Pet Sematary Review

This is an advance review out of the SXSW film festival. Pet Sematary opens April 4 in the UK and AU and April 5 in the US.

This new version of Pet Sematary — an adaptation of Stephen King’s seminal novel of the same name, which was previously made into a film in 1989 — is an example where sometimes remakes are better. Whatever one’s feelings are on the original film, though, this new Pet Sematary stands alone a gripping piece of horror entertainment marked by strong performances, an ever-escalating sense of doom, and, as the movie crosses firmly into the ghoulish, a delightfully dark wit.

Skillfully directed by Kevin Kölsch and Dennis Widmyer, who previously directed 2014’s Starry Eyes, Pet Sematary quickly establishes a pervasive sense of dread that extends from the otherworldly woods of the titular burial ground to what should be the safety and sanctity of a family home. And for the film’s central Creed family — doctor-dad Louis, mom Rachel, and kids Ellie and Gage, who recently relocated from Boston to the small town of Ludlow, Maine — their new home and its unfathomably evil surroundings will impress upon them that death will find anyone, anywhere, anytime.

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Pet Sematary Review: A Terrifying And Twisted Dark Comedy

After the second trailer for the remake of Pet Sematary dropped, there were some divisive reactions. Remakes in general are not always well received, and for every good Stephen King adaptation like It, we get a Dark Tower or two. With the new Pet Sematary, directors Kevin Kölsch and Dennis Widmyer take some major departures from the source material that made people think the marketing for the film gave away everything. But the Starry Eyes directors have more aces up their sleeves. This new remake dares ask to ask: What if dead was not better?

Those not familiar with the novel or film need not worry, however, for Pet Sematary is a highly entertaining, terrifying, and fun movie all on its own. Dr. Louis Creed (Jason Clarke) is tired of the city life, so he decides to move his family from Boston to rural Maine to spend more time with his wife Rachel (Amy Seimetz), and their two young children, 8-year-old Ellie (Jeté Laurence) and 3-year-old Gage (Hugo and Lucas Lavoie). One day Ellie discovers a procession of kids in creepy animal masks heading to a mysterious burial ground in the woods near the family’s new home. There, she meets her neighbor, Jud Crandall (John Lithgow), who tells the story of the titular pet cemetery that houses beloved and departed pets (and, because this is Stephen King we’re talking about, also something more ancient and sinister).

At 101 minutes, Pet Sematary has a great pace that makes it feel like the movie is shorter than it is, leaving you wishing you could see more of this twisted tale. By nature of the story, the major scares don’t begin until about halfway through the movie, but Buhler is an impatient writer and the script wants to scare you as soon as it can–and it succeeds. There are plenty of smaller scares that whet your appetite for the madness that will follow.

The film doesn’t shy away from showing you some horrific and gory stuff, including a scene in which a character’s face is half scraped off with his brain hanging out from his skull. It’s an unnerving and visceral sight that will have horror fans cheering in the theater. And those expecting a certain scalpel to play a part in the film should be excited for Pet Sematary, as the scene in question is as gory as you would expect.

There are plenty of surprises both for longtime fans of the story and those coming in blind. The script by Jeff Buhler expects you to be familiar with the story, because it wants to make you feel like you know what is going to happen next. You anticipate the pivotal moments from the older movie and the book, right before Buhler pulls the rug from under you and makes you jump in fear or laugh at the clever ways the script and Kölsch and Widmyer’s direction subverts expectations.

One of the biggest changes takes place in an elaborate and tense scene that acknowledges the audience expectations and then hits you in the face with a truck. It is also a change that works perfectly for this adaptation. Pet Sematary takes full advantage of this change to explore questions about mortality, grief and what we would do if we were in that situation.

One of the most interesting aspects of the story is how it addresses grief, and how hard it is to let go of loved ones after they die. Jeté Laurence plays Ellie with a nuance not commonly seen in such young actors. Jason Clarke is great as Louis, but it is Amy Seimetz as Rachel who is the highlight of the film. Rachel has a bigger character arc in this version of the story, exploring her proximity to death more closely. And fans of Zelda need not worry, as Pet Sematary takes her part in the story and elevates it to new and more horrific heights.

Despite having plenty of gruesome imagery, Pet Sematary is also morbidly funny. Buhler’s script and Kölsch and Widmyer’s direction doesn’t rely on jokes, but on the messed-up situations the Creed family gets involved in. This is a pitch-black film with a bleak third act that also features a scene with a hairbrush that will have audiences squirming and laughing at the same time.

In an age where every film is getting a remake or a reboot, Pet Sematary might actually be better than the original. It’s terrifying, twisted, heartbreaking, morbidly funny, and a hell of a fun time.

The Good The Bad
Third act is bananas in all the twisted and dark ways imaginable John Lithgow doesn’t have as much to do as one would expect
Jeté Laurence is a revelation Will turn you off from wanting to have kids
Smart changes from the source material
Doesn’t shy away from being gory and morbidly funny
Hypnotic score by Christopher Young

Annabelle 3’s Title Revealed In First Teaser

While horror franchises aren’t exactly new, James Wan’s Conjuring series is more ambitious than most, and has been slowly building an MCU-style interconnected horror universe for several years. Following last year’s hugely successful The Nun, 2019 sees the return of spooky Victorian doll Annabelle, for her third movie. A short teaser has now been released, which confirms the title of the new film.

The teaser has no footage from the movie, but it does reveal that it is named Annabelle Comes Home. It follows Annabelle (2014) and Annabelle: Creation (2017) and hits theaters on June 28. Check the teaser out below:

Annabelle Comes Home is directed by Gary Dauberman. While this is Dauberman’s first movie as director, he wrote the previous two Annabelle films, as well as the upcoming It: Chapter Two. The movie stars Vera Farmiga and Patrick Wilson, who reprise their roles from the main Conjuring films as paranormal investigators Lorraine and Ed Warren. Wan is producing once more.

Annabelle Comes Home isn’t the only Conjuring-related movie on its way this year. Next month sees the release of The Curse Of La Llorona, which is also produced by Wan and has a loose connection to those films. Check out GameSpot’s review here.

Daily Deals: Far Cry New Dawn for $20, Switch + Mario Game Sale Still Live

Welcome to IGN’s Daily Deals, your source for the best deals on the stuff you actually want to buy. If you buy something through this post, IGN may get a share of the sale. For more, read our Terms of Use.

We bring you the best deals we’ve found today on video games, hardware, electronics, and a bunch of random stuff too.Check them out here or like us on Facebook and follow us on Twitter to get the latest deals.

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Halo 5 Gifts Players With ‘Last Slice’ Pizza Skin In Response to Fans’ Pizza Deliveries

UPDATE (3/17/2019): In response to the countless amounts of Pizza sent to 343 Industries due to “the outpouring of excitement over the news that Halo: The Master Chief Collection is coming to PC,” 343 has a gift for its fans in return.

All who play online today in Halo 5 will be rewarded with a pepperoni pizza skin to make all your guns just that much more delicious.

Check out the hilarious announcement below and log on to Halo 5 to collect your prize, the Last Slice skin!

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The MCU’s Biggest Second Weekend Box Office Drops

It’s become tradition for most Marvel movies to have no other competitors on opening weekend, which often leads to big debuts at the US domestic box office. With Captain Marvel only in its second weekend in theaters and having already crossed the $200 million mark in the United States, many might be wondering how its second weekend box office drop compares to other films in the MCU franchise. Well, we have the answer.

Here’s a look at which movies retained their audiences the most from weekend one to weekend two, ranked in order of the smallest drops to the biggest, with all the data pulled from Box Office Mojo. Did any of these surprise you?

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