Ring Fit Adventure Hands-On Preview

Nintendo’s newest innovation is a Joy-Con enabled Pilates ring that connects to an action-RPG – but you’re performing the actions.

We sent Josh Du to test out not only the game itself, but whether it provides a good workout – you can check out the preview in the video above.

Along the way, we even find out some extra little details, from how the Joy-Con R is used as a heart rate monitor, to off-screen workout tracking, to machine washable grips for the sweaty-palmed among us.

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Save Big on PS4 Pro, Nintendo Switch, and More Amazon Warehouse Items

Amazon is running a terrific deal that gets you an extra 20% off tons of Amazon Warehouse (used) items, including video games, consoles, and accessories. As a result, you can nab deals like a Nintendo Switch for around $200, or a PS4 Pro for $270. The discount appears at checkout.

Inventory is limited, so you’ll want to hurry to take advantage of any deal you see. You’ll also want to pay attention to the item’s condition, and make sure the seller is Amazon Warehouse.

You can check out the list of video game items, or read on to see some of the highlights. And remember, the 20% is taken off at checkout, so the final price is lower than the price shown on the product page.

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The OnePlus 7T Gives You High-End Smartphone Specs for $600

A few months ago, OnePlus introduced a whopper of an Android phone with the OnePlus 7 Pro, but we never got its smaller sibling, the regular OnePlus 7, here in the states. Well, now OnePlus is announcing we’re all getting a new OnePlus 7T complete with a 90Hz screen, triple camera setup, and a new processor.

The OnePlus 7T really is a better OnePlus 7 Pro squeezed into a smaller package. The phone has been upgraded with 90Hz Fluid AMOLED display that also hits a 1,000-nit peak brightness to meet the latest HDR10+ certification.

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Why The Last of Us Part 2 Isn’t Open World

Naughty Dog didn’t intend to make its biggest game ever with The Last of Us Part II, back according to Creative Director (and co-writer) Neil Druckmann, the ambitions of the story necessitated it.

“We didn’t set out to make the biggest game we’ve ever done, we set out to tell this really ambitious story that became the biggest game we’ve ever done. And that’s why we took as long as we have,” Druckmann told me after my recent hands-on time with The Last of Us Part II.

“The story we laid out four years ago is really complex, has a large cast of characters. The core of it is simple, but where it goes and the twist and turns are complex,” he said. “We needed more time for cinematics, we needed more locations, we needed more types of enemies. So the scope of it kept growing.”

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The Last of Us Part 2 Creative Director on Joel’s Role in the Sequel

The Last of Us Part II’s release date trailer gave us our first proper look at the first game’s protagonist, Joel, as he appears in the upcoming sequel. And given Joel’s relative absence in footage so far, as well as in the more than two hours I played of The Last of Us Part II, I was curious if that implied a downsized role or importance in the sequel.

So while speaking to Neil Druckmann, Naughty Dog Vice President and Creative Director of The Last of Us Part 2, I asked whether we should take Joel’s smaller role so far as indicative of his importance to Ellie in the sequel. Watch the video above to see his full response, plus some new gameplay from the sequel.

“Their relationship is strained. Some of it is because teenagers will be teenagers, and some of it is because of their history, which is why you haven’t seen them together a lot,” he said. “So much of The Last of Us is about this duo and their dynamic and how they are together, how they play together. I will say Joel plays a major part of this game.”

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The Last of Us Part 2: What We Think After 2 Hours of Play

After just over two hours of my first hands-on time with The Last of Us Part 2, I finished my last encounter, and let out one of the longest-held breaths of my gaming life. Following many tense battles with clickers and humans alike, I’m absolutely confident in Naughty Dog’s impressive, brutal combat, set in a richly-detailed world. And I’m equally intrigued by the teases of The Last of Us Part 2’s story I glimpsed throughout my demo, including a knockout performance by returning lead Ashley Johnson as Ellie.

This preview for The Last of Us Part 2 will clearly mark story-focused elements, for those who wish to know nothing about the narrative content shown in our demo. Also, be sure to watch the video preview above, which features new gameplay from The Last of Us Part 2.

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Code Vein Review

If you’ve seen a trailer or any preview footage for Code Vein, the elevator pitch is clear: It’s an “anime Soulslike” – an action-RPG that promises the steep challenge and cautious combat that we’ve all become very acquainted with in recent years. Code Vein doesn’t simply layer generic anime style and storytelling on top of a Souls clone and call it a day, though: its unique post-apocalyptic sci-fi-meets-anime horror atmosphere stands out, and its flexible class system and an AI partner distinguish it from its peers mechanically. Some of those ideas make things more frustrating than they need to be at times, but in this kind of game, a healthy dose of frustration comes with the territory. Code Vein deserves some credit for experimenting with this firmly established formula in ways others often don’t.

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How The Last Of Us 2 Will Make You Feel Bad About Killing Enemies

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The original Last of Us didn’t shy away from making you reflect on your actions. In the sequel, developer Naughty Dog aims to hit that theme even harder. The Last of Us Part II has a new, seemingly small detail that could add a lot of weight to each kill: Every human enemy has a name. And they do not like it when you kill their friends.

During a pre-release event, we interviewed The Last of Us Part II co-director Anthony Newman about the upcoming game. What we’ve played so far is incredibly intense, and a lot of your victims are healthy humans, not just infected. How this brutality affects Ellie’s humanity is a core aspect of the sequel, Newman explained.

“I think a big part of the theme of the game is the parts of your humanity that are lost or potentially stripped away when you pursue justice, or the lengths that you go for justice can potentially have, again, a very high human cost to you personally,” he said.

A big part of this is the emphasis on the humanity of the enemies you face. Every single one has a name, Newman told us, and they’ll often refer to each other by name when coordinating. “Not only does it show how intelligent they are that they’re able to coordinate, but by naming them they become that much more of a real human,” he explained.

“One thing that happened to me was I was fighting a couple of enemies. I grabbed one as a hostage to protect myself from another one. I shot the other one and the guy in my arms yelled, ‘Steven! No!’ Just showing … this very real concern for his compatriot that just fell. I was taken aback. I had never seen that particular confluence of our games’ systems and it really–it makes the enemies you’re fighting against feel more human, more deadly. It makes the combat situations that you’re in–it makes you just really realize how high the stakes are.”

From what we’ve played of The Last of Us Part II so far, it’s shaping up to be thematically heavier even without the guilt of killing someone’s friend and being forced to think of it that way. Dogs also have names and must be killed, which is also quite upsetting.

The Last of Us Part II is set to release on February 21, 2020, for PS4. If you haven’t played the original yet, it’ll be free through PS Plus in the month of October. We also learned a lot more about the game from the event; check out our full preview for The Last of Us Part II.

The Last Of Us Part 2 Is “Meant To Be Unsettling”

Brutality is at the heart of the story Naughty Dog wants to tell in The Last of Us Part 2, raising questions of what people will do to survive, and what they’ll do for the people they love. In The Last of Us, those questions centered on the parental relationship between protagonist Joel and Ellie; The Last of Us Part 2 puts the spotlight on an older, more capable Ellie.

The post-apocalypse of The Last of Us sees the world thrown into chaos by a zombie-like fungus that turns humans into unthinking killing machines, which has collapsed almost all of civilization. In the wake of that event, every day is a fight for survival, both against the infected and other human beings who are willing to kill one another just to stay alive. Fighting other people was a huge part of The Last of Us, and in Part 2, Ellie embarks on a quest for revenge against other survivors.

We played about two hours of The Last of Us Part 2 at a Sony event in Los Angeles, and throughout the session, Ellie killed a whole lot of people. The preview we played consisted of two sections, the first of which seemed to be the setup for Ellie’s crusade. Naughty Dog didn’t fill in the details of her motivations, but the first scene was all about Ellie’s relationship with Dina, her best friend and burgeoning crush. We last saw Dina in Naughty Dog’s E3 2018 trailer, which showed Ellie and Dina sharing a kiss during a dance in their relatively secure town of Jackson, Wyoming. That scene suggests Ellie has romantic feelings for Dina that aren’t necessarily reciprocated, but by the end of our first gameplay session, Ellie and Dina’s relationship had changed to become a romance.

During the event, writer Neil Druckmann said that some terrible event pushes Ellie to track down a group of survivors to exact her retribution. The most recent trailer for Part 2 implies that the event is something very bad happening to Dina.

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For the most part, though, the first section of our demo felt a lot like its predecessor. There was a lot of sneaking around, killing infected “runners” (the more agile, more recently infected enemies), and a few “clickers,” their blind but deadlier elders. Ellie carries a switchblade now–gone is the need to constantly craft shivs to stealthily kill clickers–so in most combat situations with the infected, your go-to approach is to sneak up behind for a quick silent takedown.

Figuring out how to use the environment to your advantage and distracting enemies with thrown bottles and bricks are still essential to these moments. And as in the last game, getting spotted turns the slow and stealthy approach into a heart-pounding nightmare as you try to take out enemies before you’re overwhelmed or grabbed and killed by a clicker.

The Last of Us was essentially a cooperative experience with Joel and Ellie working together, and in the first scene, every combat encounter found Ellie working with Dina. Co-director Anthony Newman told GameSpot that Naughty Dog has amped up your allies’ capabilities in Part 2. Where the studio could get away with keeping the younger and less experienced Ellie mostly out of the fight in the first game, in the demo we played, both characters are seasoned survivors. Thus, Dina is a more active ally who you can rely on. She’ll execute her own stealth kills, for instance, and is helpful in a straight fight. Dina’s active participation in combat also paves the way for additional strategic considerations.

“In the past in almost all of our games, the allies have done kind of fake damage, where you see them shoot enemies and it’s a little bit theatrical–like their bullets are clearly doing way less damage than yours,” Newman said. “What I’m really excited about is that with a lot of effort and some clever AI tricks, every time you see an ally shoot an enemy, their bullets do exactly as much damage as yours do, which is just another way that players are able to make predictions and think two or three steps ahead. When they see Dina take a couple of shots, and then they realize, ‘I only need one more shot to finish off that enemy because I saw that happen.’ And I think it’s great that players can now count on that and make those kinds of plans interacting with your allies.”

While there were clickers to kill and buildings to scavenge, most of the first scene we played was about the relationship between Ellie and Dina. The original game was filled with conversations between Ellie and Joel as you explored the world, with both characters commenting on landmarks, objects, and collectibles. You’ll find those same optional conversations and character-building moments in Part 2. Ellie and Dina stopping to check out a snowy mountain vista triggered one of those conversations, as the pair took in the view while dancing around their clear attraction to each other and the rapidly changing nature of their friendship. Watching Ellie and Dina figure out how to deal with their feelings was the highlight of the demo–Naughty Dog beautifully captures Ellie’s struggle to determine exactly where she stands with Dina in the wake of their kiss.

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Killing In The Name

The second section of the game was a much later level that mostly focused on combat, stealth, and crafting. It began with Ellie alone in Seattle, a former quarantine zone that has been overtaken by a militant group called the Wolves. Druckmann described the group as xenophobic, killing trespassers on sight. The level was apparently a bit of a pit stop for Ellie–her goal there was to find Tommy, Joel’s brother, who was also trapped in Seattle and is being hunted by the Wolves.

Ellie’s new abilities in Part 2 are countered by smarter human enemies who coordinate more and work together to flush her out of cover or flank her. The biggest new change to combat in this section was the addition of scent-seeking attack dogs that some of the Wolves employed to find trespassers. As Newman explained, the dogs change up stealth gameplay significantly because they force Ellie to be a lot more mobile and reactive. You can’t just hang back to stay out of sight and keep quiet–you now have to deal with enemies who can pick up your scent.

Ellie now leaves a scent trail behind her as she moves around an area, and if dogs cross it, they can start to track her. You can see the trail in the refined Listen mode, which allows you to see enemies behind walls and through obstacles, to give you the sense of the dog’s path before it finds you. Getting dogs off your scent requires either distracting them by throwing something or staying on the move until your trail dissipates. Luckily, Ellie’s ability to crawl through tall grass makes her a lot tougher for other enemies to spot, so while you’re forced to move around a lot more in Part 2, you have more options for avoiding detection, at least at a distance.

The dogs are a vicious addition to combat, as well. Get spotted, and you’ll have to deal with incoming fire from enemies as well as the attack dogs attempting to knock Ellie down and tear her throat out. Ellie’s switchblade gives her close-range melee options, as do other weapons you can find in the game, like axes and machetes. With so many Wolves wandering around, we found ourselves getting caught quite a few times during the second section–and fighting a lot of dogs.

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As in the first game, Naughty Dog puts a big emphasis on the horror of Ellie’s battles with other characters, whether human, infected, or canine. But fighting other humans takes on a significant note of savagery. Stealth kills are an intense affair in which a person struggles as Ellie slams her knife into their neck, gritting her teeth as she strains against their panicked flailing until blood and life pour out of them. Melee fights often end with a blade embedded in the side of an enemy before they sputter and collapse.

Naughty Dog has also increased the brutality of fighting for your life in another, more thematic way: Every human enemy in Part 2 is named, so characters will often call out to each other by name as they discuss tactics or shout orders. Kill someone, and their friends will call out their name in anguish. The same goes for the dogs; it seems you’ll hear a lot of pained cries from dog owners as you kill their companions in Part 2. Hearing your enemies react in emotional pain (in addition to physical pain) is a jarring addition that Newman said emphasizes the core thematic thrust of the series–and it’s meant to be unsettling.

“A big part of the theme of the game are the parts of your humanity that are lost or potentially stripped away when you pursue justice,” Newman said. “The lengths that you go for justice can have a very high human cost to you personally. And one of the ways I’m really excited about that we’re kind of bringing that to life is our named enemies. …Not only does it show how intelligent they are that they’re able to coordinate, but by naming them, they become that much more of a real human.”

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Keep Moving

Ellie’s ability to get around in stealth also helps her out in combat, making a hit-and-run style more viable than it was for Joel. Naughty Dog’s encounter design emphasizes your ability to run to get out of trouble, find a better spot to make a stand, or re-enter stealth. Most areas where we fought enemies were large, with lots of opportunities to jump through windows or crawl through holes in walls to lose pursuers or trick enemy combatants. Running is a major part of your repertoire in fights, and Ellie’s ability to quickly reposition herself in big areas with lots of different options is all but essential if you want to survive against several enemies at once. Your sprint button is also now a dedicated dodge button; time it right and you can slip under the swing of an enemy axe to open them up to a counterstrike, or make it tougher for someone to shoot you as you try to find cover.

Combat is as harrowing in Part 2 as it was in The Last of Us, and no more forgiving. Wolves quickly descended on Ellie’s position if we started shooting and hunted her once they knew she was around. Even after we’d given enemies the slip, they stayed on alert, combing the area for any sign of Ellie. The enemies are smarter, but as Newman explained, making them more realistic also makes them more predictable, which gives the player some advantages, too.

“Our AI now has a new state of awareness between complete awareness of your position and being totally unaware of where you are,” he said. “We sometimes call it ‘vague knowledge.’ An enemy can see another enemy get killed by a silent weapon like the bow or our new crafted silencers that you can attach to the pistol, and they will infer from the direction that the arrow came from, ‘I think it came from over there,’ but they don’t know your actual position. …By having these kinds of more refined and nuanced layers of knowledge and perception and coordination, players can make better and better predictions, and make more refined strategies about what to do next.”

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Ellie’s Adaptations

Crafting is still a big part of The Last of Us Part 2, both in and out of combat. You’ll spend a lot of your time checking every drawer and shelf for things like alcohol, rags, bullets, and weapon components, in order to make things like medkits, molotov cocktails, and smoke bombs. As with the last game, you can craft anywhere on the fly if you have the right items but the action doesn’t stop–you’ll need to find cover or hide yourself before opening your backpack.

Crafting works pretty much the way it did in The Last of Us, but Naughty Dog has made some significant changes to how you’ll improve Ellie’s abilities in Part 2. You’ll still look for supplement pills throughout the game to help make Ellie stronger, but the game’s new skill trees put a lot more emphasis on giving her new abilities than in increasing her stats. Ellie has several upgrade trees that are usually linked to a certain theme; you can increase her movement speed while prone on one tree, for instance, while another allows her to craft smoke bombs that also stun enemies. The ability to build new consumable silencers for your pistol is something you’ll have to unlock from a skill tree as well. We also discovered a training manual in the preview level, which unlocked a whole new archery-related skill tree for Ellie, full of its own specific upgrades.

Weapon modding has also been revamped quite a bit. The basics are the same as in The Last of Us, in which you pick up generic components and use them to upgrade your guns at a workbench. But most of the upgrades alter how your guns work and handle, making them a much more important part of customization. We slapped a scope on a hunting rifle for long-range combat, while cutting the recoil and sway on a pistol to make it more viable for stealthy situations when paired with craftable silencers. Newman said Naughty Dog wanted Part 2’s weapons to feel more like part of your character as you customize them, to put an emphasis on allowing you to enhance your particular play style through your choices as you upgrade both Ellie and her guns.

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The Last Of Us Part 2, Not The Last Of Us 2

Newman said Part 2 will be a blend of the kinds of scenes we saw, with sections in which Ellie will work with allies and others where she’ll be alone. But like the Last of Us Part 2 trailer released during Sony’s State of Play event this week, the second preview section ended with Ellie discovering Joel in Seattle, suggesting that at least part of Ellie’s journey will see the two characters reunited in both story and gameplay.

Newman also said that Ellie and Joel’s relationship is a big part of the story in Part 2, despite the fact that Joel has been absent from everything Naughty Dog has shown about the game until now.

“Thematically, I think what I would say is there’s a reason this game is called Part 2 and not 2,” he said. “It really is an exploration of where their relationship goes at the end of the first game. There’s kind of a little bit of a hanging note of discord after the first game, where after everything that happens, it’s clear that Ellie isn’t quite on board with what Joel is telling her at the end of The Last of Us 1. And really I think Part 2 delves into what happens next, where does it go from there. And I think that the world of The Last of Us is so rich and has the opportunity for so many stories in general that can be woven in and out of the story of Joel and Ellie that we felt really compelled to try and explore those kinds of stories.”

But it also seems pretty clear that Naughty Dog’s focus is on Ellie’s story in Part 2, what her search for revenge will cost her, and what she–and you–will be willing to do to get it. As Newman said, it’s supposed to be unsettling.

The Last Of Us 2 Includes Two Ridiculous NSFW Easter Eggs

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Note: This post contains some not-safe-for-work sexual language and a minor spoiler for The Last of Us 2.

Naughty Dog often slips self-referential Easter eggs into its games. Uncharted 4‘s playable version of Crash Bandicoot that Nathan Drake and Elena Fisher fire up in their living room might be the studio’s most memorable–until you discover the not-safe-for-work ones hiding in an early level of The Last of Us Part 2.

We played about two hours of The Last of Us Part 2 at a preview event in Los Angeles, which included an early mission featuring protagonist Ellie and her companion Dina out on patrol to search for the zombie-like infected. During the mission, the pair find themselves trapped in a bookstore by a snowstorm, and they discover a hidden room that another member of their team, the late Eugene, turned into a marijuana grow house.

Eugene’s hideaway includes a bunch of other personal items that Ellie and Dina discover as they wander around, like a gas mask bong, among other things. And then the two women discover Eugene’s stash of videotapes. Turns out, they’re old VHS porn videos.

Ellie finds that two of Eugene’s tapes aren’t family-friendly by reading their labels, which is where Naughty Dog makes two great jokes. Like in our world, somebody living in the universe of The Last of Us, before the game’s 2013 outbreak of the Cordyceps fungus that basically turns people into zombies, made some porn movies with pun titles to riff on existing media. In Eugene’s video collection, Ellie finds the phenomenally titled “Smash Brandi’s Cooch”–a play on Naughty Dog’s own beloved PlayStation platformer, Crash Bandicoot.

The second parody is more for eagle-eyed fans of The Last of Us. It’s called “Dong of the Wolf,” which is an in-universe reference rather than a callback to a Naughty Dog game title. Back in The Last of Us, you might have noticed billboards and posters for a movie called “Dawn of the Wolf Part 2,” which featured a man with wolfish features embracing a woman. Find a specific billboard and Joel and Ellie have a conversation about the film, which looks like a werewolf take on something like Twilight. Apparently, there was a market for a more hardcore version.

While those Easter eggs were the most ridiculous and outwardly hilarious of the ones we saw in Naughty Dog’s hands-on demo, they weren’t the only ones. Near Eugene’s porn stash, we found an in-game PlayStation 3 system with a stack of Naughty Dog games beside it, including Uncharted 2 and Uncharted 3. The interesting implication here is that Naughty Dog existed within the fictional universe of The Last of Us (at least until the outbreak in 2013). Maybe the pornographers of the game’s world only coincidentally landed on a Crash Bandicoot-like name for their movie–or maybe it’s now The Last of Us canon that somebody making porn in that world was just a really big fan.