Once Upon A Time In Hollywood First Reviews And Reactions Are In

Quentin Tarantino’s ninth movie, Once Upon a Time in Hollywood, premiered at the Cannes Film Festival this week, and the first reviews are incredibly positive.

The movie stars Leonardo DiCaprio as an actor falling out of prominence and his stunt double who is played by Brad Pitt. This is all happening in Hollywood during the summer of 1969. DiCaprio’s character lives next door to the actress Sharon Tate (played by Margot Robbie in the film), who would be murdered by the Charles Manson family that same year.

Reviewers are calling the movie one of Tarantino’s most personal films, and a love letter to the Hollywood industry. The movie also features other huge-name actors such as Al Pacino, James Marsden, Timothy Olyphant, Dakota Fanning, and Kurt Russell, while Luke Perry appears in his final role before his death.

We’re breaking out some review excerpts here, but the movie isn’t coming out until July in the US, so only a small handful of press were able to see the film at the famous French movie festival. You can also check out a 30-minute Q&A with Tarantino, DiCaprio, Pitt, and Robbie in the video above.

The Guardians’ Peter Bradshaw said about Once Upon a Time in Hollywood, “Quite simply, I just defy anyone with red blood in their veins not to respond to the crazy bravura of Tarantino’s film-making, not to be bounced around the auditorium at the moment-by-moment enjoyment that this movie delivers–and conversely, of course, to shudder at the horror and cruelty and its hallucinatory aftermath.”

Writing for Time, Stephanie Zacharek said, “This is a tender, rapturous film, both joyous and melancholy, a reverie for a lost past and a door that opens to myriad imagined possibilities.”

David Rooney for The Hollywood Reporter summed up his thoughts thusly: “Once Upon a Time in Hollywoodis uneven, unwieldy in its structure and not without its flat patches. But it’s also a disarming and characteristically subversive love letter to its inspiration, in which Tarantino rebuilds the Dream Factory as it existed during the time of his childhood, while rewriting the traumatic episode often identified as the end of that era.”

Below are some other thoughts and opinions about the film that were posted on Twitter:

Go to GameSpot sister site Metacritic to see a further breakdown of the critical reaction to Once Upon a Time in Hollywood. Once Upon a Time in Hollywood opens July 26 in the US, August 14 in the UK, and August 15 in Australia.

Australian Game Industry Generates $4 Billion In 2018

A new report from Australia’s Interactive Games & Entertainment Association shows that that Australian game industry is growing. The organisation announced today that consumer spending on video games reached $4.029 billion in 2018; that’s up by 25 percent over 2017’s spending.

By comparison, the United States video game industry generated $43.4 billion in 2018.

Digital sales stood at $2.851 billion with physical retail sales amounting to $1.179 billion. Digital sales specifically jumped by a very healthy 39 percent, which is reflective of the industry’s overall trending toward digital games. Physical retail sales jumped by only 0.2 percent. This is all further evidence that digital sales are taking up more and more of the pie.

Here are some further insights from the IGEA’s report:

  • In-game digital purchases jumped by 190 percent year-over-year.
  • Digital full game sales rose 71 percent year-over-year.
  • Mobile gaming remains huge, with 11 percent year-over-year growth in revenue.
  • Console accessory sales jumped 18.7 percent and helped improve overall retail sales.
  • Of the $2.851 billion in digital sales, in-game microtransactions, season passes, and expansions–this category jumped by 190 percent year-over-year.
    • Fortnite‘s massive success contributed to this uptick in revenue.
  • Full-game digital sales revenue rose by 71 percent year-over-year.
  • Subscription revenue rose by 31 percent compared to last year.

“The excitement for video games is continuing to grow, with phenomenal consumer sales in 2018,” IGEA CEO Ron Curry said in a statement. “Australia continues to experience video games sales growth, in line with trends similarly experienced by other countries, including the USA and the UK.”

Curry went on to say that he hopes the Federal Government will recognise that the Australian gaming industry is an “integral part of the overall screen industry, thereby allowing the sector to access screen support programs available such as refundable tax offsets.

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Curry added: “It is imperative that these innovative and creative Australian-based tech companies can compete on a level playing field globally with many other jurisdictions offering support. Australian games developers should be able to take advantage, culturally and economically, of the global growth of this wildly popular entertainment medium.”

The video game industry’s next major worldwide event is E3 2019 in June. We are expecting a lot of big news from the show, so keep checking back with GameSpot soon for lots more.

Game of Thrones Finale Documentary Photos Give a Behind-the-Scenes Look

Photos from the Game of Thrones: The Last Watch documentary about the making of Season 8 have been released by HBO. The photos include a peek at the Battle of Winterfell battlefield being set up, the Night King in front of a green screen, and a table read with Kit Harrington (Jon Snow), Sophie Turner (Sansa Stark) and Rory McCann (The Hound).

Check them all out by flipping through the slideshow below.

The documentary was directed by acclaimed British filmmaker Jeanie Finlay, who spent a year on set during the final season of Game of Thrones.

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Just Cause 4 – Los Demonios DLC 15 Minutes Gameplay

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Spider-Man: Far From Home Posters Reveal New Look at Mysterio

Sony has released the first posters for Spider-Man: Far From Home. These images feature new looks at all the main characters, including Tom Holland as Peter Parker/Spider-Man, Jake Gyllenhaal as Quentin Beck/Mysterio, Samuel L. Jackson as Nick Fury and Zendaya as Michelle Jones.

Check out the posters in the gallery below:

Spider-Man: Far From Home picks up in the aftermath of Avengers: Endgame, with Peter Parker grappling with the most recent devastating loss in his life and desperately needing a vacation. While on a study abroad field trip, he gets recruited by Nick Fury to work alongside Quentin Beck and help battle the Elementals.

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Aladdin Review: Disney’s New Live-Action Movie Is Much Better Than Its Trailers

It can be debated whether live-action–or CGI/live-action hybrid–adaptations of Disney’s animated classics are needed. The Lion King, Beauty and the Beast, The Jungle Book, and the rest of the studio’s library of iconic cartoon films typically stand the test of time. They’re inevitable at this point, though, thanks to the money they earn at the box office. Given that, though, they should at least be good, right? That’s the mindset I had before screening the studio’s latest adaptation, Aladdin, fully expecting to hate it.

The trailers for Aladdin have not been kind, making it look like a pale imitation of a nearly 30-year-old film. Thankfully, though, the picture they paint isn’t accurate. Aladdin is, by and large, a good movie. If you love the original, it does more than enough to tickle your nostalgia bone, while adding more depth to the characters and giving some of them a bit of a modern spin.

All of your favorite songs are there, a lot of the jokes remain, and the cast does more than their fair share of singing and dancing, along with acting. What’s more, Director Guy Ritchie (King Arthur: Legend of the Sword) has recreated several visuals from the animated film in a way that makes them even more breathtaking in live-action. The Cave of Wonders, as seen in the trailers, is incredibly designed, as is the kingdom of Agrabah.

Of course, the biggest worry from the trailers was Genie, who was originally voiced by Robin Williams in the animated film. Will Smith plays the character in the live-action Aladdin, and what was shown of him in the trailers wasn’t great. The CGI was hit-and-miss, and he didn’t seem to spend much time in the character’s signature blue form. It just didn’t seem right.

However, you’ll be happy to know that Smith’s take on the character works. He’s not trying to capture the essence of Robin Williams in playing Genie, but instead relies on his comedic sensibilities–something we don’t see nearly enough from the former Fresh Prince of Bel Air. He also delivers big on song numbers “Friend Like Me” and “Prince Ali.” And if you’re worried about it, Genie also spends a lot of the movie with blue skin.

The only real knock against Smith is how much bigger his character is than anyone else in the film–physically and charismatically. Then again, that’s the same problem the Aladdin animated film had with Williams’ take, so it’s not a bad problem to have.

Still, the cast of Aladdin is mostly well-suited for their roles. Mena Massoud is easy to love as the homeless thief Aladdin, and the friendships he forges with Genie and the magic carpet–as well as his relationship with pet monkey Abu–are fun to see develop. Naomi Scott, meanwhile, elevates the role of Jasmine beyond standard Disney princess fare–and the chemistry Scott and Massoud share makes the love story between Aladdin and Jasmine work well.

Jasmine’s story features the most important changes to the Aladdin story. In this adaptation, she has a sense of ambition and wants to follow in her father’s footsteps to lead her people and become the next Sultan of Agrabah, even if tradition doesn’t allow it.

When it comes to Disney remaking its movies, it’s these changes that make the new adaptations a useful tool. While 1992’s animated Aladdin featured a Jasmine who was eager to reject the idea of an arranged marriage to find a new sultan, the new film exploring the princess’s own ambition to lead her people is a wonderful change to make.

The new movie also gives her a female confidante in handmaiden Dalia, played hilariously by Saturday Night Live’s Nasim Pedrad. It’s a small addition, but an important one given that in the animated film Jasmine’s only real friend before Aladdin was a tiger. Pedrad brings a good dose of humor to the film and has great chemistry with Smith’s Genie.

The rest of the cast is good enough for the roles they were cast to play. Marwan Kenzari is plenty nefarious as Jafar, though not nearly as charismatic as his animated counterpart. Navid Negahban’s Sultan doesn’t have much to do in the movie–much like the cartoon–but the bond he shares with Jasmine is a powerful one.

As good as a lot of this movie is, Aladdin is not without its faults. Everything leading up to the Genie’s arrival–save for Massoud’s performance of “One Jump Ahead” as he and Jasmine flee from guards in the marketplace–is pretty slow. Meanwhile, the climax of the film is a CGI-heavy affair that borders on Michael Bay levels of visual gibberish. It’s not bad CGI, so much as there’s so much happening at once that it’s hard to distinguish any one thing.

There are also a couple of moments throughout the movie that carry the sort of visual tricks Guy Ritchie likes to use in his movies. Keep an eye on how the film is sped up at various points in the “One Jump Ahead” sequence. These sort of things worked for me, though I could see how they’d stick out like a sore thumb for others.

There’s also a musical problem. Speechless, a new Jasmine song written by duo Pasek and Paul and sung by Scott, fits the movie’s take on the character. What’s more, it’s a good song. The way it’s utilized in the film, though, feels incredibly out of place. This section of the movie could easily be clipped out and used as a music video, and the film would be better for it.

That all said, Aladdin is good. It’s not perfect, but it’s a big, extravagant musical that’s filled with fun performances, bright colors, and some exciting moments. Will Smith’s turn as Genie isn’t better than what Robin Williams brought to the character, but it’s different enough that it stands on its own merit. And, if you’re into this sort of thing–and you should be–Smith has a new rap over the end credits that is themed to the movie.

Mario Kart Tour Closed Beta Raises F2P Concerns

The mobile spin-off Mario Kart Tour has just launched its closed beta, available to select users who pre-registered. Those early impressions are giving us some of our first indications for what to expect from this new type of Mario Kart game.

On the whole, it seems like a greatest hits of tracks and racers from throughout Mario Kart history. And mechanically, it appears stripped down and simple, but functional; you drag from one side to the other to steer your go-kart around the tracks. Like Mario Kart 8, your loadout includes a racer, kart, and glider selection. It also uses auto-accelerate similar to the Mario Kart 8 option.

However, the game is facing criticism over its approach toward microtransactions. Rather than a traditional Mario Kart game with unlockable racers, Mario Kart Tour is said to have free-to-play loot mechanics for earning additional racers and karts.

In a preview, Kotaku reported green gems serve as the premium currency. You can use those to pull a random racer, kart, or glider out of a golden pipe. But some characters get bonuses based on the track, so it’s possible that to compete at higher levels you may need to use particular characters, creating a loot grind. The game also uses a stamina mechanic, represented by hearts, which bars further play once you run out. You can either wait a requisite time for them to refresh on their own or you can pay the premium currency to refill them.

This is a beta test, so Nintendo could still be testing and balancing these mechanics. The company recently announced it will be pulling Animal Crossing Pocket Camp and Fire Emblem Heroes from Belgium, due to the country’s recent laws against loot box mechanics in games. Meanwhile US Senator Josh Hawley (R-MO) has recently proposed a bill that would forbid loot box mechanics in games targeted at minors, which would likely impact most of Nintendo’s catalog including Mario Kart Tour if passed.

Over 200 PS4 Games On Sale, PS Plus Members Get Twice The Discount (US)

The PlayStation Store’s Totally Digital Sale continues this week with markdowns on PS4 games like Dead Cells, Dragon Ball FighterZ, and Superhot VR. Plus, more game deals have been added, including a batch of over 200 titles that PS Plus members can get twice the discount on. There’s also a new Warner Bros. sale with markdowns across franchises like Batman: Arkham, Lego, Hitman, and Mortal Kombat.

A PS Plus membership will come in handy with this week’s PS4 deals (and by the way, you can get a 12-month membership for only $40 right now). PS Plus members can save twice as much on hundreds of titles, like Borderlands: Game of the Year Edition ($19.79), Dirt Rally 2.0 ($30), and XCOM 2 ($14.39). Other notable deals include BioShock for $4, Mutant Year Zero: Road to Eden for $25, and No Man’s Sky for $25. You have some extra time to claim these discounts–the deals end June 4 at 8 AM PT / 11 AM ET.

The Warner Bros. sale is also worth checking out for its deals on Batman: Arkham games and Lego titles. You can get the entire Batman: Arkham collection for $30, which includes the definitive versions of all three games, plus all DLC. Injustice 2’s Legendary Edition is marked down to $24 from $60, and Mad Max is only $7. Meanwhile, the Lego games are all available for $8, except for Lego: Marvel Super Heroes 2’s Deluxe Edition, which is $14. These deals end May 28 at 8 AM PT / 11 AM ET.

See some of the best game deals below, and browse the full offering of deals at the PlayStation Store. Plus, don’t forget to check out the deals posted last week as part of the Totally Digital Sale–those discounts will also expire May 28.

Double Discounts Sale

Prices shown reflect full PS Plus discount.

  • Adventure Time: Pirates of the Enchiridion — $8
  • Battlefield 4 — $4.79
  • BioShock — $4
  • BioShock: The Collection — $14.39
  • Borderlands — $4
  • Borderlands: Game of the Year Edition — $19.79
  • Borderlands 2 — $4
  • Burnout Paradise Remastered — $4.79
  • Cities Skylines — $12
  • The Crew — $7.49
  • Dirt 4 — $12
  • Dirt Rally 2.0 — $30
  • Divinity: Original Sin – Enhanced Edition — $10.39
  • Dragon Age: Inquisition – Game of the Year Edition — $9.59
  • Dragon’s Dogma: Dark Arisen — $18
  • Fe — $4.79
  • The Gold Club 2019 feat. PGA Tour — $30
  • Grand Theft Auto V — $15
  • Just Cause 4 — $30
  • Lego: The Incredibles — $12
  • Mutant Year Zero: Road to Eden — $25
  • NBA 2K19 — $19.19
  • No Man’s Sky — $25
  • Plants vs. Zombies: Garden Warfare 2 — $2
  • Shadow of the Tomb Raider — $30
  • Song of the Deep — $4
  • Surviving Mars — $15
  • Tacoma — $6
  • Tom Clancy’s The Division — $10
  • Unravel 2 — $4.79
  • The Witcher 3: Wild Hunt — $12
  • The Witcher 3: Wild Hunt – Complete Edition — $15
  • XCOM 2 — $14.39

Warner Bros. Sale

Prices shown reflect the standard discount; PS Plus members will save a bit more.

  • Batman: Arkham Collection — $30
  • Batman: Arkham Knight — $10
  • Batman: Arkham Knight – Premium Edition — $18
  • Batman: Arkham VR — $14
  • Batman: Return to Arkham — $10
  • Hitman HD – Enhanced Collection — $30
  • Injustice 2 – Legendary Edition — $24
  • Lego: Harry Potter Collection — $8
  • Lego: Jurassic World — $8
  • Lego: Marvel’s Avengers — $8
  • Lego: Marvel Super Heroes — $8
  • Lego: Marvel Super Heroes 2 – Deluxe Edition — $14
  • Lego: Star Wars – The Force Awakens — $8
  • Mad Max — $7
  • Middle-Earth: Shadow of Mordor – Game of the Year Edition — $12
  • Middle-Earth: Shadow of War — $17.49
  • Mortal Kombat XL — $10
  • Mortal Kombat X – Kombat Pack 2 — $10

E3 2019 Rumor Roundup

With the approach of E3 2019, the rumor mill is abuzz with the possible announcements, trailers, and reveals that will come out of the show. Quite a few aren’t very likely–they’re more pipe dreams than anything really. However, some of the rumors carry some weight to them. Of everything rumored to come out of E3 2019, the reveals listed below are (in our opinion) the most likely to carry some semblance of truth.

Remember, nothing detailed in this article has been confirmed (yet). It’s a collection of speculations based off of small tidbits of information, leaked details, and investigative reports. That said, if our collection of E3 2018 rumors is any indication, some speculations can turn out to be fact. Last year, rumors that E3 2018 would see the announcement of Hitman 2 and Assassin’s Creed Odyssey ultimately turned out to be true. Prior to E3, there was also speculation that CD Projekt Red would show off Cyberpunk 2077 (and boy did they) and that Bethesda would announce something Fallout related (and we got Fallout 76).

More leaks and rumors are bound to pop up the closer we get to E3 2019, so continue to check back on this article as we get closer to June. We’ll continue to update the following list of rumors as they come up (provided there’s weight behind them).

Infinity Ward’s Call Of Duty 2019 Is Revealed To Be Modern Warfare 4

Traditionally, Activision reveals the name of its new Call of Duty games in May, but the month is already almost over and there’s no planned announcement in sight. That hasn’t stopped fan speculation though, and rumors are pointing to the new Call of Duty game being Modern Warfare 4. Whatever the game is, it’s been confirmed to appear at E3 2019, and it’s already playable.

Following the established rotation, Infinity Ward has been confirmed as the developer for Call of Duty 2019. Other than revealing Call of Duty will include a traditional single-player campaign and co-op gameplay in a “huge expansive multiplayer world,” Infinity Ward hasn’t announced any concrete details about the game. However, several teases and tweets from the developer’s staff have hinted towards Infinity Ward working on a game related to its popular Modern Warfare series.

Rumors that Call of Duty 2019 is Modern Warfare 4 began when Infinity Ward senior communication manager Aston Williams dropped a hint pointing back to the series. Those rumors gained traction when five Infinity Ward veterans–all of whom had a major influence in developing Modern Warfare, Modern Warfare 2, and Modern Warfare 3 before leaving Infinity Ward to go work with Respawn on Titanfall and Titanfall 2–changed their LinkedIn profiles to showcase their return to the Activision studio and crucial roles in Call of Duty 2019’s development.

Microsoft Unveils At Least One Of Its Next-Gen Xbox Consoles

Microsoft is rumored to be working on two next-gen Xbox consoles, and it’s possible at least one is being announced at E3 this year. The first, codenamed Lockhart, is supposedly the budget-oriented, standard edition of the console. Meanwhile, the second, codenamed Anaconda, is the high-powered version–equivalent to Xbox One’s more powerful One S and One X variations.

Microsoft is already expected to discuss its plans for next-gen at E3 2019, but it’s unclear if the company is planning something as big as a full reveal (complete with price points, launch titles, and features) or smaller teases of what’s to come. There’s been speculation that the next-gen Xbox consoles will be geared towards wider audiences with a lower price of entry, and include new technology in line with Microsoft’s focus on selling games as opposed to hardware. This would fall in line with what Phil Spencer told GeekWire in regards to consoles.

“That is not where you make money,” Spencer said. “The business inside of games is really selling games, and selling access to games and content in means like that is the fundamental business. So if you open it up, the more often people can play, the more they’re enjoying the art form. It increases the size of the business.”

Though it’s still speculation, Microsoft’s next-gen Xbox consoles are expected to release no earlier than Fall 2020.

From Software Teases The First Of Its Two Upcoming Games

This theory largely rides on whether A Song of Ice and Fire author George R.R. Martin is actually working with From Software. The novelist has already confirmed he’s been consulted on some game that’s being made by a Japanese developer but hasn’t revealed which one. Rumors popped up in March that the developer in question is Dark Souls, Bloodborne, and Sekiro: Shadows Die Twice creator From Software. Gematsu has since reported that someone “familiar with ongoings at From Software” has confirmed the rumors to be true, but neither Martin nor From Software have made an official statement.

Regardless, the rumors go on to say that, whatever the game is, it will feature various kingdoms to explore and that killing the rulers of each kingdom will allow you to unlock powerful abilities. Gematsu’s source (which the outlet has stated they have not been able to verify) has added that the game is internally known at From Software as “GR,” has been in development for three years, and contains a world and story that’s a collaborative effort between Martin and Dark Souls III and Bloodborne director Hidetaka Miyazaki. The game is also supposedly scheduled to be revealed at E3 2019 during Microsoft’s press conference.

Even if the source hasn’t been verified, it all sounds fairly plausible. Especially since, back in January 2019, Miyazaki announced From Software was already working on two games, both of which would come out after Sekiro: Shadows Die Twice and be similar in scope and tone to From Software’s Soulsborne titles. Both Miyazaki and Martin are known for their intricate dark fantasies, so a partnership between the two is very believable. With Sekiro only a few months old, though, it doesn’t seem likely From Software would announce another new game for 2019 (even if it has been in development for three years). Seeing a trailer at E3 teasing a TBA 2020-2021 release seems a bit more plausible. We’d happily love to be wrong though.

Microsoft Brings Back The Fable Series With A Brand-New Game

Speculations about a fourth Fable game have been circulating the internet for years, but a new rumor published by an alleged industry insider has revealed Microsoft is finally set to tease a new title for the series during the company’s E3 press conference. Between the rumors that Microsoft is revealing a new console, a new From Software game, and now a new Fable, it certainly seems like Xbox boss Phil Spencer is keeping his promise the company would “go big” at E3 this year.

The industry insider, whose whole report can be read on NeoGAF, writes, “Some speculate it’s actually Fable IV, but the reality is that it’s a new beginning for the Fable franchise. This game started development in late 2017 and has been in development now for little over two years now. It is a next-gen game only and you will most likely not see it until 2021 at retail at the earliest. You will see a glimpse of a small teaser trailer most likely at this year’s E3 and in 2020 you will see much more of the game.”

Petri executive editor Brad Sams, who’s well-known for his track record in reliably breaking Microsoft news, has confirmed on Twitter that he’s heard a new Fable game is in the works. He doesn’t know if Microsoft plans on revealing the game during E3 2019, but thinks it’s “highly plausible.”

If the full NeoGAF report is to be believed, we’ll see quite a few other Xbox console exclusives at E3 2019, including previously announced Gears 5 and Ori and the Will of the Wisps. Perhaps more importantly, the report suggests Microsoft is ready to start revealing the games being made by all the studios it acquired in 2018–starting with Ninja Theory, which is supposedly going to announce a sci-fi game scheduled for 2020 called Bleeding Edge.

Nintendo Announces A New Switch Prior To Or Just After The Show

Nintendo has already confirmed it won’t be announcing a new Switch iteration during E3, but that doesn’t mean the company won’t reveal its existence in the weeks prior to the show or immediately after. Sure it’s no longer an E3 announcement at that point, but we’re including it in this list anyway since we imagine the reveal is happening close to the dates of the show.

Unlike Sony’s PS4 and Microsoft’s Xbox One, the Nintendo Switch is still relatively young and nowhere near the end of its lifecycle. That hasn’t quelled the rumors of new iterations of the Switch, consoles that would be similar to the PS4 Pro and Xbox One X. Nintendo has a long history of making multiple versions of its hardware. That history is mostly handhelds, like the DS and 3DS, but Nintendo has made multiple iterations of its consoles too.

Seeing as it’s been two years since the Switch’s release, it stands to reason that Nintendo has a new iteration (or two) of its latest console in the works. This past March, The Wall Street Journal reported two new Switch models would release by the end of 2019. The first would be a cheaper, pared-down version while the second would be an enhanced variation aimed at more “avid” players.

In April, Japanese newspaper Nikkei seemingly confirmed the existence of the first Switch, again writing that it would release by the end of 2019. Later that month, Bloomberg lent further weight to the rumor of a new, pared down Switch coming in 2019 (only this time suggesting it could possibly release as soon as June). However, neither source confirmed the existence of a rumored enhanced Switch.

Nintendo has neither confirmed nor denied the rumors. But there’s enough there to believe the pared-down Switch is coming this year, and empty spaces surrounding E3 present the perfect opportunity for an announcement–especially if the console does release in June. Nintendo has already confirmed it’s holding its annual E3 Direct this year. The video presentation will feature quite a few games, but will most likely focus on Pokemon Sword / Shield and Animal Crossing, both scheduled for Switch releases in 2019.