Dune Has a Really Interesting New Logo

Warner Bros. has revealed the logo for Denis Villeneuve’s upcoming Dune adaptation at a French convention, and it’s really striking.

The logo, positioned above the image of a sand dune, uses a curved U-shaped icon positioned in four different ways in order to spell out Dune in a stylish manner. A lens flare element in the final shape helps create a more obvious letter E.

Images of the logo have not been officially released by Warner Bros., but photographs taken at the convention have made their way onto Reddit and the wider internet.

While not offering a close look at the film, this title treatment does allow an insight into the film’s potential aesthetic. It’s clean and futuristic, which could mean we’re looking at a particularly sleek vision of Frank Herbert’s sci-fi epic. This would be in direct contrast to David Lynch’s 1984 adaptation, that was rather baroque in its art design, and Alejandro Jodorowsky’s failed version which featured horror-like design work by a pre-Alien H. R. Giger.

Fans of the book have amusingly pointed out that a few more of the U shapes could be dropped in to spell out Duncan, in reference to popular Dune character Duncan Idaho. Duncan will be portrayed by Jason Momoa in this new adaptation.

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Dune releases December 18 this year, and is the first of a two-part adaptation of the original novel. It is also the first release of a larger Dune-based franchise planned by Warner Bros., with reports saying a TV series based on the Bene Gesserit order – Dune: The Sisterhood – has been ordered as a direct-to-series show.

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Matt Purslow is IGN’s UK News and Entertainment Writer. You can follow him on Twitter

Arrow Cast Reacts to Series Finale With Memories From Set

Warning: this article contains spoilers for the series finale of Arrow and the finale of the Arrow-verse crossover Crisis on Infinite Earths.

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After eight seasons and 170 episodes, Arrow faded to black in Tuesday’s emotional series finale.

While it may be the end of an 8-year journey for fans, it is also the end of a huge career chapter for the actors who helped to shape the series. Naturally, in the aftermath of the highly anticipated final episode, Fadeout, many of the stars took to social media to bid their heartfelt farewells.

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Stephen Amell, who has starred as Oliver Queen on Arrow since the franchise began, reflected on his character’s long, rocky journey to reach this point, referring to the end as “bittersweet.”

Katherine McNamara, who was promoted to a series regular for the DC drama’s eighth and final season, reprising her role as Mia Smoak, shared multiple tweets to mark the emotionally-charged ending.

She shared a few poignant behind-the-scenes photos from her time on set before signing off with a final tribute to her character and the rest of the team, who she thanked for “believing” in her and “entrusting” her with the storyline.

After thanking the fandom for watching Arrow for the past eight years, Black Canary star Katie Cassidy shared a touching message about her time on the show, saying she has “so much love” for the cast and crew.

Meanwhile, David Ramsey, whose on-screen counterpart is John Diggle, interacted with fans throughout the series finale. He revealed his favourite part of playing the character was acting with his castmates and that he felt “super nostalgic” filming in the Season 1 bunker for a final time, before concluding that he felt a mixture of emotions about the last episode.

Ramsey also shared some favourite moments and memories from the show on his Instagram stories alongside a final snapshot to mark the end of the series. He captioned the image: “It happened…”

Emily Bett Rickards, who returned to play Felicity Smoak for one last time in the series finale, shared a photo of the empty seats left behind by Amell and herself, writing, “Until the next one bud!”

Elsewhere, Grant Gustin, who appeared in Arrow as Barry Allen aka The Flash, closed the curtain on the final series with a remarkable cast and crew photo, saying, “It takes an army to make a show like Arrow.”

White Canary star Caity Lotz retweeted a series of posts to honour the final episode. She also responded to a tweet from co-star Katie Cassidy, simply writing, “Sister” alongside a love heart emoji.

Juliana Harkavy, who played Dinah Drake, aka Black Canary on Arrow since 2017, bid her own farewell to the series, though she refused to say “goodbye.”

Paul Blackthorne, who portrayed Quentin Lance in a regular role throughout the early seasons of Arrow, extended a shoutout to series star Stephen Amell, who he called a “legend.”

Arrow’s Roy Harper, aka Colton Haynes, shared some cast photos from the set of the final episode, as he teased the exciting “Roy and Thea reunion.”

Katrina Law, Nyssa al Ghul on The CW series, thanked the fans for coming along for the ride, saying she felt “humbled to be a part of it.”

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In our review of “Fadeout”, we recognized the episode to be an “imperfect but ultimately effective conclusion to a long-running superhero saga”, which makes “excellent use of the series’ two most critical supporting characters” Felicity Smoak and John Diggle.

For more on the Arrow-verse, read this breakdown of some of the biggest moments from the finale, find out which episodes Marc Guggenheim identified as the most pivotal, and Stephen Amell’s comments on the Crisis on Infinite Earths ending.

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Adele Ankers is a Freelance Entertainment Journalist. You can reach her on Twitter.

Get a New Windows Laptop on Sale for $199, Plus Gaming Laptop Deals

In my opinion, right now is the secret-best time of year outside of Black Friday to find great deals on laptops. Between people having fatter pockets thanks to tax refunds and a general sense of quiet on the retail-front, laptop deals have been quietly popping up with regularity since the start of the new decade.

Gaming Laptop Deals

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I recommend you take the money you save and put it toward the purchase of a new gaming chair. You can keep using the old folding chair you found outside a school cafeteria last summer, but I think you should make yourself as comfortable as possible. You gotta look out for number 1. Or not, it’s up to you.

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Seth Macy is IGN’s tech and commerce editor and just wants to be your friend. Find him on Twitter @sethmacy.

Cuphead On Switch Is Discounted To Celebrate His New Super Smash Bros. Costume

Cuphead, one of the very few Microsoft-published games to make its way to the Nintendo Switch, has made his way into Super Smash Bros. Ultimate as a Mii costume as of Update 7.0. The costume for a Mii Gunner is available to purchase, and comes with the music track “Floral Fury”.

It’s not quite the same as getting Cuphead as a fully fledged fighter would be, but then the character was not on most player’s radars as a possible addition.

It’s a cool, unexpected cameo, and to celebrate, developers Studio MDHR are offering a rare discount on the Switch version of Cuphead. Until Friday (January 31), the game is available on the Eshop for 25% off. Cuphead doesn’t often drop in price, so it’s a good opportunity to snatch up the Switch version.

Cuphead has been a huge success story, and is getting turned into an animated series for Netflix. It will also be receiving new DLC in 2020, expanding the adventure out further.

Super Smash Bros. Ultimate will also be expanded further, with six more fighters being added before the end of 2021.

Now Playing: Super Smash Bros. Ultimate Adds Byleth & Cuphead – GS News Update

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Two More Roles For The Batman Confirmed, Here’s The Full Cast

Filming on The Batman has begun, and Warner Bros. is celebrating the milestone by confirming a few more details about the film. In a press release, Warner Bros. confirmed the roles that will be played by actors Peter Sarsgaard and Jayme Lawson.

Sarsgaard will portray Gotham’s District Attorney, Gil Colson, who appears to be a character never before seen in the Batman franchise. Lawson, meanwhile, will play a mayoral candidate named Bella Reál. With this latest news, it seems every major character has now been cast.

The Batman Cast

  • Robert Pattinson — Batman/Bruce Wayne
  • Zoe Kravitz — Selina Kyle/Catwoman
  • Paul Dano — Edward Nashton/Riddler
  • Jeffrey Wright — James Gordon
  • John Turturro — Carmine Falcone
  • Peter Sarsgaard — Gil Colson
  • Jayme Lawson — Bella Reál
  • Andy Serkis — Alfred
  • Colin Farrell — Oswald Cobblepot/Penguin

Planet of the Apes veteran Matt Reeves co-wrote The Batman with Mega Man movie scribe Mattson Tomlin, and Reeves is directing as well. The movie is stacked with behind-the-scenes talent. Oscar-nominated Greig Fraser is the director of photography, while Oscar-winner Dan Lemmon is the VFX supervisor. Star Wars series sound mixer Stuart Wilson is also working on The Batman, while Oscar-winner Jacqueline Durran is the costume designer.

Oscar-winner Ben Affleck, who played the character in Batman vs. Superman and Justice League, was originally attached to write and direct The Batman, but he dropped out in January 2017. When Matt Reeves signed on to direct, he also said that he would not use Affleck’s script.

If the KOTOR Rumors Are True, Who’s Making It?

We finally get a look at the back of the Xbox Series X – for real, this time – and discuss why someone might be in biiiiiiig trouble. Plus: a new rumor about a sort-of remake of Star Wars: Knights of the Old Republic has us hyped – but also wondering who would be given the assignment.

Subscribe on any of your favorite podcast feeds, or grab an MP3 download of this week’s episode. For more awesome content, check out the latest episode of IGN Unfiltered from our new barcade set, featuring an interview with Star Wars Jedi: Fallen Order director Stig Asmussen. It’s an open bar; come and join us!

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It’s going to be an incredibly fun year of Xbox coverage. Join us!

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Ryan McCaffrey is IGN’s Executive Editor of Previews. Follow him on Twitter at @DMC_Ryan, catch him on Unlocked, and drop-ship him Taylor Ham sandwiches from New Jersey whenever possible.

Untitled Goose Game Devs Commit 1% Of All Future Earnings To Australian Indigenous Groups

January 26 in Australia is officially called Australia Day, a public holiday meant to celebrate the arrival of the British First Fleet in 1788. It’s the date that British sovereignty was declared, and as such it’s also a day of mourning for many indigenous Australians, as it marks the beginning of British rule and a period of history where numerous atrocities were committed. Reparations have never been provided, and land rights were never ceded.

In the wake of January 26, 2020, one Australian developer has pledged to take part in the “Pay The Rent” initiative, which asks people to pledge a portion of their income to indigenous groups on a regular basis. House House, the developer of Untitled Goose Game and Push Me, Pull You, will give “at least 1%” of all their earnings going forward to indigenous groups.

“Our videogames are made on stolen Wurundjeri land,” their announcement acknowledges. The land of the Wurundjeri tribe covers what is now known as the northern suburbs of Melbourne, Victoria. Prior to colonization, there were around 300 unique Indigenous nations.

To date, Untitled Goose Game has sold over one million copies–if it continues to sell well in 2020, 1% a month could be a substantial contribution. The goose terrorized the Game Awards in 2019, and might get its own Lego set.

Now Playing: Acting Like A Jerk In Untitled Goose Game

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Arrow: Series Finale – “Fadeout” Review

Warning: this review contains full spoilers for the series finale of Arrow! If you need a refresher on where we left off, here’s our review for Season 8, Episode 9 and our full review of the Crisis on Infinite Earths crossover.

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It’s a strange experience writing the final review for a series that’s been a part of my personal and professional life for eight years. Before Arrow existed, Smallville was the closest thing to a fully realized, live-action superhero universe on TV. Now we have a whole Arrowverse, one that keeps getting bigger and crazier and comic book-ier with each passing year. Oliver Queen changed a lot over the course of eight years, as did world around him. It’s fitting that the series takes its final bow not by putting Ollie in the spotlight, but by examining how his crusade affected the lives of everyone around him.

To be frank, Arrow didn’t even necessarily need a series finale in the wake of Crisis on Infinite Earths. Ollie already made his grand, heroic sacrifice and finally achieved his goal of saving Star City. What more even needs to be said at this point? But in a way, that works to the benefit of “Fadeout.” The hardest part is already over. There’s really no way to unstick the landing, so the finale is less an epic climax to the series than it is a quiet epilogue and an opportunity to spend one last hour with old friends.

Quite a few old friends, as it turns out. “Fadeout” shows us Lex Luthor wasn’t the only one to manipulate reality and create a new Earth more to his liking. Ollie apparently tweaked Earth-Prime so that doppelgangers of nearly all the loved ones who died over the course of the series are now living in the reborn Star City. It’s a clever twist that allows the series to end on a very upbeat and hopeful note despite, you know, everyone grieving for the dead main character. It says a lot about Ollie that he went through the trouble of giving all these people – his mother, Tommy, even poor, twisted Emiko – a second chance without trying to reclaim his own life. And perhaps most importantly, the method behind these “resurrections” dances around any concerns about cheapening their original deaths. Those deaths still happened, just in a universe that no longer exists.

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It’s great seeing so many familiar cast members back, including Susanna Thompson’s Moira Queen, Colin Donnell’s Tommy Merlyn, Katrina Law’s Nyssa al Ghul and even Joe Dinicol’s Rory Regan. The complaint with nearly all these returning characters is that we didn’t get to see enough of them, but there’s really only so much that can be expected of one episode.

And certainly, writers Marc Guggenheim and Beth Schwartz knew their biggest priority had to be Emily Bett Rickards’ Felicity. Season 8 has been able to coast by without Felicity up to now, but it would have been unthinkable to wrap up without bringing her back. Rickards delivers an emotionally charged performance to cap off her Arrowverse tenure, with Felicity juggling her grief over Ollie, her fear at losing William too and the profoundly strange sensation of meeting an adult version of her infant daughter. And fittingly, it all culminates in a sequence that finally reveals what became of 2040’s Felicity at the end of Season 7. This episode is somewhat vague (intentionally, no doubt) as to whether Ollie still exists in Spectre form or is truly and completely dead, but all that really matters is he and Felicity finally get that happy ending they failed to achieve at the end of Seasons 3 and 7.

If “Fadeout” does anything right, it’s in passing the torch from Ollie to Diggle. David Ramsey really shines here as a man mourning his brother and struggling to decide what his purpose is in a world that no longer needs Team Arrow. The flashbacks help highlight that brotherly dynamic and show just how far the two have come since 2012. And happily, this episode implies we’ll be seeing a lot more of the Diggle family beyond Ramsey’s guest role in next week’s The Flash. Their move to Metropolis suggests John and/or Lyla might be part of the supporting cast on Superman & Lois. And it sure seems like that John Diggle: Green Lantern fan theory has well and truly come to pass.

The actual conflict in the finale is nothing terribly remarkable. Post-Prometheus, the idea of an old enemy from Season 1 returning to strike at Oliver Queen where he’s most vulnerable seems a little redundant. But that subplot and the flashback scenes get the job done in terms of adding a little variety to the mix. You don’t want to devote an entire hour to people crying in front of tombstones and statues, especially when James Bamford is directing. And there’s something highly amusing about the very last villain in Arrow being named after the influential and infamously cantankerous comic creator John Byrne.

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While emotionally stirring in all the right ways, “Fadeout” does fall short in a few key ways. Anyone who’s followed my Arrow reviews over the years probably knows what I’m going to say next. It’s hugely disappointing that Manu Bennett’s Slade Wilson never made a significant return appearance in Season 8. Slade is easily the best villain Arrow ever produced, and he only Reverse-Flash rivals him as the best Arrowverse villain of them all. The series will always feel irritatingly incomplete in that regard. We do get that early rehash of the pivotal Slade/Moira scene from Season 2 early on, but one has to assume Bamford and his team fudged the end result using archival footage rather than actually flying Bennett out to film a couple quick shots of being punched in the face. Otherwise, why not give Slade a meatier role and actually provide the character with the closure Season 6 never quite achieved?

There are several possible reasons why Bennett never returned for Season 8 when nearly every other fan-favorite actor did. Maybe the scheduling never worked out. Maybe, as with Michael Rosenbaum’s refusal to take part in Crisis, The CW was never able to provide Bennett with the compensation he felt he deserved. Or maybe Slade is just another casualty of WB’s strange dislike of having multiple simultaneous versions of the same character. With Deathstroke playing such a huge role in Titans: Season 2, it could be that Bennett’s return was never going to be an option. Whatever the explanation, the almost complete lack of Slade Wilson in the finale causes the series to end on a needlessly sour note.

It’s also strange how much the events of “Fadeout” seem to clash with last week’s “Green Arrow and the Canaries.” That episode revealed Dinah fled to the year 2040 after discovering no trace of her existence remains in 2020. How exactly does that gel with what we see here? There’s also little sense of how and why Laurel comes to be in 2040. These glaring inconsistencies stand out all the more because this episode does reference William’s kidnapping in “Green Arrow and the Canaries,” so it’s not as if the two hands aren’t talking to each other.

For these and other reasons, Arrow’s final episode does stumble a bit as it crosses the finish line. There are a few too many loose ends that will probably have to be wrapped up in other Arrowverse series. But at least the core trinity of Ollie, Felicity and Diggle are given the sendoffs they deserve. Much as it has throughout its tumultuous existence, Arrow succeeds where it matters most.

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Bryan Cranston Stars In Absurd Mountain Dew Super Bowl Ad That Remakes The Shining

Super Bowl 54 is coming up soon. There is a football game, of course, but another big draw for the event are all the commercials. We’ve now seen another one, as Mountain Dew has released its big game commercial hyping its new zero sugar version.

Mountain Dew recruited Breaking Bad’s Bryan Cranston for the ad, which sees the actor remake the “Here’s Johnny!” scene from The Shining, basically. Cranston plays Jack Torrance in that horrible scene where he’s trying to kill his wife. Except in this version, Cranston offers his wife a Mountain Dew Zero, and she accepts and everything is just fine. Phew.

Be sure to stick through until the end for a special surprise that is quite unnerving. Here’s the video:

Mountain Dew is not the first company to release its Super Bowl ad early–check out GameSpot’s roundup of all the commercials revealed so far. Super Bowl broadcaster Fox is charging $5.6 million for 30 seconds of airtime during the Super Bowl, so this new Mountain Dew ad and the rest did not come cheap.

Super Bowl 54 takes place on Sunday, February 2 from the Hard Rock Stadium in Miami. The San Francisco 49ers are facing off against the Kansas City Chiefs in what’s expected to be high-scoring, action-packed game.

Every year EA Sports releases the results of its Super Bowl simulation, but that hasn’t happened yet. The simulation has a spotty track record, so even when the results do come, there is a good reason to doubt them.