) Why did the Time Lords need to give Matt Smith’s Doctor a new regeneration cycle in “Time of the Doctor?”

Since we now know that the Doctor is the Timeless Child, a being with a perpetual ability to regenerate that enabled Tecteun and the other founding Time Lords to grant themselves that power via artificial means derived from the Timeless Child’s genetics, why would the Doctor need to be given another regeneration cycle? Surely he wouldn’t have actually run out of regenerations after all?

As with many of these things, this is only a question if you assume that everything you’ve ever known in Doctor Who is absolutely immutable with no possibility of variance or flexibility. Since much of the Doctor’s pre-Hartnell life is still very murky, and since we don’t know the circumstances under which the Doctor was mind-wiped and reset in order to obscure their time in the Division, it’s just as possible that the cycle of TV Doctors from Hartnell on were specifically engineered and therefore limited as with the other Time Lords’ 12-regeneration, 13-body cycles. Basically, how do we know that eventually the Timeless Child wasn’t robbed of its perpetual regenerative ability and turned into “just another Time Lord,” at least for a while? And who’s to say the Doctor isn’t now back to full Timeless Child mode? As with most things in this show, time will tell…it always does.

2) Where did all the humans go?

We were told that all the humans fleeing the Cyber Wars escaped through the Boundary, but clearly none of them made it to Gallifrey, and we don’t know where else that spatio-temporal or dimensional gateway may have led over the years. In modern parlance, this is a huge “plot hole” (which is what some people call anything in a story that isn’t spelled out to their satisfaction, even if it’s deliberately left open for future exploration and therefore is not really a “plot hole” at all), but the question remains: Where are the people?

No answer for this one; this is surely a deliberately designed dangling plot thread to be picked up down the road. Unless it’s not, in which case, how about this: The future humans all scattered into the past, reintegrated into various times in human history, and we’ll leave it there unless told otherwise. The Doctor kind of does that with their future friends when she drops them off with Yaz, Ryan, and Graham in the 21st century, so maybe that’s a George Lucas kind of clue – it’s like poetry, it rhymes.

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3) What was the deal with Brendan in “Ascension of the Cybermen”?

This one really was answered directly in “The Timeless Children,” but in the massive wave of revelations happening in that episode, it’s not too surprising that people might have missed it. The Master explains that in the vast swath of missing data in the Matrix that would have shed light on the Doctor’s pre-Hartnell life as a Division operative, material was redacted and further obscured by hiding it under a visual perception filter of sorts, making it appear to be mundane recordings of a guy growing up in Ireland. So in other words, the Brendan sequence can be seen as a sort of visual cloak hiding the way in which the Timeless Child was pressed into service by the Division (like the police department Brendan joined) then forcibly mind-wiped at the end of a regeneration/incarnation. Also, it mirrors the story the Master told us about the Timeless Child’s first death, in which both the Child and Brendan fall off a cliff.

4) If the Timeless Child is not Gallifreyan, how does the Doctor have two hearts?

Again, this is one of those questions that only exists because fans of the most imaginative series in television history aren’t exercising their own imagination just a bit more (but hey, it’s a lot to mull over, so we’ll help). This question seems to be based on the idea that if the Timeless Child is from some other race, and we know that Gallifreyans/Time Lords have two hearts, it’s therefore a coincidence that the Timeless Child/Doctor has two hearts too. But it’s really not.

There are a multitude of possibilities here, so take your pick. One, it’s exactly that, a coincidence, and both races – whatever the Timeless Child is, and the Shobogans of Gallifrey – have two hearts. Two, the genetic experiments Tecteun conducted to derive regeneration from the Timeless Child altered the Time Lords to have two hearts too. Three, the Timeless Child didn’t have two hearts originally, but when the Time Lords used the Chameleon Arch on the pre-Hartnell Doctor to mind-wipe and reset a regenerative cycle, it also altered the physiology. Four…actually, come up with your own here. This isn’t a problem at all, it’s science fiction!

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5) Surely the Master didn’t die for good this time?

Oh, of course not, why would you even think that? But if you did indeed wonder whether this time around, the Master may have truly met his end alongside his beautifully-designed Cyber-Time Lords, rest assured the episode actually had a clue to their survival in those explosive final moments, although apparently a lot of us (myself included) missed it. When the Death Particle is activated, you can hear Sacha Dhawan’s Master shouting “All of you, through here, now!” Presumably, the Master and at least some of his clockwork-motif minions managed to make it into a spare TARDIS (there were a lot of them laying around at the end of the episode), which means they will surely return one day soon.

6) How did the Judoon get inside the TARDIS? And will it connect to Revolution of the Daleks?

At the end of “The Timeless Children,” just in time to set up the seasonal special coming later this year (or perhaps New Year’s 2021) called Revolution of the Daleks, a Judoon “cold case” squad turns up in the TARDIS and takes the Doctor into custody. But wait, how did they get in there? In fact, how is it that lately the integrity of the TARDIS’ previously impregnable interior has been somewhat lacking?

The TARDIS has gone through a number of traumas over the years, and given that it is more than just a machine but a sentient being that often goes not where it’s told but where it believes the Doctor needs to be, and is also capable of seeing into the future in order to make that determination, there’s therefore a lot of leeway as to its behavior at any given point. For all we know, the TARDIS drops its defenses when it knows that the Doctor will need to get involved in an adventure later on, and whatever is going to happen in the next story may only be facilitated by the Judoon getting into the TARDIS and taking the Doctor out, which the TARDIS may have predicted. Well, that’s better than treating it like a mistake, right?

doctor-who-timeless-children7) This is the big one – where is the Timeless Child/Doctor from?

Ah, this one has no answer right now. After all, it’s simply a refreshed and restated version of the question that has always been right there at the very core of the series itself, part of what drives us all to be fascinated by that mysterious heroic time traveler and her journeys through space and time…

Doctor Who?

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Find Arnold T. Blumberg on Twitter at @DoctoroftheDead.

Researchers Discover Ultrasonic Waves Can Be Used to Hack Modern Phones

Washington University Researchers have discovered that voice assistant programs like Siri can be hacked with ultrasonic sound waves that go undetected by human ears – but you probably won’t have to worry about it too much.

Those same researchers say the environment required to make this possible is very specific and not likely to be found in everyday life. The researchers presented their findings on the Siri and Google Assistant-backed phone hack at the Network and Distributed System Security Symposium on Feb. 24. Their findings report is nearly 20 pages long, but the team published a summary on the Washington University website shortly after the symposium.

The hack involves a series of pieces of equipment sending inaudible waves – which can still be picked up by most phone voice assistants – to a phone on the same table, and activating various functions of the phone, from taking selfies to reading out passwords or authentication codes in texts. 15 of 17 phones tested were vulnerable to this technique.

“We did it on metal,” assistant professor of computer science and engineering at the McKelvey School of Engineering Ning Zhang said. “We did it on glass. We did it on wood. It still worked. We want to raise awareness of such a threat. I want everybody in the public to know this.”

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The conclusion reached by the researchers was that Siri and Google Assistant listen to sound frequencies much higher and lower than that of the human voice and when hit with ultrasonic waves in specific conditions, the programs will interpret such waves as a human voice.

Zhang and fellow researchers created a number of scenarios to use the method to steal information through Siri and Google Assistant. Each scenario included an ultrasonic wave generator, a hidden microphone used to listen to the program’s response, a piezoelectric transducer (which turns electrical signals into physical ones), and software capable of producing the necessary ultrasonic wave.

Thankfully, you can already see how unlikely it is that someone would be able to do this in public. Researchers found that softer materials failed to conduct the signal of the ultrasonic wave rendering the scenario a failure, so if you’re worried about this happening to you, just keep your phone on a napkin or in your pocket.

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Zhang has said that it’s unlikely this method of hacking will be used commonly: “I don’t think we will see such an attack a lot in common places, but probably used for a more targeted attack.”

Scientists recently discovered that we’re receiving wave signals from extragalactic space in an unexplained pattern, although these signals are radio and not ultrasonic. Scientists also discovered that the way we thought the brain processed movies might be false. For more science news, check out this story about dinosaur DNA remarkably preserved in a 75 million-year-old fossil. And while you’re at, check out how scientists created a bionic moon jellyfish recently.

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Wesley LeBlanc is a freelance news writer and guide maker for IGN. You can follow him on Twitter @LeBlancWes

Into The Spider-verse’s Producers’ New Project, Connected, Releases First Hilarious Trailer

The first trailer for Sony Animation’s Connected is out and reveals a comedic, pug-accompanied, genre-bending tale about a family road trip and…a robot uprising? Mike Rianda, best known for his work on Gravity Falls, directed and co-wrote the script with Jeff Rowe. Spider-Man: Into the Spider-Verse alumni Phil Lord and Chris Miller also produced the project.

Connected tells the story of the Mitchell family, who embark on a seemingly normal cross-country journey. The father, Rick, feels disconnected to his grown daughter, Katie, and under the encouragement of mom Linda, cancels her solo plane ticket to college. He instead packs the entire family, including an adorable pug named Mochi and the younger brother, Aaron, in a van. Sending Katie off to university with a road trip, he hopes to spend more time with her before she’s truly out of the house. Unexpectedly, they end up caught in the crosshairs of a surprise robot insurgency.

Speaking to Entertainment Weekly, Rianda commented, “I tried to think about the two things that I loved the most, which was my crazy family…and also killer robots. [Connected] is sort of a love letter to our imperfect human world, where it’s lovingly done but everything is kind of rumbly and a little bit wobbly. We wanted to show those imperfections, and we wanted to show them lovingly.”

Danny McBride voices Rick and Broad City’s Abbi Jacobson voices his daughter, Katie. Eric Andre is in the mix as well, lending his voice to robot inventor, Mark Bowman.

Connected will be out in theaters on September 18.

Ranking the Batman Movies

The sky is blue, water is wet, and everybody loves Batman. It’s a fact of life.

With a new cinematic Batman now in the works in Matt Reeves and Robert Pattinson’s The Batman, we thought there would be no better time than to reflect on the Dark Knight’s big-screen adventures.

He’s had a wide variety of theatrically-released adventures going back all the way to 1966 – some of them better than others – and during that time Batman has proved to be a Hollywood constant that can bounce back from anything, be it the breaking of his back or rubber nipples. The Dark Knight’s legacy onscreen will surely continue on long past the rest of us.

Keep in mind that this list includes only feature-film, theatrical releases in which Batman is a central figure, which means the old movie serials and direct-to-DVD animated releases don’t meet the criteria, nor do movies like Suicide Squad or The LEGO Movie. But that said, read on for IGN’s ranking of the Batman movies!

Note: This is an update to our original Ranking the Batman Movies story.

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12. Justice League

justice-league-batmanIn what should’ve been Warner Bros.’ answer to Disney’s enormously popular Marvel Cinematic Universe, the first-ever big screen meet-up of DC’s premier superhero team mostly just fizzled out, featuring a slew of problems – on and off-screen – and just too little chemistry to really crackle. That being said, Ben Affleck’s Batman gets to have a little fun in this one, a stark contrast with his turn in Dawn of Justice (more on that in a minute), bantering with Alfred and even cracking one-liners in battle.

Unfortunately, the few moments that are memorable in Justice League don’t really involve the Caped Crusader. Still, there’s something to be said for getting to see Batman take down Parademons, arguably the most delightfully “comic booky” thing an onscreen Batman has ever done.

11. Batman v Superman: Dawn of Justice

batman-v-supermanIn many ways, Batman v Superman has a direct correlation to the movie that nearly killed big-screen Batman 20 years before it, Batman & Robin. Like B&R, Dawn of Justice is a gross miscalculation of what most viewers wanted from the Dark Knight on the big screen (it received the same audience-awarded CinemaScore as the Catwoman and Green Lantern movies). Except where Joel Schumacher went with camp and bat-nipples, Zack Snyder went grimdark with a Batman out for blood.

It’s a better movie, technically speaking, than Justice League, and it does lots of things right: Wonder Woman’s introduction is fun and there are some interesting questions raised about Superman’s place in the world. Even some of the heavy-handed Justice League cameos are a blast. But for watching Batman himself, it’s a purely joyless experience that leans into the biggest problems of its predecessor Man of Steel instead of course-correcting them.

10. Batman & Robin

batman-and-robinJoel Schumacher’s sequel that nearly destroyed the Batman movie franchise can’t be taken seriously, we can all agree. The Bat-skates, the Bat-credit card (expiration: “Forever”), Mr. Freeze’s campy ice-related one-liners, a neon Gotham City, and even shoddy cost-saving edits were just a few of the issues that plagued this disaster, and yet… it’s oddly enjoyable to watch? It’s not good by any metric, but we’d certainly be more likely to throw on Dawn of Justice over B&R on a rainy Saturday night.

Despite George Clooney being a convincing Bruce Wayne, he was unable to bring the duality that the role requires to be Batman. To be fair, the (few) scenes between a dying Alfred and Bruce are actually quite touching and would probably be remembered fondly if they existed within a different Batman movie. At least Schumacher himself has since admitted the movie was basically just a toy commercial. Respect.

9. Batman Forever

Batman-ForeverAfter Tim Burton left the Batman franchise following two wildly successful movies, Joel Schumacher took over, along with a new Dark Knight and a new direction. Gotham became less gothic and more like a perpetual nightclub, Val Kilmer put on the cape and cowl, and Robin was thrown in for good measure. Batman Forever is strange; in today’s Hollywood it would be considered a reboot, but back in 1995 it was expected to be the continuation of Tim Burton’s dark exploration of Gotham City and its inhabitants. We got a little of that, but mostly it was just wacky antics, new costumes, and Tommy Lee Jones doing his best Jack Nicholson impression.

At least Batman Forever is a sincere attempt to explore Bruce Wayne as a character, even if its end result is a confounding plot that involves Bruce kind of forgetting why he became the Dark Knight to begin with.

8. The Dark Knight Rises

the-dark-knight-risesThe ridiculously anticipated finale to Christopher Nolan’s massively popular Dark Knight Trilogy, The Dark Knight Rises shot for the stars with a larger scope than any Batman movie before it. While reactions were mixed to some of the choices in the movie, on a psychological level The Dark Knight Rises shows the resolve of the Bruce Wayne character on screen like never before. We get to see him do what his father had always told him he could – learn to pick himself up – and save the city he loves.

In a lot of ways, The Dark Knight Rises is more Batman Begins than it is The Dark Knight, bringing back a lot of elements from the first movie and making loads of callbacks. The Dark Knight Rises should be considered a great feat despite its shortcomings if only for being the first wildly connective Batman tale ever told on screen, working in tandem with its two predecessors to tell the story of Bruce Wayne’s time as the Dark Knight from beginning to end, while still reinforcing Nolan’s idea of Batman in the first place – to be a symbol of Gotham City, no matter who is under the mask.

7. Batman: The Movie

batman-66-villainsIn the ’60s, superheroes didn’t get bigger than Batman, thanks to the runaway success of the Adam West TV show. The movie that resulted was a Rogue’s Gallery roll call that featured the Dynamic Duo running around Gotham trying to stop a dastardly plot by the likes of The Joker, The Riddler, The Penguin, and Catwoman. Stopping an evil plan in the ’60s incarnation of Batman meant Shark Repellent Bat-Spray, being unable to rid oneself of a giant bomb, illogical riddle solving, and the seduction of Bruce Wayne by a disguised Catwoman.

It was campy, sure, but it was meant to be. While some die-hard Bat-fans might scoff at the idea of a silly incarnation of Batman (done on purpose, no less), the genius of the Adam West version was that it was not only a commentary on ’60s culture, but also the nature of Batman; he’s a character that’s meant to be adaptable to any story, as silly or as serious as can be.

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6. The LEGO Batman Movie

lego-batman-movieIn many ways the spiritual successor to the 1960s Batman, the LEGO Movie version of the Dark Knight proved so popular that he was spun-off into his own feature film to hilarious results. The LEGO Batman Movie is a film made for fans by fans, chockfull of deep-cut Easter eggs and callbacks to other big-screen versions of Batman (not to mention a cavalcade of other pop-culture references).

Yet despite all of the goofy fun contained within its 104-minute runtime, The LEGO Batman Movie still manages to distill the character down to the reason he’s endured for over 80 years: his absolute unwillingness to give up, even in the face of seemingly unconquerable odds.

5. Batman Returns

batman-returnsTim Burton’s Batman sequel took the “bigger and better” sequel mantra to heart, delivering a darker, scarier Gotham City and not one, but two iconic Batman rogues in The Penguin and Catwoman. While Batman does some… rather un-Batman like things in Returns, ultimately it’s more about the vibe and tone of the world that Burton creates.

There’s something about Gotham City at Christmas time that’s visually exciting, and Burton’s clear interest in his villains, as opposed to the titular Caped Crusader, gave us some truly memorable performances. A generation fell in love with Michelle Pfeiffer forever and realized how truly terrifying Oswald Cobblepot can be. It succeeds at showing how Batman’s rogues are a different side to the same coin as the Dark Knight, with the obvious shortcoming being that it comes at the expense of Batman himself.

4. Batman

batman-89This was the one that changed everything. By the time 1989 rolled around, the Superman franchise had sputtered to a halt after the abysmal Superman IV: The Quest for Peace and superhero flicks weren’t getting made. But Warner Bros. took a chance on a fresh director named Tim Burton, and his visual flair and love of villains turned Batman into a pop-culture/marketing phenomenon.

The movie was darker than any superhero movie had been before, and the grittiness of the Dark Knight revival in the ’80s with comics like The Dark Knight Returns and Year One were a clear influence, leaving Bat-fans happy and memories of the campy Adam West Batman in the rear-view mirror. Jack Nicholson added star presence to the film as Joker and created the most memorable movie villain since Darth Vader debuted over a decade earlier.

3. Batman: Mask of the Phantasm

Batman-Mask-of-the-PhantasmThe beloved Batman: The Animated Series was created in the wake of Burton’s Batman, pleasing fans of all ages. The one and only animated theatrical release based on the show, Mask of the Phantasm, remains one of the Dark Knight’s most stunning big-screen adventures and a fan-favorite.

In Mask of the Phantasm, Batman is wrongfully accused of the murders of mobsters in Gotham City as a result of a creepy new vigilante that’s running around. The entire tale gets woven into Bruce’s own history, his first love, and even the origin of the Joker (taking a cue from the Burton movie with the appearance of Jack Napier). It’s a dark and gothic tale of loss, love, and tragedy. The film was a bit edgier than The Animated Series was on TV, and is still one of the most potent tales of the Dark Knight depicted on the big screen or elsewhere.

2. Batman Begins

batman-beginsAfter the Batman & Robin debacle of 1997, Warner Bros. struggled to get the Batman franchise in motion again and suffered lots of stops and starts with various scripts and filmmakers. Finally, indie darling Christopher Nolan came along and everything fell into place. Telling the Batman origin in-depth for the first time onscreen, Nolan approached the Dark Knight with a hyper-realism that made audiences forget the buffoonery of the Schumacher era and embrace Gotham City once more.

With a grand cast, endearing performances, and just enough comic book geek-out moments (that Joker card!) to make the die-hard fans swoon, Batman Begins reinvigorated the character’s cinematic standing.

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1. The Dark Knight

the-dark-knightFollowing on the heels of Batman Begins, The Dark Knight quickly became one of the most hyped movies of the decade. Helped by its amazing viral marketing campaign, the sequel quickly took on legendary status as the summer’s most anticipated movie. Remarkably, it delivered beyond expectations.

Nolan’s middle chapter introduced the ultimate foil to Batman – Heath Ledger’s Joker – and depicted how the arrival of a masked vigilante affected Gotham City and its citizens. The Dark Knight is essentially Gordon’s speech about “escalation” at the end of Begins coming to fruition. Meanwhile, Bruce himself has to deal with what being Batman has forced him to sacrifice personally. It’s a well-rounded movie that takes multiple plot threads and seamlessly weaves them towards an intensely thrilling climax, resulting in what remains the ultimate big-screen Batman story.

For even more Bat-rankings, check out how we ranked the many movie Batsuits, what we think of the actors who have played Batman, and how we rank the live-action Bat-movie villains!

PUBG Mobile Update Adds Hardcore Mode And Amusement Park

Hardcore mode is back in the latest PUBG Mobile update today, giving you the chance to show off your small-screen skills. The mode is available in the game’s Arcade section, and several changes and additions have also arrived to Classic mode.

In Hardcore mode, the game is made much more challenging by removing sound prompts and making item pickups manual. This means you’ll need to stay much more aware of your surroundings and keep track of every entrance and exit in a building.

Among the biggest new features added to Classic mode is a death replay function, letting you see exactly how you died so you can better prepare for the next round. Universal Marks were added, as well, with doors, death crates, vehicles, locations, and supplies all available to mark alongside enemies.

A new air drop weapon called the DBS has been added. It’s a double-barrel shotgun that is extremely powerful at close range and uses 12 Gauge ammunition. It’s only available via air drop and holds two shots per magazine.

User-interface and accessibility changes have been added, as well, including teammate volume control and a colorblind mode that changes color options for in-game indicators like smoke and poison. For newer players, you can also register as a Rookie for Classic mode and have more experienced players guide you through your first matches to get a feel for the game.

PUBG Mobile is about to celebrate its second anniversary, and the game’s new Season 12 Royale Pass will arrive on March 9. Called “2gether We Play,” it features colorful gear and rewards. There will be an amusement park set up in the original Erangel map with special attractions on March 12.

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Stranger Things Season 4 Cast Get Ready For Script Read In New Video

Stranger Things Season 4 is currently in production and is expected to hit Netflix later this year. We’re unlikely to see a full trailer for many months, but that hasn’t stopped the streaming giant from releasing a variety of promotional material over the past few weeks. A new behind-the-scene video has now arrived.

The teaser is titled “The Table Read,” but fans expecting to actually hear some dialogue from the new season will be disappointed. The video instead shows the cast members gathering to read through the season’s scripts. While it doesn’t reveal anything about Season 4, it is still very cool to see the stars gathering to start work on the show. And, this being Stranger Things, the video is of course presented as if it was shot on ’80s VHS. Check it out below:

The one big plot point we do know about Season 4 is that Jim Hopper, played by David Harbour, is back, despite seemingly dying at the end of Season 3. His return was revealed in the first teaser, which was released last month and suggested that Hopper is now trapped in a Russian prison. In addition, production recently wrapped in the Lithuanian city of Vilnius, where the show was being shot in a former prison.

The makers of the show have stressed numerous times that this season will move the story beyond the town of Hawkins. In December, a cryptic tweet, proclaimed that “we’re not in Hawkins anymore.” And in an interview last year, co-creator Matt Duffer stated, “I think the biggest thing that’s going to happen is it’s going to open up a little bit, not necessarily in terms of scale, in terms of special effects, but open up in terms of allowing plotlines into areas outside of Hawkins.”

For more, check out GameSpot’s guide to the biggest upcoming shows of 2020.