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Looking for an iPhone 8 battery or wallet case? How about an Otter Box to protect your smartphone investment? Look no further.

For a late model phone you should at least pick up a wireless charger. Here’s the one to get, as well as the rest of our favorite accessories for the new Galaxy S9 phones.

Everything you need to know about Black Ops 4’s first major post-launch content update, Operation Absolute Zero.

Warning: Full spoilers for the episode below.

“Elseworlds” has been, among other things, a great way to wrap up a fairly tumultuous and troubled year in the Arrowverse. This crossover captures so much of what makes these shows great in the first place – the energetic character banter, the hopeful tone and the willingness to dive as deep as possible into DC lore. I’ve said this at various points in the past, but it’s crazy to compare this crossover to the first couple seasons of Arrow and remember just how far this superhero TV universe has grown.

“Elseworlds, Part 3” capped off the storyline on a very fitting note. These crossovers have a bad habit of trying to do too much and juggle too many characters at once. That’s why I’ll take smaller-scale fare like “The Brave and the Bold” and “Duet” over “Invasion!” and “Crisis on Earth-X” any day. Honestly, one of the smartest moves the writers made with Elseworlds” was keeping the Legends out of the fun (other than that delightful Gary cameo tonight). What real purpose would they have served here?

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The final moments of the Arrowverse’s 2018 “Elseworlds” crossover could change the multiverse as we know it – the 2019 Arrowverse crossover has been confirmed as “Crisis on Infinite Earths,” an adaptation of a massive crossover storyline from DC Comics.

The tag at the end of “Elseworlds Part 3” promised that “Crisis on Infinite Earths” is coming in “Fall 2019,” rather than the crossover’s usual winter timeslot, implying that the upcoming Crisis might affect the full seasons of Arrow, The Flash, Supergirl, and DC’s Legends of Tomorrow.

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I’d like to share a truth with you. And that truth is that even Time – that Great Devourer of early polygonal graphics, that beast which hath smote and sullied many a PSone and PS2 icon, that ravager of (gaming) worlds – is powerless against the might of Katamari Damacy. This joyous game’s deliberately low-poly art style has proven to be not just a great artistic choice in its era, but the key to ensuring it ages with grace. About the only thing the PS2 version needed was a bump in resolution to really ensure its blocky aesthetic works on a modern screen, and with Reroll, that’s exactly what we have – and it’s glorious.

Of course, the real genius of Katamari Damacy is its central, simple, Blob-like idea: roll up things that are smaller than you (as represented by your katamari ball) in order to absorb them and grow, which then allows you to roll up larger things. It’s a through-line that takes you from rolling up thumbtacks and takoyaki all the way up to people and trees, and then onto an apocalyptic scale where you’re consuming ocean liners, cities, and the clouds themselves.

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