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The United States Federal Trade Commission (FTC) reportedly plans to host a public workshop on loot boxes, but declined to comment on whether it is conducting any formal investigation.

Variety reports that a letter from FTC chairman Joseph Simons to Senator Maggie Hassan (D-NH) revealed the workshop, in response to a letter Hassan had written expressing her concern about the practice. Simons noted that he cannot reveal any legal action underway that isn’t already public, but stressed that the FTC has other tools available.

“For example, we are currently planning a public workshop on loot boxes for later this year as one non-law enforcement option,” he wrote. “A workshop could provide a forum for stakeholders representing wide-ranging perspectives, including consumer advocacy organizations, parent groups, and industry members. It also could help elicit information to guide subsequent consumer outreach, which could include a consumer alert.”

In a statement, Hassan praised the workshop as “a step in the right direction,” but emphasized that the FTC should keep working with various stakeholders “to ensure that meaningful improveements are made to increase transparency and consumer protections.”

Last year, Hassan also wrote a letter to the Entertainment Software Ratings Board (ESRB) asking it to look into the practice of marketing loot boxes to children, and to formalize best practices for microtransactions. Shortly after, and amid mounting pressure from other advocacy groups, the ESRB announced it would label games with in-game purchases.

This workshop could be a sign that the controversy over loot boxes and microtransactions is far from over. 2018 marked a big shift in how the industry treated loot boxes. Following the launch of Star Wars Battlefront 2, concerns were raised regarding loot boxes resemblance to gambling, especially in games targeted towards minors. Some in the industry are pressing for change, though many feel it should come from self-regulation.

Fallout 76 has now been out for 100 days, and Bethesda has a surprise in store for those still playing. The studio has unveiled the 2019 roadmap for Fallout 76, which includes three large content drops scheduled throughout the year. The full roadmap can be found on Fallout 76’s website, but we’ve outlined the highlights below.

On March 12, Fallout is getting its Wild Appalachia expansion, which includes two new quests and a game mode. The quests, Shear Terror and Ever Upwards, feature new stories for you to pursue; the former focuses on mythical monsters while the latter has you join the Pioneer Scouts and earn merit badges. The new game mode, called Survival, is a high-stakes PvP variation of Fallout 76’s Adventure mode. Wild Appalachia includes several new features as well, including a means of exchanging your unwanted legendary gear for new legendaries, setting up your own store where you can sell to other players, and brewing and distilling your own recipes of Nukashine.

In Summer 2019, Nuclear Winter comes to Fallout 76, and it brings another new game mode and features to the game. The new mode, also called Nuclear Winter, hasn’t been detailed yet, but Bethesda has said it will “completely” change the rules of the Wasteland. A new prestige system will allow all level 50 players to pursue a new Legendary status and unlock more powerful abilities as well. Vaults 96 and 94 will also open, bringing challenging Raids to Fallout 76.

This fall, Fallout 76 gets it final content drop for the year, titled Wastelanders, which Bethesda describes as “a tale with true choice and consequences” that includes “a new main questline, new factions, new events, new features, and even more surprises.”

In our Fallout 76 review, Edmond Tran wrote, “Bethesda has stated it intends to continue supporting the game for a long time, but at launch, Fallout 76 is a poor experience. There are echoes of the series’ admirable qualities, but look past that facade, past the cute Vault Boy animations, past the familiar radio tracks, and you’ll find no heart–just an inconsequential wasteland doomed to be nuked over and over again.”

If you’re a professional wrestling fan, the name Kevin Nash should be a familiar one. The WWE Hall of Famer has had a remarkable career, from holding the then-WWF Championship for nearly a year to being a founding member of WCW’s New World Order. However, while he’s been primarily a pro wrestler most of his adult life, Nash has also dabbled heavily in acting–primarily on the big screen with roles in movies like The Punisher, The Longest Yard, and both installments of Magic Mike.

Now, though, Nash is trying something a bit different. Living the Dream is a British comedy that aired on the UK’s Sky One Network, which finds him playing a retired pro wrestler living in a trailer park under new management–an upper-crust British family in over their heads. Thankfully for those who want to view the show in the United States, the Britbox streaming service is coming to the rescue. The entire first season of the series will be available soon.

Ahead of the show’s US release, Nash sat down to talk with GameSpot at the TCA press tour about everything from what appeals to him about British comedy to whether All Elite Wrestling can actually compete with WWE for dominance in the world of professional wrestling. Of course, we also couldn’t help but ask about the time he played Super Shredder in Teenage Mutant Ninja Turtles II: The Secret of the Ooze.

GameSpot: What is it that kind of drew you to something like Living the Dream?

Kevin Nash: Well, when they pitched it to me, just the premise, like I could see humor in it… To me, if you’re going to do a comedy, and they pitch the premise to you, and… without even seeing any of the script, you’re saying, “Oh, that’s going to be funny,” where this was you could just see, you know… And then I didn’t know who was attached to it or anything. And then I got there and met everybody, and it just one of things where just kind of everybody just kind of meshed.

Obviously, so much of your career is very action-oriented, between your time in the ring and stuff like The Punisher and bunch of heavier action roles. Is it more fun to you at this point to sort of get the comedy stuff coming your way?

I mean, the only thing that really bothered me about the show was that they pitched it to me, but I wasn’t an ex-pro wrestler. We shot the first episode, and then they went, “Oh, by the way, episode three…” And I’m like, “You do know I just had my shoulder reconstructed.” So, if you ever watch that scene back, in pro wrestling, you work everything right, so you punch right, everything you do it right-handed. So, that way there, if I say, “Punch block,” you know that I’m going to throw right, and you block it. And I had to use my left. I’m a natural southpaw. I do everything left-handed, but work-wise, wrestling-wise, I had to do everything left-handed. And that was a long day. I mean, I was thinking to myself, “I’ve been out here a long time shooting this.” I look my singlet off that night, and it had the farmer tan, and I was already dark.

But you know, it was fun. Like anything, as time goes on, by the time episode five comes, you’re pretty much like family. You know, you eat every meal together. And there wasn’t much downtime. But they were cool.

To me… Like, Longest Yard, they let me do comedy, and nobody wanted to play that part, and I said, “Gee, a comedic role in a comedy, that might be fun.” Everybody else wanted to grunt and snort and be a badass. I’m like, “No, no, no, no, no. I’ve done that for 30 years. I want to show at least some kind of range.” So, I said, any time that somebody hands me a script that I don’t have an ax in my hand, I’m listening!

And British comedy–which this is–is very different from American comedy. How easy was it to acclimate to that?

I was such a fan of the British Office and was turned onto it early from a friend of mine and was given the DVDs, so I watched it… But also my step-father is Scottish, and they watched a lot of, you know, Benny Hill and my step-grandparents, they watch a lot of British comedy, you know? I think my era, growing up in the ’70s, in high school, like Monty Python and all that, it’s different, but it’s British comedy, if you get it… Some people just don’t get it.

I’ve also been over in that culture so much. I’ve probably wrestled in the UK 200 times. Especially when the economy was really bad, when I first broke in, like ’90, ’91, ’92, ’93. I mean, I’ve done an 18-day tour, come home, do three days of TV, and then go back and do a 15-day tour. Mostly in the UK, but we’d go to Austria and Germany and other places, but you know, it kind of kept us alive. And the UK, it translates very well, that industry. It’s still, like now, the developmental, which is NXT for the WWE, they’ve got NXT UK, they’ve got a performance center now in the UK, they’ve got their own branding, basically.

You’ve been a part of some wrestling moments that tend the test of time, real game changers. The business, right now, is at an interesting place between WWE’s women’s revolution, the rise of the indy scene, and people like Cody and the Young Bucks launching All Elite Wrestling. With so many people striving to be at the forefront of the business, how important is it to be different?

Nash: You know, I think that the WWE is always going to be a flag-bearer. I think when we made the run with [Ted] Turner[‘s WCW] against Vince [McMahon], Vince, he was a private company. We just basically out-moneyed him. We kept buying his stars. WCW didn’t make any stars. They just bought Vince’s stars. And that’s the whole thing now is the Bucks and guys like that, I think it’s great, and people are like, “What do you think? It’s just going to be another Monday Night War?” I’m like, “Dude, they’ve done one pay-per-view, you know? Vince is getting ready to go on Fox.”

Which is insane.

Absolutely. I go back to TV, and it’s six months since I’ve been at an event, and it looks like the Super Bowl. We used to have two production trucks. There’s like 30 production trucks now. I mean, it is amazing just from a production standpoint. We had seven cameras. There’s 17 or 19 cameras now, you know?

As somebody said, it’s great if you’ve got good talent that can put on live performances, like the Bucks and Cody and Omega. I think having Jericho there that’s been part of the Monday Night Wars, his career has kind of crossed those two paths, I think he’ll be instrumental in kind of guiding that. But at the same time, it’s just like it’s one thing to have a good live event like they had in Chicago. It’s another thing to have the money. I heard the father gave the son $100 million to start. We used to go through that in about seven months at Turner, you know? And just like that don’t go too far. We’ll just have to see.

I mean, New Japan, like Ring of Honor, when you see their shows, their television shows, they look like the old ECW from 1990. So, if it has that look, it won’t be competition. The thing with Nitro was Nitro had a look that was comparable to, you know, production quality-wise was comparable to Vince’s product. But if you’re nowhere in the ballpark… And I sat there at WrestleMania last year. That thing was, I mean, it was longer than the Crusades. But I just sat there, and I just watched the production, the pageantry, the costuming. I mean, just every aspect of it. I was just like, this like Cirque du Soleil meets live theater meets ultimate fighting. There’s such a hybrid, and there’s nothing like it, and it’s such Americana. Pro wrestling, there’s nothing more American than pro wrestling. It’s been on TV since the conception of television, and it’s never been off. So, it ain’t going nowhere.

I think it’s great, because right now, I’ve heard that there’s guys that are getting, you know, like Vince is locking in people for more money, for longer periods, because there’s somebody that’s got another checkbook. So, for me, I’m a [tax form] 1099, so anytime somebody’s upping the ante for guys, I don’t care how long.

The last thing I wanted to touch on was your first movie credit. Before Big Daddy Cool or a member of the New World Order, you were a comic book villain. You played the Super Shredder in Teenage Mutant Ninja Turtles II: The Secret of the Ooze. Do you have any fun memories from back then? I’m dying to know what wearing that costume was like.

The people that made the original Batman outfit made the Super Shredder outfit. So, that cape is latex, but it’s double-lined latex. That cape weighed about 105 pounds, was bolted onto you. So, when you put that thing on… Like, they used to put me in everything except the helmet, take me to set, and I would sit in the back of a pickup truck gate, and they would take me to set, because there was no way I could walk that far. That thing was so heavy.

I don’t remember if it was a rib or what, but the first scene I ever shot, they brought me in, only me, on Saturday, and all I did was took this hand, went through that wood, went like this, and made the first movement. They had me do that for six hours. I don’t know if they did it, and it was just like, “This guy doesn’t know. We’ll just see how long he’ll do it.” And I’m like walking over, I’m looking at the takes, and I’m like they all look eerily similar! Maybe they just wanted to get some overtime, I don’t know what it was, but it was at my cost. I mean, I look back, and like doing comic-cons and stuff like that… I sign a lot of Secret of the Ooze VHS boxes.

You were an action figure!

Before I had a wrestling action figure, I had a Super Shredder action figure. And people say to me, they’ll say, “I bet you’ve never seen one of these before,” and I say, “I have a box of them. I have seen those.” Did I see any royalties? No.

Oh no!

No. They owned it. There’s no likeness.

Living the Dream premieres on Britbox later this year.

BioWare has detailed current and upcoming changes for Anthem, its loot driven shooter that officially released on PS4, Xbox One, and PC today. A post on the game’s Reddit page opens by stating that the developer is able to make some fixes without the need for a patch, but notes that others will require players to download an update.

In the former category, BioWare has already addressed a number of issues that were reported by the community, including a bug that displayed and rewarded the incorrect amount of Coin for some activities, and another that was causing rain to fall more often than intended. There has also been tweaks to the kind of items that chests drop, as well as how the shield performs, among other things.

BioWare is also working on some other fixes which, as mentioned above, will require the player to download an update. These include an issue that would result in the final boss in the game’s Heart of Rage stronghold not appearing, problems with HDR on PS4 and Xbox One, and game crashes. You can see the full list of live and upcoming changes below.

Live Changes

• Coin changes for daily/weekly — We have fixed an issue that displayed and rewarded the incorrect amount of Coin from various activities
• Stronghold matchmaking — We have extended the timer that allows for matchmaking in a stronghold. This should allow groups to fill easier when matchmaking
• Non-stop rain — We have fixed an issue that was causing it to rain in game more than intended
• Fusion proc bonuses on weapons — Weapons were incorrectly applying infusion proc/bonuses from being equipped when they should only have been applying bonuses from the weapon that was in the active slot
• Chests found in missions changes — Chests found in missions now have less of a chance to drop higher tiered items
• Emotes not properly saving — We have fixed the issue that was causing emotes not to save properly when bound
• Shield fix — We corrected an issue that was allowing players who still have shields active to be one shot by high damaging attacks

Upcoming Changes

• The final boss in the Heart of Rage stronghold isn’t appearing if the group wipes before engaging
• HDR is currently disabled on consoles (Xbox One and PS4)
• Some players are encountering issues that are causing them to crash

BioWare has detailed Anthem’s day one patch, which is significant and covers everything from loading times and server disconnects to tweaks for Strongholds, challenges, gear, weapons, and more.

Anthem became available to play on Friday, February 15 for those with EA Access subscriptions on Xbox One or Origin Access membership on PC. Both versions offered a 10-hour trial, and Origin Access Premier granted unlimited access. The game’s general release is today, and if you’re diving in, be sure to check out our Anthem combo guide.

GameSpot’s Anthem review awarded it 6/10. “Anthem has good ideas, but it struggles significantly with the execution,” said Kallie Plagge. “It’s a co-op game that works best with no one talking; it buries genuinely interesting character moments and puts its most incomprehensible story bits at the forefront; its combat is exciting until you get to the boss fights and find your wings have been clipped. Even the simple, exhilarating act of flying is frequently interrupted by the limitations of your javelin, and you never quite shake that feeling of disappointment–of knowing, throughout the good parts of Anthem, that you’ll inevitably come crashing back down.”

Season 8 of Fortnite is only a few days away, making this your last chance to mop up any remaining Season 7 challenges. To help you do just that, developer Epic is holding another double XP weekend in the battle royale game right now on PS4, Xbox One, PC, Switch, and mobile.

Through February 24, you’ll earn twice the usual amount of XP by playing Fortnite, allowing you to level your Battle Pass up much quicker than normal. You have until the season ends next week on February 28 to unlock Season 7’s Battle Pass rewards, so you’ll want to take advantage of this bonus while you can.

This marks the second double XP weekend Epic has held in as many weeks; the previous one ran from February 15-17. Both are part of the ongoing Share the Love event, which also encompasses a slew of new Overtime challenges that unlock special Valentine’s Day-themed rewards, such as new styles of the Trog, Powder, and Onesie skins.

Epic is giving players an additional incentive to complete Overtime challenges; if you finish all of them before the season ends, you’ll receive Season 8’s Battle Pass for free. Each of these passes typically costs 950 V-Bucks, which works out to just under $10, so this is a good opportunity to get one without shelling out any money.

If you need help finishing up any remaining challenges from this season, you can find tips and guides for the trickier ones in our complete Season 7 challenges roundup. This is also your last chance to unlock the Prisoner skin variants; you can see how to unlock them here.

The MCU may not be known as the most romantic shared universe in film history, but there are still some truly heartwarming love stories to be found beyond the glitz and glamor of heroes punching villains and saving the world–and Captain Marvel is no different. But the love story that pans out for Carol Danvers might not be the one you expect.

The connection between Carol and her airforce comrade Maria Rambeau (Lashana Lynch) is what Brie Larson calls “the great love of the movie.” She continued at the Captain Marvel press junket in Beverly Hills, “Without being too showboating about it, theirs is the love lost and this is the love found again. This is the reason to continue fighting and to go to the ends of the Earth. [For Carol] that’s her best friend and her best friend’s daughter.”

“I’ve seen the movie with some friends and there’s that moment, they left the theater like, ‘Oh, Maria’s the love,’ and I’m always like ‘Yeah!'” Larson continued, “It’s not something that we made a big deal about, but we didn’t need to–that love is just so strong. […] It’s like the movie totally shifts when Lashana is on screen. There’s a level of power that she commands in [her performance.]”

So where does that connection stem from? Lasha Lynch pointed out the importance of Carol and Maria’s shared experience and history together, which has been teased in the trailers. “They’re both military, they both come from these male dominated worlds. There’s that energy between them that draws them together. They also have the same sarcasm,” Lynch laughed. “That’s the best thing about Brie’s representation of Carol, she’s just this normal person. She’s sarcastic, she’s dry, she’s funny.”

Larson was quick to pick up that even without their shared military history, Carol and Maria would have likely wound up being friends–but the ability to lean on each other and support each other is key. “Going through what they went through together, going through military training, being the only women, being able to lean on each other and support one another was so important. The recognition of their experiences–it’s really special.”

This specific brand of deeply resonant friendship viewed as a type of “love story” isn’t exactly new for the MCU–the connection between Maria and Carol has echoes of the relationship between fan favorites Steve Rogers and Bucky Barnes, but Carol doesn’t have a Peggy Carter to juggle in the mix. But whether or not Maria and Carol will ignite with a fan following similar to the “Stucky” enthusiasts remains to be seen. “Mariol” or “Caria” certainly has a nice ring to it.

There’s certainly the possibility for Maria to have a presence in future MCU films–or the possibility for her daughter, Monica, to return. Both Maria and Monica have some comics history as heroes in their own right, and as an adult Monica even held the Captain Marvel mantle for a while in the comics. The time jump between Captain Marvel’s 1995 setting and the modern MCU has plenty of room for exploration built in–so there’s always a chance.

Captain Marvel hits theaters on March 8th and is the final entry into the MCU before Avengers: Endgame on April 26th.