Animal Crossing-Esque Sim Hokko Life Hits Steam Early Access Next Month

Soon, Steam users will also be able to build their life amongst cute animal villagers. Hokko Life, an upcoming town sim from Team 17, will be launching on Steam Early Access next month.

In a post on Steam, Hokko Life’s sole developer Robert Tatnell, who goes by Wonderscope, announced that the upcoming title would be heading to Early Access on June 2. Some features of the game were also revealed, which may remind you of another town sim game with animal villagers. Players will be able to use a workshop to design their own furniture, go fishing or catch bugs, or simply chat with their neighbors.

The similarities don’t end there either. A new trailer for Hokko Life revealed some snippets of gameplay, and it’s all very Animal Crossing-esque. Players travel around their village from a semi-top down perspective, chat with some anthropomorphic villagers, and customize their little box-shaped home. The game also seems to have seasons, although we can’t say if those are tied to the passage of time in the real world a la Animal Crossing.

Hokko Life does seem to have some features that set it apart from Animal Crossing. For instance, players can place items in the world at various angles instead of being locked into a grid. Likewise, the individual parts of furniture can be decorated. Players can customize the frame and cushions of a couch for example. However, when players speak to villagers, they don’t have their own cute, unique voices, and that’s just a letdown.

Currently, Hokko Life’s Early Access price is unknown. However, Tatnell has stated that the game will cost less during its Early Access period than it will once it fully releases.

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WWE Wrestlemania Backlash 2021 Match Card And Predictions

It’s time for those who were wronged at Wrestlemania to get their revenge–or backlash. The next WWE PPV is none other than Backlash–now called Wrestlemania Backlash–taking place on Sunday, May 16. The event will feature a few rehashes of WM37 bouts with a few different stipulations or additions. Here’s what you can expect from the card.

WWE rebranded the Backlash PPV as Wrestlemania Backlash, and it will be taking place again in the Thunderdome, which is currently in the Yuengling Center in Tampa, Florida. However, why the show does have “Wrestlemania” in the title–the first WWE PPV since the pandemic started with an audience–the public won’t be in attendance for this one. The show starts at 7 PM ET / 4 PM PT, with a Kickoff Show airing one hour prior. Said preshow will air for free on Peacock, as well as on Twitter and YouTube.

Numerous championships will be defended, including Bianca Belair’s first defense of the Smackdown Women’s Championship; however, it won’t be a rematch against Sasha Banks. This time, she’ll be taking on Bayley. Additionally, Cesaro will finally get a Universal Championship match against the “head of the table” Roman Reigns. Considering the caliber of matches Cesaro puts on, this will be one to watch.

As of this writing, there are seven matches on the card, and there is a good chance a couple more will be added in the upcoming days, especially after Friday’s episode of Smackdown.

WWE Wrestlemania Backlash Match Card:

  • Bobby Lashley (c) vs. Drew McIntyre vs. Braun Strowman (WWE Championship)
  • Bianca Belair (c) vs. Bayley (Smackdown Women’s Championship)
  • Rhea Ripley (c) vs. Asuka vs. Charlotte Flair (Triple Threat Match for the Raw Women’s Championship)
  • Roman Reigns vs. Cesaro (Universal Championship)
  • Dolph Ziggler & Robert Roode (c) vs. Rey Mysterio & Dominik Mysterio (Smackdown Tag Team Championship)
  • Damian Priest vs. The Miz (Lumberjack Match)

While most of the world can watch Wrestlemania Backlash on the WWE Network, wrestling fans in the US will need to subscribe to NBCUniversal’s streaming service Peacock. While the service has a free tier, Wrestlemania Backlash will only be available to stream on the Premium and Premium Plus tiers, which cost $5 a month and $10 a month respectively. The difference between the two is that Premium Plus is ad-free.

Aside from WWE content, Peacock is the home to movies, TV shows, original content, and live events. This summer, Peacock will be the streaming home to the Tokyo Olympics–which were supposed to take place in 2020 but were delayed because of the coronavirus pandemic.

Predictions:

Later this week, there will be a special episode of GameSpot’s professional wrestling podcast Wrestle Buddies, where we discuss our predictions for the upcoming PPV. For now, here’s a prediction for one of the possible main event matches.

Bobby Lashley (c) vs. Drew McIntyre vs. Braun Strowman (WWE Championship)

If there’s one thing WWE loves right now, it’s turning a one on one feud into a Triple Threat match for a PPV. The Strowman Express is tossed into this Lashley/McIntyre feud to get the most amount of large, muscle-men into a championship match. While there’s been a huge push with Strowman recently, I don’t see him winning the WWE Championship here. This could be a good time for McIntyre to regain the title, but I see Lashley retaining through nefarious means.

11 Minutes of Scarlet Nexus Preview Gameplay

In a futuristic world threatened by otherworldly monsters called ‘Others’, Scarlet Nexus sees you play as either Kasani or Yuito with the task of putting a stop to them. Each protagonist have different paths through the same story, and you can see both of them in action in the above gameplay.

You’ll not be fighting along, as you’ll be fighting alongside a merry band of anime boys and girls who are part of a special forces unit who can support you in combat encounters. But of course, there seems to be a deeper mystery to unravel in the main story.

We got out hands on with the game for about 3 hours, but the gameplay in the above video was provided by Bandai Namco. Scarlet Nexus is set to launch on June 25th for PC, Xbox Series X and S, Xbox One, PS5, and PS4.

You can check out our full preview right here – https://www.gamespot.com/articles/scarlet-nexus-anime-style-action-has-potential-but-hasnt-fully-impressed-yet/1100-6491378/

Hitman Dev IO Hires Cyberpunk 2077’s Lead Gameplay Designer And Former Battlefield Dev

Hitman developer IO Interactive has hired two prominent game developers to support its upcoming projects across the Hitman franchise, as well as the new James Bond game and the studio’s unannounced original IP.

Rasmus Hojengaard is now the studio design director, and in that role, he will lead and shape every project that IO Interactive is working on. It’s a homecoming of sorts for Hojengaard, as he was previously the game director on 2006’s Hitman Blood Money. He left IO to join DICE, where he worked on the Star Wars Battlefront, Battlefield, and Mirror’s Edge franchises. Most recently, he was at Rocksteady Studios, the developer of the Batman Arkham series.

The other new hire is Andrzej Zawadzki, who left The Witcher and Cyberpunk 2077 developer CD Projekt Red to join IO. He was the lead gameplay designer on Cyberpunk 2077.

At IO, Zawadzki takes on the role of senior game designer for the studio’s unannounced IP. “His experience, drive and imagination will be a crucial part of establishing a completely new universe,” the studio said in a blog post.

This new IP is said to be a fantasy game with dragons that could be an Xbox-exclusive, though IO has yet to announce any details officially.

IO also mentioned that Hojengaard and Zawadzki are just two of the new hires at the company. The studio also hired “other top talent” at its studios in Copenhagen, Malmo, and Barcelona. “All of the IO Interactive studios will make a significant impact to all projects,” the studio said.

IO’s latest game is Hitman 3, which continues to get new DLC, the latest of which was the Season of Pride.

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Emily Blunt Shoots Down Fantastic Four Casting Rumors

In a recent interview, actor Emily Blunt (A Quiet Place: Part II) says despite persistent rumors online, she and husband John Krasinski (The Office) are not in negotiations with Marvel to co-star in the planned Fantastic Four film. In a clip posted online Tuesday, Howard Stern tries several times to hear whether Blunt even acknowledging internet rumors might indicate she may potentially be in the film, which is still a long way off.

“No one has received a phone call,” Blunt said in the interview. “That is just people saying, ‘Wouldn’t that be great?’ And that’s it.” Check out the two-minute portion of the conversation, in which Stern and Blunt discuss the rumors, below.

Again, despite reports of casting and filming, Deadline reported back in late February that Marvel has only begun meeting with rumors to explore a Fantastic Four movie–there is no plot, no script, no writers attached, no actors hired, and filming has not yet begun. Earlier this year, there were unsubstantiated rumors that a high-profile actress was heading to Australia to begin filming–and the internet does what it does best, and latched onto the notion that the A Quiet Place: Part II star and director couple were making this their next project.

Perhaps sensing that Blunt is perhaps protesting too much, Stern asked the actor whether she felt acting in a Marvel or DC film was “beneath her,” which she immediately dismissed.

“It’s not that it’s beneath me. I loved Iron Man, and I wanted to work with Robert Downey Jr.,” Blunt said, explaining about her decision to turn down the role of Black Widow in Iron Man 2. “It would have been amazing, but I don’t know if superheroes are for me. They’re not up my alley. I think it’s been exhausted.”

That aside, here is some extra grist for the rumor mill: Despite Blunt’s strong statements, she has a superhero movie in the pipeline, Ball and Chain. In it, she and Dwayne “The Rock” Johnson are to co-star in a ’90s comic book adaptation about a couple that can only use their superpowers when they’re together.

The Forever Purge Promises Savagery Under the Texas Sun

Billed as the final Purge film, The Forever Purge, written by franchise creator James DeMonaco, follows the political horror saga into a post-Purge America, where a gang of masked marauders in Texas refuses to stop their violent carnage the day after the morning sirens sound closing out the last official Purge Night.

Talking place after the events of The Purge: Election Night, this brutal final bow is centered around a Mexican couple, on the run from a drug cartel, who get stranded on a Texas ranch. Starring Ana de la Reguera (Army of the Dead), Tenoch Huerta (Narcos: Mexico), Josh Lucas (Yellowstone, Glory Road), Cassidy Freeman (Smallville, Longmire), and Leven Rambin (Terminator: The Sarah Connor Chronicles), The Forever Purge will take us inside an even more chaotic Purge universe than usual, showcasing a violent cult that refuses to give up its annual night of sadism.

IGN spoke with Forever Purge director Everardo Gout (Marvel’s Luke Cage, Nat Geo’s Mars) about this final chapter’s new masks, new heroes, fresh setting, and…whether or not it’s truly the last Purge film.

Is it Really Farewell?

As far as Gout knows, and lining up with everything the public’s been told, this is the last hurrah for the Purge films. But never say never, right? “Definitely when they approached me they told me it was the final chapter,” Gout explained, “as far as what makes sense for the story. But, you know, James [DeMonaco] is super creative so I’m sure he could come up with new ideas. But yes, in intent, it is the last. And also in the scope and intensity. But I wouldn’t be surprised if after this one there’s another idea.”

“I was definitely not interested in doing another Purge movie,” Gout added, “I wanted to do the final act of a Purge universe. That’s what was appealing about The Forever Purge. It’s a different surrounding. It has a lot of different elements. A lot of it takes place using the daytime. The scope of it is completely different. That was all very enticing to me. And the characters too. The point of view of the people who we’re going to experience this through, that was very original I thought.”

From what we can see in the new trailer, a cruel cabal of cowpokes decide to keep purging after the closing sirens, terrorizing everyone they see in an attempt to keep the violence going after the annual allotment of hours. “The way we approached it with James, and this was before the pandemic hit so I feel a little ridiculous saying it, but I always felt the Purge was like a virus,” Gout shared. “That’s how we approached it. Like you have violence enacted on yourself, then you exercise revenge. And therefore you hurt someone else who will then want to hurt someone else. So it’s like a virus spreading and so once you establish that and understand that, even daylight can be scary. Because it’s not about hiding in the shadows, it’s about confronting the true terror of violence. Hopefully, it’s more frightening because it feels more real.”

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What The Purge Means Nowadays

The Purge series, which has been holding a dark mirror up to our own society since 2013, has sadly only gotten more relevant, now hitting closer to the bone than ever. And even though The Forever Purge was filmed long before the January 6 Capital Riot, the film holds an eerie predictive element in that it’s about violence from people who are angry over election results. So how does one balance the thrills and chills of a Purge film with the overall political satire? “I think that if you’re successful, the right balance is that you want to make a movie that’s thrilling and exciting and filled with horror elements and then you hide the vitamins inside the cake,” Gout said.

“I think this is a movie where when you see it, you’re thrilled, you’re entertained, you’re on the edge of your seat, and it feels refreshing and new while still honoring the code of the Purge so Purge fans won’t feel alienated, like ‘what the f*** happened to the Purge?’ So it’s still the Purge but it’s definitely elevated. Ideally, you go through this fresh, exciting ride, and then when you leave the theater you don’t dump the movie like you dump the remainder of your popcorn in the trashcan. You take it with you. And then you think about it. There are images that will come back. There are topics that will come back. And that’s the successful part of it, I think.”

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Mask Up

The Purge series is known for its bone-chilling masks and attire worn by those exercising their right to commit heinous acts of violence. From the “God” mask in The Purge: Anarchy (which would make a big return on the Purge TV series) to the Statue of Liberty mask in The Purge: Election Year, the evil outfits donned by the devilish deviants in these movies have become iconic imagery for the entire franchise. In The Forever Purge, it’s important that “they’re a representation of the topics you want to talk about in the movie and they have to be endemic to the place where you’re setting your movie,” Gout noted.

“For this film,” Gout continued, “James wanted to explore the connectivity between animals and human beings and how there’s a real echo in both worlds. There’s a lot of animals in this movie, like horses and roosters and ranch animals. It’s all purposefully done. So that was a point of reference. Like, who becomes the food of who while the Purge is unleashed?”

Our Forever Purge Heroes

Gout, who is Mexican, was not only interested in making the final movie of the Purge franchise, but also a film that was authentic to the Latino experience. “I didn’t want a white-washed version of the Latinos who are the protagonists in the movie,” he said. “And for us, for Latinos, when we go to the movies, when we see a Mexican with an American accent it’s very upsetting. So I wanted to steer this away from all of that and I pitched Tenoch Huerta who I had done a movie with, which gave him his Mexican Oscar, and I said ‘this is my man.'”

“He was the actor I wanted and I told Universal that until they proved to me he wasn’t the right guy I wouldn’t watch any more casting tapes,” Gout laughed. “And it panned out because he’s amazing and he’s going to do the Avengers next (Huerta will be part of Black Panther: Wakanda Forever). This being my first Hollywood movie I needed to bring my guy with me, and this was his first Hollywood movie too.”

“And Ana [de la Reguera] is a dear friend and amazing actress. I love what we did with that character. She’s a true protagonist and she’s not the usual very young Latino who you’d see in a Hollywood movie. She’s a heartfelt, intelligent, late-30s woman. A full-grown woman who can kick some ass. And I think there’s a lack of that type of character in movies. They’re either super young or grandmothers. There’s nothing in between. I wanted to bring that more forward because it’s closer to reality. And Josh Lucas is amazing too. And it’s a nice balance between the Texans and the Latinos and how they have to come together to survive this dystopian world. That’s what’s interesting. At the end of the day, we have to come together to survive.”

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Those Who Wish Me Dead Review

Those Who Wish Me Dead opens in theaters and on HBO Max on May 14.

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Back when Angelina Jolie swung across movie screens as Lara Croft, few could have predicted her later-career turn as a family-friendly brand. The ill-fated 2015 romance film By the Sea, co-starring her then-husband Brad Pitt, stands as the actress’s lone adult-driven role in the last decade. In Tony Sheridan’s survivalist thriller Those Who Wish Me Dead, if you squint hard enough, you might just catch glimpses of Jolie in her former Tomb Raider glory.

Jack (Aidan Gillen) and Patrick (Nicholas Hoult) — two contract killers posing as utility men investigating a gas leak — open Sheridan’s third directed film. They’re carrying out a hit in Fort Lauderdale, Florida of a District Attorney. The pair approach their grisly profession with gallows humor. They complain of budget cuts — this should be a two-team job — and a minor bloodstain on Patrick’s shirt that halts their progress to their next victims: Forensic accountant Owen (Jake Weber) and his young son Connor (Finn Little). Suspicious of his colleague’s sudden death, the father and son escape toward shelter in Montana with Owen’s brother-in-law Ethan (Jon Bernthal) and his six-month pregnant wife Allison (Medina Senghore).

Sheridan isn’t totally satisfied with this already sturdy set-up. Rather he pitches an additional wrinkle. You’ve probably heard the familiar phrase: When everyone is running out, firefighters are running in. Well, smokejumpers take that maxim to the next level. When everyone evacuates, this band of specialized wildland firefighters parachutes in. Hannah Faber (Angelina Jolie) once stood among the best of the smokejumpers until a blaze went awry. She misjudged the wind, leading to the death of a comrade and three young boys in an uncontrollable forest fire. The mistakes of that day still haunt her today: She drinks heavily, recklessly endangers herself in daredevil acts, and dreams of her regrets to the point of tears.

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Unlike Sheridan’s previous written and/or directed efforts — Sicario, Hell or High Water, Wind River, and Without Remorse — Those Who Wish Me Dead doesn’t center on any socio-political themes like drug cartels, nefarious bankers, the dangers faced by Indigenous women, or rogue military states. In this underdeveloped neo-Western, Sheridan and co-writers Charles Leavitt and Michael Koryta (the author of the same-titled novel this narrative is developed from) try to pack blockbuster thrills into an intimate scope. None of which is wholly believable.

For one, Gillen and Hoult play father and son (allow your brain time to work that out). Tyler Perry portrays the low-key contact to their shadowy clients. Sheridan holds enough self-awareness to know how ridiculous this all sounds, and to a point, he leverages these unworkable components for laughs. Both Gillen and Hoult riff heavily on the two-team job quip. But Jolie seems totally miscast as a hotshot smokejumper. An odd turn of events for someone with her action background, but Jolie just doesn’t exude the rough and tumble personality she’s aiming toward. It also doesn’t help that we don’t see her fight a fire.

Those Who Wish Me Dead doesn’t find a footing until Connor arrives sans his murdered father. Fleeing from the two assassins, the boy stumbles upon Hannah’s woodland lookout tower. Jolie and Little share an easy rapport buoyed by outlandish dialogue. Hannah teaches Connor how to pick up girls, they exchange sad stories — apparently having a dead dad is a trump card in any conversation — and trading harsh barbs. Their pointed give-and-goes mixed with blue language by both parties nearly suffices for us to ignore the glaring flaws blinding Sheridan’s action flick.

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Though Hannah and Connor have two hired guns, a lightning storm, and a fast-approaching forest fire on their tails, we never feel the total suspense wrought by these elements. That’s because the trio of hazards makes one too many components for the 100-minute survivalist film to accommodate. Especially when Sheridan wants to lay the groundwork for Hannah’s PTSD. Viewers might be left more enthralled by the robust action — Jolie works some great stunts as she’s struck by lighting and rappels from great heights — rather than the big thrills derived from the hard-charging fire. Likewise, Medina Senghore provides major crowd-pleasing swings in her tussles with the two blundering hitmen. And the deaths that do occur under the barrage of bullets are gruesome and rollickingly cartoonish in their violence.

Sheridan absolutely wastes the intriguing smokejumpers premise. Outside of the film’s beginning, wherein fractured images of firefighters diving through the air blink across the screen, the only other parachute scene happens towards the end. And it’s not incredibly consequential. There was room for Sheridan to further explore the monumental undertaking shouldered by these first responders, but we learn nothing about them or their methods. Joseph Kosinski’s Only the Brave — a true story starring Josh Brolin about the hotshot crew in Prescott, Arizona — showed this profession could be more than a canvas for large action set-pieces. But the scribes for Those Who Wish Me Dead don’t demonstrate the requisite interest to develop that component. Rather this landscape merely serves as a limited canvas.

The task to make this tonally quirky neo-Western watchable falls to Jolie: But even her star power and a climactic ending whereupon Hannah is first locked in a deadly duel with Patrick (an equally miscast Hoult), then must literally outrace a forest fire with Connor to safety aren’t enough to stoke the flames. By the time the smoke clears, it’s a reminder of how little of Those Who Wish Me Dead is memorable.

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Review Roundup For Spiral: From The Book of Saw

Spiral: From the Book of Saw is the ninth movie in the long-running Saw franchise, and it hits theaters on May 14. The horror thriller stars Chris Rock and is directed by Darren Lynn Bousman, who helmed three of the previous films.

Rock plays detective Ezekiel Banks, who is investigating a series of gruesome murders that are reminiscent of the work of infamous and long-dead killer Jigsaw. His partner is played by Max Minghella, while Samuel L. Jackson appears as Banks’s father, a former cop whose reputation casts a long shadow across his son’s career.

Spiral was originally set for release in May last year, but like most big movies in 2020, was pushed forward to this year. It finally arrives this week, and reviews are now online. Despite its huge commercial success, the Saw series has never been very popular with critics, and Spiral is proving to be no expectation. The movie currently holds 53% on Rotten Tomatoes–but Lionsgate and the filmmakers won’t care if the film hits the commercial heights of some of the earlier films. So here’s what the critics have said about this latest slice of gore-soaked horror…

Spiral: From the Book of Saw

  • Directed By: Darren Lynn Bousman
  • Written By: Josh Stolberg, Peter Goldfinger
  • Starring: Chris Rock, Max Minghella, Marisol Nichols, Samuel L. Jackson
  • Release Date: May 14

The AV Club

“It’s not a waste of a concept, exactly. But it’s not the reinvention that the franchise needs, either. Rock’s involvement brings some new blood to Spiral, but after a promising start, the film just becomes a pretty okay Saw movie with some bigger names than usual–one whose jaundiced lighting and procedural storytelling recall David Fincher’s Se7en more than anything. If the game was to see if a fresh take on a long-running franchise could survive being sliced and diced by the sequel machine, consider it lost.”–Katie Rife [Full review]

Bloody Disgusting

“The smaller scale means a smaller body count and also makes essential plot points easier to decipher ahead of reveals. Still, Rock provides compelling rooting interest in a caustic character with righteous anger, and the film has a distinct sense of humor that offsets some of its crime thriller grit. The traps bring the pain, but they take a backseat to Zeke’s journey. Spiral brings style and substance, with a few chuckles to balance the gore. For this standalone entry, Bousman subverts familiarity and reinvigorates the franchise by substantially expanding and evolving the Saw universe.”–Meagan Navarro [Full review]

The Hollywood Reporter

“Spiral delivers when it comes to gore, if that’s your thing, and appropriately dour aesthetics–but not much else. That’s a shame, because the story’s themes, from the unreformable nature of the police department to the cost of integrity in a space that values power above all else, could not be more relevant. If the mission was, as Bousman has suggested, to create a Saw film driven by a strong narrative instead of gruesome torture, it hasn’t been fully accomplished.”–Lovia Gyarkye [Full review]

Slashfilm

“Spiral blunders through its central mystery without grace or style, or even much thought. Even the death traps are weirdly uninspired. One of them pulls a guy’s fingers off; another drips hot wax onto someone’s face. C’mon, Spiral–is that all you’ve got? It’s as if no one’s heart is really in this, and everyone is just going through the motions – save for the make-up effects team, who go all-out with as much blood and gore as they possibly can.”–Chris Evangelista [Full review]

Total Film

“That a formula as well-trodden as Saw’s can still surprise, delight, and make you feel like you need a quick shower after is impressive. But Spiral is also that rarest of reboots – one that will satisfy series die-hards and a whole new generation of horror nuts. Well played.”–Jordan Farley [Full review]

IndieWire

“If the basic feel of the franchise hasn’t changed — it’s still ugly and cheap and thoroughly uninterested in getting branded as “elevated horror” — the idea to extrapolate Jigsaw’s schtick toward societal problems is a smart one. If nothing else, Spiral is the first “Saw” movie in a very long time that might leave people open to the idea of seeing another one.”–David Ehrlich [Full review]

The Wrap

“If Spiral: From the Book of Saw works–and I am not convinced that it does–it’s because Rock, Bousman and cinematographer Oram are committed to taking this shallow material seriously. The screenplay captures the grizzled-cop-movie tone and draws some memorable characters, but the storyline is rote, the mystery is frustratingly predictable, and the imaginative deaths are less imaginative than ever. Spiral sacrifices entertainment value for respectability and in the process doesn’t quite achieve either.”–William Bibbiani [Full review]

ComicBook

“Spiral: From the Book of Saw almost immediately shows off just how much more entertaining and impressive a sequel in the series can be when it focuses on story and character as opposed to unsettling the audience, but it fails to come out from under its own legacy, still culminating in an “unexpected” finale. Longtime fans will surely appreciate the new approach to the concept, yet it offers little to win over those doubtful about how much potential the concept ever had in the first place.”–Patrick Cavanaugh [Full review]

Collider

“As a breezy crime-thriller mixed with Saw stuff, I found Spiral better than the original if only because it never pretends to have an emotional core. Spiral knows we’re in it for the thrills, and so it rarely tries to be anything more than gory entertainment. With Rock throwing in jokes and the crime-thriller framework, there’s no overwrought melodrama here, and while the social commentary is so thin as to be non-existent, at least it never overshadows the cheap thrills that Spiral delivers.”–Matt Goldberg [Full review]

How You Can Get the Golden Lara Croft Skin in Fortnite

Fortnite Chapter 2, Season 6’s Battle Pass brought fans multiple Lara Croft skins. No one expected her to show up in all gold though. No worries. Our guide below details how to get this special skin.

Don the Lara Croft Skin

In order to unlock the golden anniversary skin, you’ll first have to equip the basic Lara Croft skin. We assume it’s to keep with the theme of her exploring forgotten tombs. Whatever the case, don her “threads” before jumping into a match.

Visit Isla Nublada to Find Orelia

The v16.40 update introduced a new island called Isla Nublada to Fortnite. Located just south of Flush Factory, this small area comes complete with its own NPC and set of ruins. The new NPC, named Orelia, isn’t all that important to this particular mission. The golden SCAR assault rifle that Orelia guards is important, though, as you need it to unlock Lara’s golden anniversary skin.fortnite-isla-nublada-location-poi-gold-lara-croft-skin-anniversary-how-to-get

Pick Up The Golden SCAR

Dive down to Isla Nublada as Lara and retrieve the golden SCAR. This is easier said than done. The first hurdle being rival players. Only one person can pick up the SCAR per match. Killing the person who picks it up and taking it for yourself afterward, doesn’t work.

We recommend getting as close to Isla Nublada as possible before diving out of the bus. If it happens to spawn on the same side of the map, immediately dive and head straight down, only adjusting your descent once you’ve opened your parachute. Head to the south-western side of the island – we found that the entrance to the ruins on that side allows for quicker access to the SCAR.fortnite-orelia-location-isla-nublada-golden-scar

Equip the Gold Lara Croft Skin

Once you’ve beaten the horde and collected the golden SCAR, you’ll be able to equip the gold Lara Croft skin. All you need to do is go to the locker, pick Lara, and then select the golden alternate style.

Fortnite Chapter 2, Season 6 comes to a close next month. It’s possible we’ll see more special skins and challenges before then. Let us know in the comments which skins you want us to make guides for.

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Kenneth Seward Jr. is a freelance writer, editor, and illustrator who covers games, movies, and more. Follow him @kennyufg and on Twitch.

Control Developer Confirms It’s Started Work on Another New Game

Control developer Remedy Entertainment has confirmed that it’s started working on yet another new game, meaning the studio has six publicly announced games yet to arrive.

In Remedy’s latest business review, CEO Tero Virtala explained that, as of last quarter, “Almost all of our internal Control developers have now moved on to work on other Remedy projects, including a new, exciting early-phase project.”

Asked for comment on whether that game was separate to Remedy’s previously announced projects, Virtala replied: “Yes, we have a new project, but it is in very, very early stages. Nothing more to expand on that.” Remedy didn’t comment on if that new project had a publisher at this time.

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This means that, publicly, Remedy is now working on six as-yet-unreleased games: it’s creating single player modes for first-person shooters CrossfireX and Crossfire HD, two projects for Epic Games set in the Control/Alan Wake universe (one billed as a AAA game, and the other as a smaller project), unrevealed free-to-play co-op game Vanguard, and the new, early-stage project.

It’s worth bearing in mind that since being founded in 1996, Remedy has released just 9 games, meaning this is a huge increase in scope from just a few years ago.

It’s a major increase in project size for Remedy, and Virtala adds in his quarterly review that the company has expanded to 281 employees – and it doesn’t seem to be stopping growth anytime soon. “We have now started to implement the next phase of our strategy to reach ambitious long-term growth objectives,” wrote Virtala. That growth can only have been helped by the fact that Remedy recently had its biggest ever financial year, without releasing a single game.

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Joe Skrebels is IGN’s Executive Editor of News. Follow him on Twitter. Have a tip for us? Want to discuss a possible story? Please send an email to [email protected].