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Call of Duty: Warzone is getting a new paid microtransaction bundles themed around St. Patrick’s Day. The first of these is the “Clover and Out” bundle, which includes a variety of themed items.

Included in the bundle is a new operator skin and blueprints for unique weapons called “Wish Me Luck” and “Top O’ The Mornin’.” Additionally, there is a new weapon charm called “Stout” that is clearly a reference to Guinness, and a “Pot of Gold” charm. On top of this, there is a new sticker called “Shamrock and Roll.” The “Clover and Out” bundle is priced at 1,100 Call of Duty Points.

A second bundle is called the Tracer Pack Green Bundle, and it includes special tracer rounds that are green. The pack also comes with the Snap Dragon and Gangrene weapon blueprints, as well as a Leprechaun charm and an “Uplinked” calling card. This bundle sells for 1600 Call of Duty Points.

Call of Duty: Warzone and Modern Warfare share the same store and both games feature cross-progression, so buying any of this DLC for one game also applies to the other.

In other news, Call of Duty: Warzone recently surpassed 15 million players in under a week, making it one of fastest starts ever for a battle royale game.

“Clover And Out”

“Tracer Pack: Green”

Regal announces closure of all theatre locations starting Tuesday, March 17, 2020, as a precaution amid the current circumstances. All theatres will remain closed until further notice. Please check back soon. We look forward to serving you again as soon as possible.

— Regal (@RegalMovies) March 16, 2020

Final Fantasy VII Remake is right around the corner, but there’s still plenty we haven’t seen from the new game, with most footage released so far focusing on the earliest parts of the game. Now, in the first episode of this new documentary series about the making of the game, we’ve seen new areas and scenes–and it looks glorious.

The video, Inside Final Fantasy VII Remake – Episode 1: Introduction, is embedded below. In contains insights from many of the designers who worked on the game, but make sure that you turn on closed captions if you don’t speak Japanese.

This video comes alongside several new screenshots, which are also worth looking at–but seeing the game in action is even more impressive.

According to Yoshinori Kitase, the game’s producer, he decided to remake Final Fantasy VII after the series’ 25th anniversary exhibition, after thinking long and hard about what he could do with the series “in the time he had left”. He settled on remaking this game because it had “always been in the back of (his) mind.”

The video shows plenty of new footage from around Midgar, including Cloud dancing at the Honey Bee. We’ll see more of the upper city, too, whereas most of the original game’s opening 10 hours were set in the slums of Midgar. According to Tetsuya Nomura, the game’s director, the game has been dramatically expanded: “You can’t go everywehere in the city, but the area you can walk around in has been expanded a lot, and the citizens and characters that appear are depicted in much more detail.”

New music arrangements and completely new themes have been added to the game too, which has caused some pressure due to how iconic the original game’s music was, especially when coupled with the new game featuring voice acting. Composer Mitsuto Suzuki also says that the game incorporates dynamic music that changes depending on your actions.

This first part of Final Fantasy VII Remake will end with the group escaping the city, and the video reiterates that it’ll be as long as a traditional Final Fantasy experience. There’s plenty more in the video, including some enemy designs we haven’t seen before and plenty of battle footage.

The video even features some neat comparison shots between the Remake and Final Fantasy VII Advent Children–Remake undoubtedly looks better.

Final Fantasy VII Remake releases for PlayStation 4 on April 10, and a demo is now available. For more, check out our hands-on report with the game.

The name Liao has been present in Overwatch lore since 2016, leading to much speculation about who the sixth Overwatch founder is. A tweet from the official Overwatch account has broadcast a screenshot of the “Personal Log of Dr. Mina Liao”–finally giving the character a full name.

From the log, we can now gather that Mina Liao is an artificial intelligence researcher who worked on the Athena prototype.

Earlier this year, Overwatch lead writer Michael Chu tweeted a response to a fan’s questions about Liao, stating that they were “definitely still an important character.”

For years Liao’s gender was unknown, and for some time the character was assumed to be an unidentified male character in an artwork tied to Ana’s release. It’s still possible that the unidentified white-haired woman on the cover of the cancelled Overwatch graphic novel First Strike could have been Mina Liao.

While this teaser could just be an expansion of the game’s lore, it’s likely that the cryptic tweet is leading towards the release of a new hero. Fans have speculated that it’s most likely to be Echo, a robotic character who was first teased over a year ago. It’s possible that Dr. Mina Liao could be a playable character herself, however.

Blizzard is currently in development on Overwatch 2, which is still without a release date but will come to PC, Switch, PS4 and Xbox One when it’s ready. It’s unclear whether Overwatch will release any new content for the base game before the sequel is released.

Doom Eternal, which releases on March 20, will not have a traditional deathmatch mode, and is instead shipping with its own unique twist on multiplayer: Battle Mode. Deathmatch was the most maligned part of Doom 2016, but since the original 1993 Doom essentially created the mode, some might wonder why the latest game in the series would abandon it.

Now, in an interview with Shacknews, Bethesda VP of public relations Pete Hines has explained why Doom Eternal has done away with deathmatch. Hines gave a decisive answer when asked if he was “concerned” about the mode not being in the game: “No. That mode is eons old.”

Hines recalls how deathmatch in Doom 2016 was handled by another studio, and ultimately did not fit with the tone of the game: “(It) felt really disconnected from the base game that everybody loved.” Hines indicated that there was a disparity between single-player and multiplayer in that game. “”Whether you’re playing by yourself or with others, we want it to feel like you’re all playing the same game.” That’s as opposed to, “I’m a badass demon slayer in single-player, but when I go over to multiplayer, there are no demons, and it’s just deathmatch.””

“I don’t know what that has to do with [Doom] other than that, well, a couple of decades ago we had that, so we should just have that again,” he says.

Hines believes that Battle Mode is a much better fit for what Doom has become. “For the Doom Slayer, it’s the same experience you know [from the campaign] with the added complexity of playing against humans who are controlling the arena and adding to the challenges you have,” he says. “There’s still an AI element, obviously, but what a player can come up with and throw at you can be far more interesting.”

If you’re wondering whether you’ll be able to experience Doom Eternal on your PC, here are the minimum and recommended specs. Doom Eternal will release at a later date on Switch.